As trivial as the act of flipping a switch and lighting up a room may seem, we've had to come a long way to have safe and reliable light sources. It is estimated that the first lamps were invented 70,000 years ago, consisting of hollowed out stones or shells filled with an absorbent material soaked with animal fat that could be ignited. The Egyptians, on the other hand, used decorated ceramic vessels filled with oil, which provided a constant flame. Candles were popularized during the Middle Ages, made of tallow (animal fat) or beeswax, and could be burned in simple candlesticks and chandeliers. It was in the late 19th century that Thomas Edison and his team invented an incandescent light bulb that could be mass manufactured and was economically viable, soon becoming the dominant form of lighting for much of the 20th century. Although it was a revolutionary invention at the time, we are now aware that these lightbulbs are not very efficient, and they were eventually replaced by fluorescent and, more recently, LED bulbs. But if we have already advanced so much in such a short time, what can we expect for the future of lighting, and more specifically, how will our interiors be lit in a few years or decades?
Tadao Ando. Image Courtesy of Tadao Ando Architect & Associates
The Naomi Milgrom Foundation announced Tadao Ando as the winner of the commission to design the MPavilion 10 in Queen Victoria Gardens in Melbourne. This will be Ando’s first project in Australia, as he will be taking part in the country’s foremost annual architecture commission and design festival. Now in its 10th edition, the MPavilion gives complete freedom to the designers to create their concepts and realize their vision, hoping to encourage new and unique design languages to further develop this vital site in the cultural and community life of Melbourne. Details of Tadao Ando’s design will be revealed in May, and the pavilion is scheduled to open to the public on November 16, 2023.
The Developer Red Sea Global has partnered with the wellness brand Clinique La Prairie to develop a high-end health resort in Amaala, located on the northwest coastline of Saudi Arabia. The resort will host 13 villas and 52 houses and suites. It will also feature a diagnostics lab, a museum, a beach club, workshops, training rooms, private dining spaces, and a cooking school, activities that ensure that the visitors embark on a journey of rejuvenation and self-discovery.
The finalists for the Opera of the Future competition have been announced. This urban planning competition, commissioned by the state capital of Düseldorf, was created to select a location for the new cultural institution. After an extensive examination of potential site locations, the two options for the competition proposals were: Heinrich-Heiene-Allee, where the current opera house is, and Am Wehrhahn.
Throughout the brief, firms were encouraged to figure out how this future project could become a lively and public space open to the entire city, offering a wide range of services. As a result, submissions were received for both prospective buildings, and the finalists for each location were announced.
Sunshine has been an integral part of life ever since the sun and the earth began their merry dance. The feel-good ambiance provided by natural light is a recurring theme in human culture, from popular music, fashion, and photography, to our most luxurious environments.
But our bodies’ craving for sunlight is more than just a feeling. Scientific research has proven it helps our bodies to produce more melatonin which aids sleep and reduces stress, vitamin D which improves immunity and strengthens bones, and serotonin which fights depression. As well as helping us to live healthier and happier lives, research suggests the sun also helps us to live longer, too.
“With the forgiveness of the master [Le Corbusier], the house is a machine to carry with you and the city a machine to which you connect”. That phrase was said almost 60 years ago by David Greene, the founder of the English group Archigram. He was speaking on the presentation of the Living Pod, a capsule house that could be transformed into a trailer. The idea was that the structure could be connected and disconnected from the cities, forming the Plug-In City. Designed as an airtight capsule, the interior was small and comfortable, with multiple compartments. The Living Pod was one of many similarly utopian and daring projects by this group that seemed to have a fixation on nomadic and mutant structures like the Walking City and the Instant City.
In 1950, the famous Le Corbusier was asked to design the new state capital of Chandigarh for Punjab following its separation and recent independence. The opportunity to create a new utopia was unparalleled- and is now seen as one of the greatest urban experiments in the history of planning and architecture. The city employed grid street patterns, European-style thoroughfares, and raw concrete buildings- the zenith of Corbusier’s ideals throughout his career. But what is lesser known about the ideation and realization of Chandigarh, was the woman who brought her experience of designing social housing across Africa to the project. For three years, working alongside Corbusier, and helping him design some of the best-known buildings in Chandigarh, was Jane Drew.
David Hotson (b. 1959) founded his New York City-based practice David Hotson Architect in 1991. His projects – houses, loft residences, penthouse apartments, and galleries – are known for their remarkable spatial and visual complexity. His Church of Saint Sarkis in Carrollton, Texas is especially distinguished for the luminous and sculptural qualities of its interior space as well as the exterior grade high-resolution digital printing on its west façade. Earlier this year this appealing work won the US Building of the Year award by World-Architects.com. Hotson obtained his Bachelor of Environmental Design from the University of Waterloo in Ontario, Canada, and earned his Master of Architecture in 1987 at Yale.
In the following interview with David Hotson, we discussed the architect’s design process, focusing on making concave spatial voids legible and primary, being inspired by Byzantine architecture and his favorite building ever built, what structure he considers the most important work of contemporary architecture, what makes his award-winning Church of Saint Sarkis special, and the use of space and light as the essential tools in creating architecture as a figural void and ultimately an art form.
The significance of daylight in volumes of space exceeds its function of illumination. Light is a creative tool manipulated by architects to infuse a space with a metaphysical spirit, influencing the emotional states of its occupants. Having a phenomenological effect on the human psyche, light and shadow have been played with to invoke a sense of divinity and spirituality into the character of religious buildings. The interplay between architecture and light is a powerful one, shaping a deeper experience of spirituality.
Imagine if light would not only provide optimum visibility for tasks but convey meanings as well. Standards with recommended lux levels for various visual tasks have led to a quantitative understanding of lighting. However, lighting can also be used to contribute to emotion in rooms and to structure architecture. Would it be adequate to regard lighting as language sent by architects or interior designers and being received by inhabitants and citizens? Adding a semiotic perspective can help to recognize how light and shadow contributes to the meaning of the built environment.
Animals measure distances and weight for their survival. On the other hand, stemming from their need to communicate to live in society, humans created languages and, later, established the standards of measuring. Whether for moving around, portioning food, making tools, or calculating the weight of objects and animals, measurement standards arise from this need that was already present in human activities in the age of chipped stone and has been with us ever since. Nowadays, most of the world's population uses meters and centimeters to measure distances. These standards come from the need to establish comparisons that allow trade between peoples and also from political and social disputes.
When Airbnb began nearly 15 years ago, it offered a new and innovative solution to book short-term stays without any hassle. By renting out a spare room or an entire apartment, it provided an alternative to traditional hotel models which were often overpriced and overbooked. Airbnb now faces many critics as the company quickly grew, offering hundreds of thousands of stays around the globe, but not without a handful of negative experiences. Now, planners and policymakers are beginning to see the effects of the abundance of Airbnb listings and how it impacts a growing housing crisis.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Architect Joshua Aidlin, Founding Partner of Aidlin Darling Design to discuss his background in the arts; his design approach and philosophy; camping on project sites; creating good office culture; his partnership with David Darling; and more.
Research by the Science Museum Group based on objects from different periods of UK history shows how their colors have transformed over time, leaving vibrant tones behind and becoming grayer every day.
Cat Sleeman examined more than seven thousand photographs of everyday objects from the Science Museum Group Collection in research funded by the Creative Industries Policy and Evidence Center (PEC). From cameras to lamps and other household objects, they were organized into 21 different categories according to their use. The analysis was carried out based on counting pixels of different colors and also addressed the shape of the objects.
Munich – Bavaria’s capital since 1506 – is a city with layers and layers of history. Its many years as a rising architectural epicenter have left an interesting and unique mix of buildings. From Middle Age churches and cathedrals to contemporary synagogues. From skyscrapers to small pavilions. Brutalism to Art Nouveau. Munich’s architecture is truly extensive and marvelous.
Though not acknowledging Munich’s beer wonders would be wrong, the only mention of this substance would be in the stunning buildings (like the new Paulaner HQ by Hierl Architekten) that contain them. Yes, other aspects of the city are grandiose, but let’s focus on Munich’s top attraction: its architecture.
Sir David Chipperfield has been awarded with the 2023 Pritzker Prize, the highest distinction in the architectural profession. Known for his well-crafted, precise, and sensible response to complex environments, the architect became initially recognized for the skillful restoration and renovation of existing buildings, often cultural institutions, before expanding the range of projects to include new structures. While his built body of works demonstrates many of the core principles of good architecture, the ongoing projects reveal an equally relevant narrative: that of his direction moving forward and the way in which his approach to these principles evolves.
Many of the ongoing projects continue Chipperfield’s interest in museological and cultural institutions, yet he continues to work across a wide array of building types. The latest major project announced tackles one of the most prominent institutions in Greece, the National Archeological Museum. This represents yet another opportunity for the architect to present museums as institutions that offer a transformation of the urban life of the cities where they are located, while also bringing forward the historical layers that define its architecture. Other projects, such as the Santa Giulia Arena in Milano or the Elbtower in Hamburg, expand the range of programs and typologies addressed by Chipperfield.
El Cosmico 3D-printed Hotel - exterior. Image Courtesy of ICON, BIG for El Cosmico
Hospitality expert Liz Lambert has announced a collaboration with ICON, the office that pioneered large-scale 3D printing, and BIG – Bjarke Ingels Group, to rebuild El Cosmico, a campground hotel in Marfa, Texas. The team plans to relocate the venue to a 62 acres plot, where new architectural approaches are made possible by including advanced technologies and 3D-printing elements such as domes, vaults, and parabolic forms. The innovative development will feature guest accommodation and new hospitality programming, including a pool, spa, and shared communal facilities. The project is expected to break ground in 2024.
