Interviews
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Alarcia Ferrer: “Our greatest goal is an architecture that int...
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Anónima: "We need to rethink our ways of inhabiting to design ...
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Pablo Gamboa Samper: "There is no difference between theory an...
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Sebastián Serna Hosie: "I am convinced that every work is auto...
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Mónica Suberville: "The most important thing about this pandem...
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Shanghai Lujiazui Riverside Center Nears Completion: A Low-Den...
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PAAR: "We must learn from this pandemic to break our dependenc...
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The Importance of Creating Spaces for Reflection, 10 Years Aft...
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Leonardo Álvarez Yepes: "We must understand projects through t...
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Pablo Forero: "The practice remains relevant by having long-te...
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Ramón and Diego Bermúdez: "All spatial situations must be dire...
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PRODUCTORA: "Architecture is an interface that enables opportu...
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Santiago Pradilla Hosie: “The experience of living in the camp...
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Fernando de La Carrera: "The design process is always driven b...
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S-AR: "The city makes no sense without the public space that c...
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Lorenzo Castro: "Building architecture is building landscape; ...
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CCPM: “Part of the problem is differentiating nature from tech...
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Within a Hong Kong skyscraper, a spatial dialogue between art ...
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The BRT Project in Rio de Janeiro: Interview with Jozé Candido
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Tourism-Oriented Rehabilitation: Interview with Fernando Coelho
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Circadia: "Light in architecture must accompany us to promote ...
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Real estate speculation and memory in Recife: a conversation a...
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"How do we think about the city from the design of a building?...
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Expressiveness and Functionality: Understanding Brutalism