The Pan-African Biennale (PAB) is a continental platform dedicated to documenting, preserving, and projecting Africa's built environment, urbanism, and creative futures— across all 54 nations and the diaspora. It is the founding of a long-term continental institution, built to ensure that African architects, urbanists, artists, and communities are the authors of their own spatial and cultural narratives.
Call to Makers showcases original furniture created through reuse, upcycling, and inventive craftsmanship by the inaugural cohort of CO Architects' Furniture Design Workshop. Over the course of nine months, individuals and teams designed and fabricated one-of-a-kind pieces using reclaimed, salvaged, and repurposed materials. Ranging in scale from footstools to dining tables, the work explores the creative potential of material intelligence, low-cost fabrication, and hands-on making. The exhibition celebrates creativity, craftsmanship, collaboration, and CO Architects' culture of making.
The Ibero-American Architecture Conference, organized by the UIC Barcelona School of Architecture and curated by Professor Fredy Massad, was established to offer a rigorous examination of the realities of professional practice, construction, and architectural research in Ibero-America, while addressing the diverse social, cultural, economic, and territorial contexts that shape the region. The program aims to analyze how architecture responds to some of the major challenges of the 21st century from various local perspectives.
Lorcan O’Herlihy’s Los Angeles: Dignity, Beauty, and Belonging - Free Self Guided Architectural Trail Map
Each month, Friends of Residential Treasures Los Angeles (FORT: LA) curates a new self-guided trail, inviting Angelenos to explore the city's rich architectural heritage. These immersive experiences highlight significant homes, hidden gems, and the designers who have shaped Los Angeles' built environment.
Continuing the international dialogue and cooperation initiated in 2015, we are pleased to announce that the 11th FIPA – International Forum on Architectural Heritage Brazil-Portugal will be held in 2026 in Florianópolis, Santa Catarina. The capital of Santa Catarina won the bid to host the event, which will take place in partnership with IPHAN, CAU/BR, and UA/PT.
Porto Academy is the result of a profound passion for architecture as a discipline. It was established in 2013 as a manifesto of pluralism and opportunity, rooted in close engagement with a wide range of architects, artists, and curators.
The 21st-century agenda requires addressing a set of structural changes resulting from the development model that, at least since the beginning of the last century, we have maintained as a society and region. This is evident in our cities and rural areas, where conditions associated with poverty, inequality, violence, displacement, and climate change—to name a few—generate intense pressures, imbalances, and maldevelopment in the dynamics of social occupation and vacancy across much of our territory. We are interested in focusing on a spatial process framed within these dynamics: migration.
Architect and collage artist Camila Mancilla presents her book Las casas de los espejos rotos: El collage como método de investigación creativa (The Houses of Broken Mirrors: Collage as a Creative Research Method). In it, she invites readers to explore this simple yet noble technique, highlighting its value not only as a finished work, but above all as a creative process.
As part of our "Urban Ruins" series, developed in collaboration with anthropologist Francisca Márquez and the UAH, we will host a conversation this Thursday, July 7, at 7:00 PM with architects Cecilia Puga and Dino Bozzi regarding design approaches to ruins and the challenges of conservation.
It is a summer workshop organized by the Escuela Superior de Arquitectura Avanzada [ESAA] and the architecture firm [Ciudad Portátil] in Neiva, Colombia. The workshop aims to rethink new interactions within public space through experimental practices and the participatory construction of an ephemeral or semi-permanent installation that engages with its surroundings and reflects on being, belonging, and inhabiting the city of the Magdalena River.
Porto Academy is the result of a profound passion for architecture as a discipline. It was created in 2013 as a manifesto of pluralism and opportunity, based on close engagement with a wide range of architects, artists, and curators.
TAC! Urban Architecture Festival will transform a Spanish city into a space for innovation and experimentation each year. This will be achieved through the construction of a temporary pavilion designed by emerging architects, selected via an open call.
Videos
TOROO Pavilion, by Kristof Crolla and Garvin Goepel
Set within a Mixed Reality (MR) context, the AA Visiting School São Paulo 2022 will utilize Augmented Reality (AR) technology to develop complex geometries constructed from bamboo. This year, the design and fabrication of these parametric structures will be led by architects Kristof Crolla and Garvin Goepel, employing both analog and digital techniques. Projects will be developed using Rhinoceros, Grasshopper, Kangaroo, and Karamba, and constructed with the aid of Fologram, holographic devices (Microsoft HoloLenses), and smartphones.
Novos Talentos Brasileiros – Design & Arte celebrates its 7th anniversary with an exhibition featuring 89 prototypes and projects, including furniture and home accessories created by designers from 27 Brazilian cities. From July 29 to August 14, CasaShopping will host the 7th edition of the project, serving as a major showcase for innovative ideas.
On Saturday, July 16, starting at 10:00 AM, the Fundação Bienal de São Paulo hosts the third meeting of the Open Pavilion 2022 program. The initiative aims to open the historic Ciccillo Matarazzo Pavilion—designed by architect Oscar Niemeyer and located within Ibirapuera Park—to the public, while offering free programming including dance workshops, children's activities, guided tours, and open discussions.
Teshima Art Museum, Ryue Nishizawa (SANAA), 2010. Credit: Ken'ichi Suzuki.
The course presents an overview of traditional, modern, and contemporary Japanese architectural production across four independent yet complementary modules. Drawing on cultural and historical contexts, the course analyzes the work of prominent Japanese architects from the 1930s to the present day. It also explores symbolic spatial and temporal relationships grounded in aesthetic principles such as ma, basara, wabi-sabi, yûgen, and mono no aware, among others. The goal is to broaden the repertoire regarding Japanese architecture and culture, offering exposure to new perspectives through lecture-based sessions.