Chimneys are among the most quietly persistent elements in architectural history. Yet their presence persists in nearly every cultural and climatic context, serving as a technical feature and a spatial, atmospheric, and symbolic device. It populates dense city skylines and anchors rural horizons alike, its vertical silhouette as ordinary as a window or a doorframe. This apparent ordinariness is deceptive. The chimney is one of the few architectural components that links the intimate scale of interior life with the expansive forces of the environment. For architects and designers, the necessity of the chimney presents a choice: to let it recede quietly into the building's functional fabric or to amplify it as a central, expressive element that shapes a project's identity.
After the announcement of the selected projects in the categories of Airports, Campus, Railway Stations and Sports, followed by the announcement of the 70 Continental Winning Projects of the Prix Versailles 2021 in the categories of Shops, Shopping Centres, Hotels and Restaurants, there turned out to be a total of 94 new projects competing in the 2021 Prix Versailles World Final.
The annual Prix Versailles awards, created in 2015 to promote a better interaction between the cultural and the economic, announced the 2021 World Selections celebrating 24 projects in the categories of Airports, Campuses, Passenger Stations and Sports.
Aviation architecture has radically transformed. While airports themselves have grown to accommodate countless programs and increasingly higher traffic volumes each year, modern building projects are going beyond this familiar typology to explore the nature of hangars, airfield taxonomy and reuse. While airports have really only emerged within the last century, aviation has captured the imagination of designers for centuries. Today, contemporary aviation designs are being conceptualized as explorative and creative works.
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