Exhibition: The Latest Architecture and News

A+D, The Architecture and Design Museum of Los Angeles, presents Souper Green, an exhibition of new architectural work that offers a compelling alternative to the conventional idea of “being green” starting February 12th from 6pm-9pm to April 14th.

Highlighting the fact that technology is a key factor in the environmental crisis—to some a main cause, to others the best answer—this work questions the corresponding ways “green technology” is normally cast as a form of penance, and asked to “solve the problem” (as in “please-make-it-go-away-I-don’t-want-to-hear-about-it”). Instead, these five projects promote an attitude that looks at technology as a uniquely human means of expression, through which the “natural”—in its broadest sense—can be engaged and made more visible. More event description after the break.

LightHearted is the winning design for this years Times Square Valentine, an annual competition to deign and build a heart for Times Square. Designed by Freecell, a 2010 P.S.1 contestant, in collaboration with Peter Dorsey, the ten-foot diameter heart is a light weight construction, with five pairs of aluminum elliptical loops radially arranged with rotating connections. The structure is covered with an open weave red fabric that both captures and reflects light while letting wind pass through.

LightHearted is an interactive installation, six people will hold the heart up for fifteen minute intervals. The ten-day event, February 10 to February 20, will need over 2,600 volunteers to share in this collective experience.

Head to the LightHearted website and sign up for your fifteen minutes on their volunteer calendar!

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Architects: Freecell, and Peter Dorsey Location: 46th Street and Broadway, New York City, New York, USA Web Design: Deelux Sponsor: Times Square Alliance Public Art Program Photographs: Courtesy of Freecell

Double Infinity is a collaborative exhibition by HHD_FUN in collaboration with Holland Van Abbe Museum and Arthub, commissioned by Holland Art Center. It’s opening coincides with the opening of the Shanghai World Expo and is aimed at connecting these two countries, China and Holland, and two cities – Shanghai and Eindhoven. The aim is to conduct an impressive virtual dialogue by sharing the respective daily conditions and spatial features. More images and exhibition description after the break.

The Los Angeles design collaborative, SPORTS, has sent us their most recent project, a gallery installation in Hollywood, California. A description of the project and additional images are after the break.

Surface Deposit is an exhibition of fragmented sculptural assemblages based on the analysis and research of digital data collected by a 3-dimensional laser over several months during the summer of 2010. Incorporating various materials, including remnants from Tyler School of Art’s former campus in Elkins Park, PA, Lead Pencil Studio will explore notions of accumulation through elements of architecture that are not inherent to a structure’s original design. Their practice is self-described as “architecture in reverse…our projects are everything about architecture with none of its function…spaces with no greater purpose than to be perceived and question the certainty posited by the man-made world.”

The Longview Gallery in Washington DC invited David Jameson Architect to design an installation that investigates the relationship of art and architecture. The gallery space is housed next to the DC Convention Center in the shell of a 1930’s auto repair garage. Conceived as a spatial armature, Stalling Detritus, as the installation is called, creates a gallery within the gallery by weaving steel beam scraps through space that react to the topography of the concrete structure.

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Architects: David Jameson Architect, Inc. Location: 1234 9th St NW Washington, DC, USA Principal: David Jameson Project Architect: Ron Southwick Contractor: Rockville Iron Works Inc Project Year: 2010 Photographs: Alan Karchmer Photography

Taking inspiration from the behavior and volume of an idealized cloud, Dan Goods, Nik Hafermaas, and Aaron Koblin created eCloud an interactive sculpture for the San Jose International Airport. The dynamic liquid crystal scultpure hangs from the ceiling displaying weather data from the National Oceanic and Atmospheric Administration. eCloud is constructed from polycarbonate tiles appearing as transparent and opaque depending on the pattern which is in constant motion transforming every 20 seconds.

Recent graduates of the University of Western Australia shared with us their 5th year work studying Soviet Constructivism by researching, analyzing and reproducing various significant buildings from the movement. Additional images of the collection are available after the break.

Following a resounding success at Aedes Gallery in Berlin, international design practice Austin-Smith:Lord is bringing the Informal City of Century XXI and Measure of Man/Measure of Architecture exhibitions to London, England starting with an invitation only conference on January 19th followed by their public exhibition open from January 20th to the 25th. The event will take place at The German Gymnasium, 26 Pancras Road, London N1C 4TB More images and event description after the break.

Salvaged Layers; a Collaborative Site Specific Performance project was an interdisciplinary collaboration between two groups of students from separate Universities. The studio challenged students to explore issues of craft, making and place through a series of full scale built interventions in a historic Indianapolis theatre which had been gutted in anticipation of a planned renovation. The raw state of the theatre’s interior gave students a rich and evocative palette to engage while simultaneously liberating them from the conventional notions of stage and audience.

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Architects: Students of Ball State University Department of Architecture; Faculty Coordinator Timothy Gray, Gray Architecture Location: 5505 E Washington Street, Indianapolis, Indiana, USA Project Team: Mark Vanden Akker, Austin Lucari, Jay Weeks, Brad Wanek, Veronica Eulacivo, Eric Jenson, Michael Neizer, Paul Reynolds, Greg Hittler, Luke Haas, Ben Greenberg; (Butler University) Jacqueline Vouga, Jeff Irlbeck, Jill Harman, Amanda Lynn Meyer, Amanda Miller, Joe Esbenshade, Chris Ziegler, Jessica Conger, Steph Gray, and Butler University Faculty Coordinator Melli Hoppe Client: Dale Harkin, Irving Theatre Project Year: 2010 Photographs: Greg Hittler, Courtesy of Gray Architecture

We received the following exhibition by Chandler Ahrens and John Carpenter. It is located in Brooklyn, New York City, and it was inaugurated on the occasion of the conference ACADIA 2010 LIFE in:formation hosted by The Cooper Union. It examines concepts, tools and technologies that implement responsive and generative aspects of information in the design process.

The exhibition chairs are Chandler Ahrens, Michael W. Su and Axel Schmitzberger and conference chairs are Pablo Lorenzo-Eiroa, Aaron Sprecher and Shai Yeshauyahu.

Further information and photos after the break.

The installation of Emergency Exit, the Polish Pavilion at the 2010 Venice Architecture Biennale, by artist Agnieszka Kurant and architect Aleksandra Wasilkowska, seeks to go beyond the logic of urban reality through the creation of ‘urban portable holes’: in-between spaces, places of uncertainty and doubt, of time-space discontinuity, such as abandoned or unfinished buildings, sites of catastrophe or accidents, illegal markets, rooftops and tunnels. The title refers ironically to the health and safety regulations in buildings and urban space that seek to plan, control risk and eliminate the accidental and unexpected. More images and architect’s description after the break.

STILLS shows the development of the oeuvre, shows the projects, expands upon the theoretical background and offers insight into the sources of inspiration and fascination of Wiel Arets himself. From his very early beginnings to his striking and unique personal vision on the future of urban development exemplified by the utopian ‘Zuidstad’ model.

Architects Leong Leong recently shared their photographs from Turning Pink at W/ Project Space in New York’s Chinatown. Made from 3inch rigid insulation and mirrored acrylic this temporary and site-specific installation was part of a series that ‘explore the translation of a legible figure into a continuous visual field’.

More photographs and drawings about the Turning Pink installation following the break.

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Architects: Leong Leong Architecture Location: New York City, New York, USA Principals-in-Charge: Dominic Leong and Chris Leong Project Team: Nathan Smith, Christina Galvez, Sarah Carpenter, Greg Bugel, Brittany Drapac, Naomi Szto Builder: Leong Leong Architects Sponsors: 3.1 Phillip Lim and Pabst Blue Ribbon Project Area: 60 sqf Project Year: 2010 Photographs: Courtesy of Leong Leong Architecture

German-Persian photographer Patricia Parinejad will exhibit a selection of photographs at the Niteroi’s Museum of Contemporary Art, Rio de Janeiro composed in the context of a comprehensive photographic essay of Oscar Niemeyer’s buildings during the last five years.