Copenhagen-based philanthropic association re:arc institute has announced the cohort of nonprofit organizations, people, and practices they will support throughout 2024. The organization founded in 2022 works at the intersection of climate action and architectural philanthropy, aiming to support the development of solutions that address the root causes and consequences of climate change.

The architectural field often adheres to conventional industry models, either client-based or competition-based, which can perpetuate problematic or extractive motivations. The re:arc institute hopes to rethink the architecture discipline’s potential for addressing social and environmental concerns by providing a blueprint for pioneering philanthropic projects. To do so, they provide funding to nonprofits, individuals, and community-led projects exploring innovative approaches that prioritize planetary well-being. Their focus is on hyper-local, grassroots initiatives that address climate crises with a strong emphasis on the unique needs of specific places and communities.

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Most biennales and architecture events, especially the recent ones, have influenced and shaped the dialogue of the ones that followed. In fact, during a conversation earlier this year with Lesley Lokko, the curator of the 2023 Venice Architecture Biennale, she explained and affirmed that “all exhibitions […] take sustenance from those that came before”, further noting that “if I look back at the dozen or so Architecture Exhibitions over the past twenty years, each one has contributed in some way to the discourse of the next.”

So far, 2023 has witnessed significant events in the architectural world, ranging from the XXIII Architecture Biennial in Santiago, Chile, and the Islamic Arts Biennale in Jeddah, KSA, to Milan Design Week and Salone del Mobile in Milan, Italy, as well as the Venice Biennale and the UIA World Congress of Architects in Copenhagen. Addressing both contextual and global themes, this year continues to contribute to the international architectural discussion.

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As expressed by 2023 Venice Architecture Biennale curator and architect Leslie Lokko, "after two of the most difficult and divisive years in living memory, architects have a unique opportunity to show the world what we do best: put forward ambitious and creative ideas that help us imagine a more equitable and optimistic future in common."

From Venice's approach to Africa as the lab for the future to Seoul's road to its next 100 years as a megapolis; from Chicago's art-meets-architecture-meets-civic-participation to Sharjah's "beauty of impermanence" in the Global South motto, 2023 will witness a series of architectural events trying to embody those forward ambitious and creative ideas, as explained by Lokko.

Hoor Al Qasimi, the President of the Sharjah Architecture Triennial, and its curator Tosin Oshinowo, have announced the title and theme of the 2023 Triennial as "The Beauty of Impermanence: An Architecture of Adaptability". The theme reflects on the issues of scarcity in the Global South, and how this challenge has created a "culture of re-use, re-appropriation, innovation, collaboration and adaptation". Through these differing modes of practice, the event, which will be inaugurated in November 2023, will explore how people can "reorient global conversations to create a more sustainable, resilient, and equitable future".

Architect Mariam Kamara—founder of Niamey, Niger-based firm Atelier Masōmī—is a contrarian of design pedagogy as it is largely practiced today. To Kamara, modern is not synonymous with European forms, architecture is not only for Westerners to define, and the so-called canon of great buildings actually ignores most of the built world. The Niger-based architect's rapidly growing practice informs a series of lectures she has delivered recently at MIT, Columbia University GSAPP, the African Futures Institute in Ghana, and Harvard GSD.

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A little less than two years after the onset of a global pandemic, inclusion in the architecture profession is unfortunately still a limited conversation. A 2020 survey by the UK’s Architects' Journal revealed a sobering amount of obstacles for Black architects in the UK, and in the United States, prominent Black practitioners such as Mabel O. Wilson of Studio & have questioned the Eurocentric nature of a large amount of architectural study.

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A few months ago – in July 2021, the 47-year-old Kariakoo Market went up in flames in Dar es Salaam. Designed by Tanzanian architect Beda Amuli, the market is a central landmark – a key part of Dar es Salaam’s commercial hub. Early images of a new Kariakoo Market show a taller structure, with six floors compared to the three in Amuli’s design. Conversations on social media have abounded on the new design, and if a “tower” typology is really the appropriate choice considering the unpopular nature of other similar “tower” market halls in Dar es Salaam.

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Countries that are part of the so-called “global south” have undergone many transformations in their cities and urban contexts in recent years due to the economic and social challenges they face. Urban growth, sustainable development, quality of life and health in emerging cities, and the development of their own cultural identity have been some of the issues that local architecture had to incorporate.

Young architects have understood the importance of making an architecture that is deeply rooted in their own territory while giving this architecture a clear local identity. By generating new typologies and using their own resources and materials, they have presented innovative, site-specific, and, above all, solutions with a new fresh focus towards what represents them as creators of this architecture.

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