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One of the most essential aspects of interior design is lighting – an element that can make or break an interior space of any size or material. Yet good lighting can be especially important for smaller or more crowded spaces, making them feel larger and more open even when their literal dimensions haven’t changed. In turn, larger spaces with poor lighting may feel smaller and less welcoming than they have the potential to be. To make interiors feel aptly large and well lit, designers can rely on several tried and true methods that make the most of a space, from using the right shades and types of lights to placing them in the best locations to integrating other elements that best complement existing lighting. These strategies, as well as several examples of their application, are listed below.

In the heyday of high modernism, architects such as Le Corbusier and Mies van der Rohe extolled the aesthetic value of whiteness, which they viewed as connoting purity and simplicity. Mies van der Rohe’s Farnsworth House, for example, paired the stripped-down whiteness of its structural skeleton with expansive floor-to-ceiling windows, using the enveloping natural light to further elevate the already heavenly aspirations of the space. Today, some contemporary architects and designers have evolved the sublime aesthetics of white high modern architecture by using translucent fabric partitions, complementing the purity of the white walls with the fabrics’ ethereal play of light and shadow. Below, we discuss different design strategies for working with white fabrics in this way, and include two examples of projects that have used translucent fabrics in soothing but innovative ways.