
Landkolonien Jomsborg / Cubo Arkitekter
Explore Heatherwick Studio's Vessel in This 360 Video
The idea for the vessel came from feeling that we shouldn’t just make a sculpture or a monument – it felt to us that rather than building a sculpture, it would be great if something was creating more public space.
In the latest video in their Daily 360 series, The New York Times takes us inside Heatherwick Studio’s “Vessel” at Hudson Yards. After topping out last week, the full 154 flights of stairs that make up the unique public structure are now in place, offering some pretty extraordinary views of the Hudson River and west Manhattan.
Valley House / David Guerra

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Architects: David Guerra
- Area: 700 m²
- Year: 2017
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Manufacturers: Accervo Design, Amém Casa, Antiquario Móveis, Arca Conceito, Artefacto, +22
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Professionals: Insight Móveis
Construction Halts on Calatrava's St. Nicholas Shrine at the World Trade Center

Construction on the Santiago Calatrava-designed St. Nicholas National Shrine at the World Trade Center has halted, after the church failed to make a series of payments over a several month period to contractor Skanska.
As revealed by the Pappas Post, last week the construction company distributed a letter to its subcontractors informing them that the building contract had been terminated after The Greek Orthodox Archdiocese of America defaulted on making payment. In the letter, Skanska directed subcontractors to stop all work and to remove all tools and materials from the site, or risk not being able to recover them.
Design Society Shenzhen / MVRDV
Good Design Does Have Economic Value—No Matter What Critics of Contemporary Architecture Say

This article was originally published by Common Edge as "What Critics of Contemporary Architecture Are Missing: The Value of Design."
“The reason that highly designed contemporary architecture almost exclusively manifests in iconic structures is that it’s the only way that investing in design and aesthetic quality can turn a profit.” This is the central assertion of “The Politics of Architecture Are Not a Matter of Taste,” published in Common Edge a couple of weeks ago (and republished as “Hate Contemporary Architecture? Blame Economics, Not Architects” on ArchDaily). Marianela D’Aprile’s impassioned essay takes issue with a Current Affairs piece from October, “Why You Hate Contemporary Architecture,” in which the authors, staff writers Brianna Rennix and Nathan J. Robinson, hate on the current state of the design industry.
Both articles confuse me. “Good buildings recede seamlessly into their surroundings,” Rennix and Robinson claim, but the buildings they praise—figural structures such as London’s St. Paul’s Cathedral and the Moorish palace of The Alhambra—stand out prominently. D’Aprile criticizes the authors’ imprecise use of terminology, but, as the opening passage above shows, her own language can be vague, relying on words such as iconic, ubiquitous shorthand among architects. (If it’s intended to convey “distinctive,” the irony is that most buildings described with that term have a similar sculptural character, so in our mind’s eye they all sort of blend together—the opposite of distinction.) She defines architecture as “buildings that have been designed for construction in the physical world.” Aren’t all buildings constructed “in the physical world”? And are all unrealized designs necessarily relegated to something other than architecture?
Sculpture Studio / Modus Studio + El Dorado

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Architects: El Dorado, Modus Studio
- Area: 33000 ft²
- Year: 2017
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Manufacturers: Atas International, Bay Insulation Systems, Dott.Gallina, Solatube
How a Sabotaged Model Can Become an Architectural Masterpiece

Sometimes all your project needs is that little push or three. Travelling on public transport with a model you have spent hours painstakingly fussing over is one of the more stressful situations for an architecture student, especially when you must present it to your tutor. The violence that occurs on a busy bus inevitably predicts the end of your creation, your only hope left is to photoshop what remains.
However, the tutor’s response can be somewhat unpredictable (much like the demise of your model) and you can find yourself in a rare situation where they actually like it. Who knows what is going through their heads, but at the end of the day, they are the ones marking it so I wouldn’t argue.
The Leewardists have perfectly illustrated in their comic the pain that consumes us as we watch our most pride possession deteriorate in front of our eyes.
Corte Bertesina / traverso-vighy architetti

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Architects: traverso-vighy architetti
- Area: 2258 m²
- Year: 2017
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Manufacturers: Bevilacqua Marmi srl, Carretta Serramenti, KLH, Luce&Light, Mitsubishi Electric
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Professionals: Gruppo SIA, L&L Luce&Light
Competition Winning Scheme Weaves Kindergarten and Nature Together

Winning the Italian Ministry of Education's design competition: Scuole Innovative, AS.IN.O is a proposal for a kindergarten and botanical gardens inspired by local materiality and historic context. The team from aut- -aut in Italy, comprised of Gabriele Capobianco, Edoardo Capuzzo Dolcetta, Jonathan Lazar and Damiano Ranaldi, based the layout of the scheme on the typical double courtyard house typology of the Campidano Meridionale area.
Mão Esquerda Vintage Store / Gustavo Guimarães

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Architects: Gustavo Guimarães
- Area: 22 m²
- Year: 2017
Living Smell / Waterfrom Design

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Interior Designers: Waterfrom Design
- Area: 119 m²
- Year: 2016
The House with the Gabion / Spasm Design

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Architects: Spasm Design
- Area: 150 m²
- Year: 2017
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Manufacturers: American Standard, Jaquar, TRG international
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Professionals: Rajeev Shah, A.Y. Ratiwalla
Moling 9 Workshop / TR Architects

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Architects: TR Architects
- Area: 40000 m²
- Year: 2017
Pinwhell House / CEEarch
K11 Atelier at Victoria Dockside / Kohn Pedersen Fox

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Architects: KPF
- Area: 142814 m²
- Year: 2017
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Manufacturers: China Southern Glass, Midori Creation
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Professionals: ALT, Ove Arup & Partners, Rider Levett Bucknall, Simplicity, WSP Group
2017 Bi-City Biennale of Urbanism/Architecture Opens This Week in Shenzhen

Text from the organizers Bi-City Biennale of Urbanism\Architecture (UABB). The Bi-City Biennale of Urbanism\Architecture (UABB), the only exhibition in the world to explore issues of urbanization and architectural development, will be opening for its 7th edition on December 15th, 2017. UABB will be held at Nantou Old Town in Nanshan district, an urban village that was once the administrative center of the Bao'An County. Hou Hanru, Liu Xiaodu, and Meng Yan (in alphabetic order) make up the curatorial team, all known for notable accomplishments in their respective fields. UABB is thrilled to host more than 200 award-winning exhibitors from 25 countries to share their perspectives on diversity and urban villages at this year’s biennale.
North Bondi House / Scale Architecture
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Architects: Scale Architecture
- Area: 268 m²
- Year: 2017
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Manufacturers: Austral Bricks
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Professionals: aSquare Planning, Liquid Hydraulics, SDA Structures, Yuncken Construction









