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“These types of projects are of vital importance because they seek to reverse social, economic, urban, and political instability, providing organized attention to community needs and creating built platforms that serve as a bridge between the intrapersonal and intra-institutional scales.” Excerpt from the project description of the Community Development Center / OCA + BONINI

Since 2008, World Social Justice Day has been observed every February 20 to support and promote the international community's efforts to achieve sustainable development, poverty eradication, the promotion of full employment and decent work, universal social protection, gender equality, and access to social well-being and justice for all. According to the United Nations, “Social justice is an underlying principle for peaceful and prosperous coexistence within and among nations," representing the core of its mission to promote development and human dignity.

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Cross-ventilation, solar radiation control, rainwater harvesting, indirect natural lighting, graywater treatment and reuse, and solar energy harnessing through panels are some of the passive strategies that allow for greater thermal and environmental comfort at low energy costs. When based on a proper understanding of a site's geographical and climatic conditions, these bioclimatic principles can significantly optimize building performance and foster the development of better interior spaces.

Although we typically associate their presence with playgrounds in parks, gardens, or schools, the swing or hammock—the terminology varies by region—is an element that can also function as complementary furniture in architectural projects with highly diverse programs, such as bars, restaurants, homes, and even offices and coworking spaces. These elements introduce movement and dynamism, creating interactive spaces that allow for a playful and unusual appropriation of architecture—one that fosters not only play, but also leisure and rest.  Suspended by tension-bearing elements—such as cables, chains, ropes, or solid bars—and anchored to ceilings, walls, beams, or dedicated structural supports designed to prevent overloading, these elements can completely redefine an interior or semi-covered space. In doing so, they provide a stimulus for play while also offering a place for relaxation and moments of quiet contemplation.

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In Asunción (Paraguay), the XI Ibero-American Architecture and Urbanism Biennial (XI BIAU) have presented the winners of the Panorama de Obras section (Projects Panorama) of this contest edition, "all faithful to the spirit of the XI BIAU: living, the inhabitant," according to the organization.

Among 997 proposed works throughout Latin America, 17 architectural works —predominantly public projects— built in Argentina, Brazil, Chile, Ecuador, Spain, Mexico, Paraguay, Peru, Portugal, Uruguay and Venezuela are the winners of the XI BIAU.

In Asunção, Paraguay, the XI Ibero-American Biennial of Architecture and Urbanism announced today the winners of the Panorama of Works section for this edition of the event, "all faithful to the spirit of the XI BIAU: inhabiting, the inhabitant," according to the organizers.

Out of 997 projects in Latin America, 17 architectural works—predominantly for collective use—built in Argentina, Brazil, Chile, Ecuador, Spain, Mexico, Paraguay, Peru, Portugal, Uruguay, and Venezuela were awarded.

The series of articles developed by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy and Ernesto Philibert-Petit researches the peculiarities of social housing in Latin America. 

This time, the proposal focuses on how human health and well-being depend on the geometry of the environment. Check the previously published pieces and the new article, below.

• 1. Design That Establishes Emotional Ownership
• 2. Anti-Patterns of Social Housing in Latin America
• 3. The Geometry of Control

4. Biophilia, Connectivity, and Spirituality.

The XI Ibero-American Biennial of Architecture and Urbanism (XI BIAU) recently announced the 210 selected works for its upcoming edition, which will be held for the first time in Asunción this October.

The winners of the Panorama of Works Award will be chosen from this list of selected projects, which includes the 14 Peruvian works featured below.

In this feature, we showcase Peru's progress in the design and construction of educational architecture.

It is best to remember a diverse Lima, rather than the centralized capital. To remember that this very centrality has turned it into a meeting ground for Peru's diverse cities. Everyone comes to the capital, yes, but in this city, the three regions (coast, highlands, and jungle) blend while preserving their essence like nowhere else. "Todas las sangres" (All Bloods) is the title of the most ambitious novel (1964) by Peruvian writer José María Arguedas—an attempt to portray the whole of life through the representation of geographical and social settings from across the country. This expression, which remains relevant today, points to the racial, regional, and cultural variety of our society. Speaking of "all bloods" unites and blends us: it contains and integrates our diversity. Speaking of "all colors" evokes this colorful and intercultural nature. 

As the year comes to a close, we look back... what captivated us most? After presenting the best architecture of the year, we now focus on identifying representative projects. Among the wide range of Peruvian works published in 2018, those that had the greatest impact on our platform span various scales and typologies. Below, you will find everything from a private house to a public library, by both established and emerging architects—reflecting architecture for everyone.

May the work continue.

Most committed architecture students will agree that as the years of learning go by, a growing urge arises to speak up, express ourselves, and mobilize in different ways to bring the architecture we study in school to life. This spark is further ignited in a country where development is largely controlled by private interests rather than public ones, and where, above all, deep inequality persists amidst vast potential diversity. Outraged, our voices are increasingly being heard as citizens. We are stepping out of the classroom, seeking dialogue, marching more frequently, and carving out new paths to intervene in and transform our social reality. And we realize, or rather, we return to the natural understanding of our political role within architecture.

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