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One of the most common decorative objects in projects, mirrors have existed since the Badarian civilization, around 4,000 BC. With several transformations in its material and manufacture, the mirror is a decorative object and can also serve as a design strategy.

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The rationality of orthogonal shapes dominates architecture, despite grand gestures that have sought to oppose themselves throughout history. In large-scale production, the right angles, repetition and modularity of the block or grid of pillars help in the efficiency of construction, despite reproducing the same spatial solutions. Unlike buildings, interior architecture can propose alternatives to break this rationality, whether from partitions or decorative objects.

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As much as walls, ceilings, and furniture pieces define the character and perception of an architectural project, doors play a critical role in building that style. Among all the doors used in houses, the front door is the first tangible element that homeowners and visitors will encounter, acting as the pivotal point where architecture greets the user. After all, first impressions are always important; and the entrance door is certainly one that can set the tone for the rest of the interior. However, choosing the right front door for a contemporary house can be difficult, especially with so many design possibilities. Therefore, before making that decision, it is crucial to know what those possibilities are – and how these can transform the front door into a design statement.

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Originating as protection against low temperatures around 3,500 years ago, carpets and rugs have, over time, evolved into a true art form, reaching a high level of specialization by the 16th century. Rugs, carpets, and tapestries of various shapes, colors, textures, and patterns are integrated into different areas of the home to meet users' needs and enhance spatial comfort, sometimes extending far beyond their original purpose.

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The visual aesthetic of the past few decades could be defined as designing with the principles of ‘nothingness’. Whether it’s through art, lifestyle, fashion, industrial, or interior design, there has been an alleged need to keep things at a bare minimum, promoting the globally-loved-yet-highly-criticized trend of minimalism. Minimalism is this notion of reducing something to its necessary elements, but who is deciding what is necessary, and who is deciding what is too much? With those questions in mind, combined with radical changes in consumerism and the way people live seen during recent years, current trends have shown that minimalism might be here to stay, but with a twist.

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As transitory as trends may be, they always have a way of coming back. We see it all the time in fashion, with clothing pieces we thought were long gone coming back in style and reconquering the market. Interior design is no exception. Although this century has set the ideal on subtle sophistication and simplicity – with white surfaces, clean lines and slick gloss finishes –, bold retro enhancements are reviving in residential and commercial interiors. Whether in the form of vibrant colored walls, floors with intricate geometric patterns or vintage-looking furniture pieces, there seems to be a renewed appreciation for design elements inspired by trends from the second half of the 1900s, particularly from the 50s to the 80s.

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Videos

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Hammocks are an undeniable passion and an iconic design element in Brazil and are key pieces of furniture in many Brazilian homes. In small houses or apartments, however, hammocks can often be difficult to place in the room. This article shows examples of how to include hammocks in architectural projects and ideas to inspire you to hang one in your apartment.

As an architectural project comes to its last phases, it is time to put together the smaller details in bathrooms and kitchens, which means choosing finishes for the walls and floors, as well as the countertops, and picking the right fittings and fixtures. These elements are essential for a well-designed space, regardless of the style.

Beyond viewing the home as mere shelter and protection, there is now a much greater complexity of functions integrated into the elementary programs of dwelling. We no longer think only of spaces for sleeping, cooking, and bathing, but rather of a series of new programs that demand new spaces and configurations. Among these, leisure emerges as an activity integrated into living, in the form of backyards, swimming pools, and TV rooms. 

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Within an increasingly specialized environment, architecture is becoming a collective endeavour at every stage of the design process, and social sciences have acquired an important role. As architecture has become more aware of its social outcome, decisions formerly resulted from the speculative thinking of the architect are now backed up by professional expertise. The following discusses the increasing role of humanist professions such as anthropology, psychology, or futurology within architecture.

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The relationship between architecture and structure has been widely discussed and is repeatedly revisited by architects with every new project. Much like plumbing and electrical systems, the structural system is one of the essential disciplines that make up a building. Yet, it is one of the most impactful on the architectural outcome, directly shaping the spatial experience and the chosen materiality. Mastering structural design and understanding how to best integrate it into the architectural project grants architects greater autonomy and expands the possibilities of design solutions. 

Selecting a structural system and deciding how to incorporate it into the architectural design is a pivotal decision in any project. On one hand, architects can choose to absorb structural elements, camouflaging them within the building envelope to make them imperceptible. On the other, the structural system can be brought to the forefront, turning into a defining feature of the design—whether through its structural logic, its materiality, or by being elevated to a nearly sculptural element. 

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Videos

Many architects and designers have highlighted the importance of taking into account all five senses during the design process, in order to create a successful user experience. Fortunately, many strategies have been implemented to facilitate the experience of those who are physically impaired, however, little is being done to aid those who feel helpless and restricted due to mental illnesses and traumatic experiences.

Healing from these experiences is a journey that requires a lot of effort from both the individual and everything and everyone around him/her. Oftentimes, victims of trauma are advised to spend more time in the outdoors, embracing the restorative qualities of nature. But what about interiors? Since people are now spending almost 90% of their time indoors, it is only natural that these spaces contribute to the healing process as well. And while these spaces can look beautiful with an abundance of natural light and neutral color palettes, are they truly beneficial to their mental health?