Victor Delaqua holds a Master's degree from FAUUSP (São Paulo). He is an architect and urban planner from UFSC (Florianópolis) and studied at the Polytechnic University of Valencia. A contributor to ArchDaily since 2012, he is the Head of Newsletters. Professionally, he also works in exhibition and set design.
Rendering has become indispensable to most architectural offices. To understand how these images can assist during the design process, how they have evolved, and especially, what aspects should be considered to create an outstanding visualization of a project, we talked to Guilherme Bravin and Marcus Vinicius Damon, co-founders of Estúdio Módulo, and coordinators of {CURA}, an open architecture school focused mainly on architectural visualization.
In this episode of “Behind the Scenes”, where we showcase the work of visionary artists and ask about their experiences beyond what is seen by the public, we are presenting Nicolás Castagnola: an illustrator, animator, and architect born in Buenos Aires and based in Berlin. Through his illustrations and animations, he brings different meanings to architecture by opening an imaginative field about the infinite possibilities that the built environment can provide.
At ArchDaily, we always aspire to provide our community with all the tools and knowledge to help imagine, design, and build better cities. In order to bring inspiration and present more about what goes on beyond a complete project, we are launching a new series titled “Behind the Scenes”, where we showcase the work of visionary photographers, artists, and curators, and ask some questions that allow them to share more of what they do with the world. In every episode, we will be sharing with you the answers, along with images and videos of their work.
Kicking off the series is London-based architectural photographer Edmund Sumner.
With a formal and material approach that differs from the scenarios we usually find in Architecture, Lacaton & Vassal —a French practice that marks its influence in contemporary times by being awarded the Pritzker Prize 2021— brings an open and generous vision to the field.
The climate crisis has revealed the poor planning of our cities and the spaces we inhabit. Both construction and projects contribute to high carbon gas emissions. Fortunately, there are several ways to intervene to bring change into this scenario, either through materials and techniques adopted in each initiative or through geographical and social impact. In this scenario, the only certainty is that: to think about the future we cannot ignore the "green" in all its recent meanings from nature to sustainability, and ecology.
Wood in architecture, when properly managed, is often associated with sustainability but also with a sense of comfort and coziness. Well-designed joinery can provide versatility and uniqueness to interior design, among so many other benefits.
In a year marked by physical distance, social networks have gained an even greater dimension in the ways of relating to people and getting informed. Our channel on Instagram has surpassed its number of reach and brought to the public the best of what we publish on our page: projects, articles, interviews, and news from the world of architecture, inspiring new ideas and tools for a better future to our cities.
Understanding the relationship between body and space is fundamental to offer the many different experiences that architecture can provide. To reflect on the distinctive scales that encompass the work of an architect, from buildings to furniture, we interviewed Marcelo Ferraz, co-founder of Brasil Arquitetura and Marcenaria Baraúna. His outlook and experience illustrate how the body and its symbolism are crucial when designing a project regardless of its scale.
Successful landscaping is more than just an innate desire to always be in touch with nature. Designing the landscape of public spaces, gardens, or even indoors is an ever-growing concern due to how the arrangement of elements in space can impact not only spatial but also psychological perceptions, contributing to improved comfort and quality for visitors.
Approaching the context of widening political divides and growing economic inequalities. A new spatial contract. Learning how will we live together. These thoughts brought by Hashim Sarkis, curator of the 17th International Architecture Exhibition of Venice Biennale 2021, may raise important questions about how architecture crosses and materializes social and political conflicts. To understand a more decentralized point of view, which indicates possibilities other than those dictated by normative mindsets, we interviewed Tainá de Paula, a Brazilian architect and community mobilizer in poor suburban areas.
Nowadays, architecture museums, galleries, publishing houses, foundations, and experimental laboratories all have rooms to show their backstage, bringing about debates and proposals of the future of architecture. This is all part of Future Architecture Rooms, a project launched early this week on the Future Architecture Platform which showcases a collection of online spaces, each hosted by one institution and one member of the platform. We talked with the concept curator, Anastassia Smirnova (SVESMI) to better understand how the idea behind this project emerged, and what innovations it can present in the way of working on exhibitions and architecture.
Inspired by vernacular architecture, Kathryn Larsen is a bio-based designer working with seaweed. Throughout her career, she has been doing an intensive investigation into eel-grass, a material that has been used for centuries around the world. Larsen wants to apply all the benefits of this material (rot resistance, fire resistance, non-toxic, insulation characteristics comparable to mineral wool, and its ability to create carbon negative buildings) into prefabrication development and other technologies that enable the creation of new cladding and other elements, such as insulation batt and acoustic panels.
During the latest Design Indaba Festival, we had the chance to interview Kathryn. Read the interview and learn more about her work below.
Gerson Castelo Branco is a self-taught architect from the state of Piauí in Brazil. His architecture is a collection of references and experiences that he describes as "an expression of freedom," the Paraqueira.
Warehouses, whether industrial or rural, are a type of building that can easily be found all around the world. Some of these shelters are century-old and have probably been built to store products or to accommodate factories. However, due to urban phenomena and new technologies, many of them stopped operating as they were originally used to and started to spark interest in several businesses whose aim was to re-adapt these structures to meet new purposes.
We've recently passed the halfway point of 2020, and to date, we've published hundreds of residential projects featuring distinct ways of living on ArchDaily. In a year marked by the worst health crisis that humanity has experienced in the last century, the Covid-19 pandemic, the house has gained new meanings and values, reiterating that no matter how diverse its program, a home's purpose is to shelter its inhabitants.
What would all the built environments be without its users? This question may make it easier to understand that not only do architecture and urbanism sustain themselves as physical spaces, but they also gain meaning mainly through the human and non-human movements and bonds, that - together with the architectural or spontaneous traces that make up the urban landscape - provoke the sensations that each individual feels in a unique way.
In general, architects like to talk about how much their designs influence communities, and it makes perfect sense for them to do so. In the end, physical spaces and different social factors influence how each individual feels when they inhabit the city or occupy a building. But do all projects respond to all users the same way? We set out to question the way in which architecture approaches the LGBTQIA+ community, through an open call on our social networks, collecting the testimony of our readers on how they inhabit these spaces and how it would be possible to represent the community in the architectural field.
Architects in general are people who like to talk about how much they influence communities through their designs, and they are actually correct in saying that. After all, spaces together with various social factors influence how each individual feels when occupying the city or a building. But do these projects respond to all users in the same way? We propose to question the way architecture deals with the LGBTQIA+ community through an open call on our social media channels, bringing in our readers' testimonies on how they experience these spaces, and how is it possible to represent the LGBTQIA+ community in the architectural field.
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0019_BB.jpg?1616694314 "Naila House. © Edmund Sumner")
