Since the end of the nineteenth century, the planning of cities has been understood as the discipline that establishes guidelines to project architecture for human occupation, with a focus on rationality and functionalism. Nevertheless, the city is a system of many layers and folds, constructed through the interaction of natural, cultural,socioeconomic,and political forces. This choreography, with a variety of purposes and different degrees of synchronization, creates architecture that serves both as shelter and context.Architecture, therefore,does not limit itself to the production of objects but rather appears as a field of study between and through disciplines, called upon to contribute to the organization of those forces that composepublic stages, the space where collective itineraries meet and intertwine.These stages have existed historically.
