
In Our Time is an architecture and design lecture series presenting the best thinkers, makers, and builders of today.

In Our Time is an architecture and design lecture series presenting the best thinkers, makers, and builders of today.
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Learn how to create your own eye-catching photographs of the city’s built environment in this hands-on workshop with architectural photographer Matthew Carbone. An introductory discussion about techniques, relevant mobile phone apps and considerations of lighting and composition particular to on-site architectural photography will be followed by an outdoor shooting session in the iconic South Street Seaport neighborhood. Class size limited to allow for individual feedback and instruction.


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The Crisis of Form
André Tavares debates with Juan Coll-Barreu and Nicolás Maruri
Madrid is the first international city to receive a debate to launch the 4th edition of the Lisbon Architecture Triennale. Under the title The Form of Form, this edition is curated by André Tavares and Diogo Seixas Lopes.

Communicating forms
André Tavares debates with Mark Tuff and Tim Abrahams
The Lisbon Architecture Triennale is very pleased to announce the kick-off debate - Communicating Forms – with André Tavares chief curator of 2016’s Lisbon Triennale, Mark Tuff and Tim Abrahams.



Thirty-five years ago today, an Act of Congress established the nation’s only museum dedicated to the history and impact of the built environment. To celebrate our birthday, we’re throwing open our doors and offering free admission to all, as well as birthday festivities throughout the day. Learn more at go.nbm.org/35years.

After the Bolsheviks secured power in Russia in the late 1910s and eventually created the Soviet Union in 1922, one of the first orders of business was a new campaign, Novyi bit (new everyday life), which sought to advance many of the most hallowed causes of their newly minted socialism. The initiative’s great success came from the bold designs of Constructivist artists such as Alexander Rodchenko, Vladimir Mayakovsky, and Lyubov Popova. Using a high-contrast visual language and a combination of words and symbols, the graphics were arresting and comprehensible in a post-tsarist country that was largely illiterate, and became some of the most recognizable examples of twentieth century graphics and political propaganda.
It's hard not to see the connection between the styles of the Constructivists and the unusual graphics created by NL Architects in association with BeL (Bernhardt und Leeser) Sozietät für Architektur BDA for their competition-winning proposal for Hamburg’s St. Pauli neighborhood, consisting of an urban plan of housing and other amenities at the former site of Esso Häuser on the Spielbudenplatz. And, while this stylistic connection may not have been intentionally drawn by the architects - the inspiration for the graphics is not mentioned in the four-page project description - it is oddly appropriate for this particular development.


This fall, the Julius Shulman Institute at Woodbury University presents Matter, Light, and Form: Architectural Photographs of Wayne Thom, 1968-2003 at the Woodbury University Hollywood Gallery (WUHO).

RAMMED EARTH WORKSHOP IN TANZANIA
(Design-Build-Safari)

Author R. Andrew Bittner discusses the techniques used to build the Washington National Cathedral in his newly-released book from Arcadia Publishing (2015). The construction of this neo-Gothic cathedral is presented in photographic detail. A book-signing follows the talk. Book price: $19.80 Member | $21.99 Non-member.

Washington’s Brookland neighborhood gained a jolt of artistic energy with the renovation of Dance Place studio and construction of Brookland Artspace Lofts. Dance Place incorporates a theater, office space, and an expanded dance studio. Brookland Artspace Lofts, a 78,000-square-foot residential development, provides 40 affordable live/work studios for working artists. Yolanda Cole, AIA, IIDA, LEED AP; Holly Lennihan, RA, LEED AP; and Starr Ashcraft, LEED AP BD+C with Hickok Cole Architects lead a tour of the buildings and explains how the programmatic needs unique to artists impacted their final designs. 1.5 LU HSW (AIA) / 1.5 CM (AICP) / 1.5 PDH (LA CES)