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Architects: PLH Arkitekter
- Area: 15600 m²
- Year: 2017
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Manufacturers: VELUX Commercial, Atlas Schindler, CL Gulve aps, Campolonghi, Desso, +6
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Professionals: MOE, Per Aarsleff A/S, Vesterholts eftf. aps


Sushi, one of Japan’s most popular and traditional dishes has now established itself as a worldwide favorite for people all around the globe and (indeed) for architects, especially. Many countries have established sushi culture into their menus and restaurants from Spain to Dubai have adapted Japanese architecture to create the perfect space for eating sushi. The key to these serene interiors rely on Japanese interior qualities such as soft illumination, wooden finishings and textures that create the right environment.
Since June 18th is World Sushi Day, we are celebrating with this selection of 10 sushi bars and restaurants from all around the world!


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A recent independent survey of more than 2000 architectural visualization professionals revealed an intriguing trend. More than 20% of these designers and architects are using real-time rendering as part of their presentation workflows right now, with another 40% trying it out for adoption.

As part of our 2018 Venice Architecture Biennale coverage, we present the completed Indonesia Pavilion. Below, the curatorial team describes the exhibition in their own words.
What if architecture has no form and shape? It will be freed.


Even after the death of John Portman & Associates’ namesake architect in January, the firm continues his legacy of innovative and elegant hotel architecture. On Monday, the Atlanta and Shanghai-based firm announced that they had been selected to design a new hotel and residential tower in Xi Shui, China. Portman & Associates’ design, dubbed “Greenland Wuxi 200,” beat out international entries to a design competition hosted by the hotel developer Greenland Hong Kong Wuxi.


Eight sites from the World Monuments Fund’s 2018 World Monuments Watch list have been awarded $1 million in funding from American Express to support much-needed preservation and restoration initiatives. The sites were selected based on their vulnerability to specific threats like natural disasters, climate change or social forces like urbanization that have left them neglected.
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In the town of Moukhtara, Mount Lebanon, L.E.FT Architects have transformed a 100-square-meter structure into a symbolic, picturesque mosque. The Amir Shakib Arslan mosque is a rendition of old versus new with a white steel structure overlaid onto an existing building of cross-vaulted masonry. The angular geometry of the steel plates is a result of the structure’s alignment in relation to Mecca.
Lebanese architectural photographer Bahaa Ghoussainy has released a new series of images which accentuate the contrast that lies between the architectural design of the mosque and the traditional representation of Islamic mosques and prayers. The juxtaposition of an Islamic holy place built in a non-Islamic town is translated into the architecture’s design, merging two dissonant styles into one complementary structure.


Spiral staircases save valuable square meters because they occupy a much smaller area than a conventional staircase. With daring shapes and diverse configurations, they can also be iconic objects in projects. However, the design of these staircases requires careful attention so that you can prevent an uncomfortable or dangerous outcome. Although BIM software simplifies this process, it's always important to understand the restrictions and the underlying concepts.


Architect Kris Provoost, who lives and works in Shanghai, has captured Atelier Deshaus' new Shanghai Modern Art Museum through a series of photographs, displaying both the details of the building as well as its context on the Shanghai riverfront. The Shanghai Modern Art Museum is an adaptive re-use project on the old Laobaidu coal bunker, its industrial exterior kept and re-interpreted into a contemporary architectural project. Provoost captured the beautiful detailing of the project, as well as how it transforms during the cherry blossom season.

Architecture schools and the students they house have a particularly unique and interesting building-user relationship. Architecture students value the buildings of their school not only for providing the valuable work space necessary for constructing studio projects but also as an example and model of a building in use. As the buildings are the places where students first learn how to read and understand architecture, design schools become full-scale teaching tools that help new designers grasp structure, details, how materials perform and interact, and so many of the other core concepts of architecture. While the scrutiny of students and faculty can be exhaustive, architects have embraced the challenge of creating engaging works of architecture that both suit the specific needs of a school and take on the pedagogical challenge of educating students by example.