The White Bay Power Station precinct and Glebe Island, two key sites in one of the last major redevelopment sites on Sydney's inner harbour, are the focus of a new international design competition launched by the New South Wales Government. The open, two-stage Bays West International Design Competition seeks a design-led Urban Framework that will guide the transformation of the precinct into a new waterfront neighbourhood.
Communicating an idea using only the essentials is a far greater challenge than it often appears. From Japanese haikus to the refined sculptures of Constantin Brâncuși, many artistic expressions have sought to condense the maximum meaning with the minimum of elements. This economy of form is not a sign of scarcity, but of intensity: every stroke, every word, every silence gains weight. There is something intrinsically appealing in what presents itself as simple and well-resolved, whether it is a text that wastes no words, a tennis player who moves with purposeful gestures, or a melody that is both direct yet unexpectedly profound.
That same principle, which transcends various artistic languages, resonates deeply in contemporary design. When reduced to the essential, furniture or everyday objects reveal a form of beauty that arises from precision and transcends their function. This is exemplified by HUM, the new collection of taps developed by designer Philippe Malouin for QuadroDesign, in which a simple gesture is transformed into a complete language.
M3 Monaco's Smart & Sustainable Marina Rendezvous competition returns for its sixth edition with an open-architecture Call for Ideas centered on Marina Opatija, on Croatia's Kvarner Bay. This article sets out what the competition asks of designers: a focused, high-impact intervention built around three required buildings, the pillars and sustainability criteria behind the brief, the key dates leading to the August 2026 deadline, and how to enter, free of charge, for professionals and students alike, with the top finalists pitching their work at the Yacht Club de Monaco.
Architecture project information does not live only in CAD or BIM software. Design briefs, drawing PDFs, contracts, quotations, site reports, approval files, and project specifications are often the documents that teams open, revise, send, and confirm every day.
When these files are scattered across emails, chat tools, scanned copies, and different devices, version mistakes, approval delays, and missing information can easily happen. For architects and small studios, this not only slows down communication. It can also affect project accuracy, client trust, and delivery timelines.
In the field of architecture, wood was one of the first materials used by humans for construction, evolving and facing various challenges over the years. From the integration of new technologies into industrial production processes to ancestral techniques and materials reinterpreted for contemporary times, timber construction continues to garner significant interest among architects and designers. Beyond its versatility, strength, appearance, and sustainability, cross-laminated timber, commonly known as CLT, presents a highly promising future for the industry.
Architecture often draws on the history of a place, translating local narratives into contemporary forms, materials, and spatial experiences. Located in the spa town of Bad Orb near Frankfurt, ALEA RESORT HIDEAWAY follows this approach, taking inspiration from the site's history of salt extraction.
Designed by PLAJER + FRANZ studio, the 5,200 m² hospitality project references the geometry of salt crystals through its architectural language while using lighting solutions from OLEV to shape the atmosphere of its interior spaces. In this interview, architect Alexander Plajer discusses the project's relationship to its context, the design process, and the role of lighting.
For decades, professionals have accepted an uncomfortable reality: hours spent at a desk often result in stiff backs, constant shifting, and creeping mental fatigue. While conventional ergonomic seating has sought to improve comfort through adjustable mechanisms, it has largely continued to assume that effective sitting depends on maintaining a stable posture. Growing understanding of the relationship between movement, physical well-being, and cognitive performance suggests a different approach, one in which motion becomes an integral part of the seating experience rather than something to be minimized.
How we perceive space is a crucial aspect of architecture and interior design, profoundly influencing our interaction with the environment. Consequently, spatial perception is shaped by elements such as furniture arrangement, lighting, color usage, and selected materials. The latter is particularly significant, as the same material can be employed in various ways, resulting in atmospheres with distinct characteristics.
An example of the potential variations in material use is fluted cladding. These are milled MDF surfaces with a linear pattern designed to decorate interior walls and ceilings. They can be applied to a variety of surfaces, though they should only be used in areas not exposed to humidity. The system is notable for its ability to accentuate space through different configurations. Depending on their arrangement and type of ripple, these configurations can modify the spatial experience by highlighting, directing, enveloping, and achieving visual balance in homes, offices, commercial spaces, and more.
Taking a deeper look at the interplay of light and shadow in architecture seems to be a recurring topic on the agenda of many professionals in the field. Spaces of light and darkness are conceived to enhance circulation and spatial directionality, as well as to highlight the colors, textures, and forms of specific architectural elements. That said, the impact of natural light on building facades reveals the need to develop strategies that support energy savings, improve the thermal and visual comfort of interior spaces, and promote the reduction of carbon emissions. Considering light as another material in architecture, in what ways could its power contribute to the architectural experience?
Buildner has announced the results of its Re-Form: New Life for Old Spaces, second edition, an international ideas competition examining the adaptive reuse of small-scale existing buildings. The competition invited architects and designers to propose transformations of used, abandoned, or overlooked structures with an approximate footprint of 250 square meters, located anywhere in the world. With no fixed site or program, participants were encouraged to explore alternatives to demolition and new construction through reuse strategies grounded in contemporary social and environmental concerns.
Most of Europe's future housing already exists, yet renovation continues to happen too slowly to address climate, housing, health and resource challenges at the scale required. Re:Living explores how renovation can move from isolated projects to a scalable approach for transforming existing buildings. At the heart of the initiative is a new research project, The Housing We Need for the Future We Want, which examines how better use of the existing building stock can unlock new opportunities for architects, cities and communities.
Set on the banks of the Sava River in Belgrade, Serbia, the site of a former cement factory became the starting point for the 21st edition of the Saint-Gobain Architecture Student Contest. Organized in cooperation with the World Green Building Council, OneClick LCA, the City of Belgrade, the Academic Yachting Club Belgrade, the Serbia Green Building Council, and the Green & Blue Corridors Association, invited students to imagine a new Sports and Recreation Hub capable of transforming an industrial waterfront into a year-round public destination. More than 200 universities from 34 countries participated in this 21stedition of the Architecture Student Contest.
At Salone del Mobile 2026, MARA presented its latest collection within a fair-stand concept designed by Italian architect and designer Ferruccio Laviani. Conceived as a micro-abstraction of an arena, the installation placed visitors at the center of an ascending spatial composition, where the brand's newest products were displayed across stepped tiers.
The setting was inspired by the idea of the Greek theatre as a place of encounter, exchange, and collective observation. The stand proposed a kind of architectural landscape in which visitors could sit, move through the space, observe the objects from different angles, and engage with the brand in a more direct and experiential way.
Interior designers who find themselves facing project parameters, budget constraints, client demands, and the maintenance of a design aesthetic have a lot to juggle. Tight turnaround schedules put pressure on designers when clients request multiple revisions. A mismatch between drawings and renderings undermines the delivery of a cohesive design plan. In today's competitive, digitally driven architectural field, success follows when designers can provide technical details from concept to construction by leveraging advanced technology and strategic tools within a single modeling software.
Under the theme Common Ground, ICFF 2026 brought together the international design community through a shared focus on craftsmanship and innovation. From May 17–19, 2026, ICFF (International Contemporary Furniture Fair) returned to the Javits Center for a landmark edition that celebrated the global design community during NYCxDESIGN.
Building roofs are advancing through a multidimensional optimization process that encompasses technological innovations, new materials, energy-saving performance, and faster construction methods. From green roofs and rainwater harvesting systems to solar panels, contemporary architects are working to balance aesthetics, performance, durability, and environmental impact in their projects. Roof renovation not only extends the service life of buildings but also reflects an environmental commitment by improving efficiency and sustainability.
Over the past decade, the definition of a performing arts venue has shifted. No longer singular-purpose destinations, today's cultural facilities are expected to operate as flexible, revenue-generating, community-centered ecosystems. This evolution has challenged architects, operators, and owners to rethink not just how venues are designed, but how they function over time.
Buildner has announced the results of its Museum of Emotions Competition Edition 7. The Museum of Emotions is an annual international design competition that tasks participants to explore the extent to which architecture can be used as a tool to evoke emotion.
The brief calls for the design of a conceptual museum with two exhibition halls: one designed to induce negative emotions; the other designed to induce positive emotions. Participants are free to choose any site of their liking, real or imaginary, as well as choose the scale of the project. The meaning of 'positive' and 'negative' is up for interpretation: What two emotions might a designer consider contrasting? How might an architect conceive spaces which elicit fear, anger, anxiety, love or happiness?
