No País dos Arquitectos is a podcast created by Sara Nunes, who is also responsible for the architectural film production company Building Pictures. It aims to introduce the professionals, projects, and stories behind leading contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a fascinating country when it comes to this professional field, and its architectural output punches far above its weight relative to its population or territorial scale.

In this episode of the fifth season, Sara talks with Alexandre Alves Costa and Sérgio Fernandez about the Batalha Cinema Center. Listen to the conversation and read part of the interview below.

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With a coastline of 832 kilometers facing the Atlantic Ocean, Portugal has a long and deep relationship with the sea, which was for many centuries considered the country's main means of communication with the rest of the world. Today, the Portuguese coast attracts millions of tourists every year from across Europe and around the world, who arrive in search of warm weather and beautiful seaside scenery. The main destinations are the southern beaches which are warmer than in the North however, the number of tourists has increased throughout the entire country over the past decade.

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The Portugal pavilion at the 18th International Architecture Exhibition - La Biennale di Venezia 2023 will present the Fertile Futures project, curated by Andreia Garcia and assistant curators Ana Neiva and Diogo Aguiar. The project aims to address water resources issues in seven Portuguese hydro geographies and encourage reflection on building a sustainable, equitable, and fertile future. The exhibition will take place at Palazzo Franchetti from May 20 to November 26, 2023.

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Portuguese architect Álvaro Siza Vieira was chosen by the Holy See to create the installation that will represent it at the Venice Architecture Biennale, which will take place between May 20 and November 26, 2023. In collaboration with Studio Albori from Italy, the pavilion of the Vatican, curated by Roberto Cremascoli, will be dedicated to the theme of social friendship. This is in commemoration of the tenth anniversary of the pontificate of Pope Francis.

Few architects in history have had the honor and privilege of intervening in the famous St. Mark's Square in Venice — a tourist landmark of incomparable historical value to humanity. Sir David Chipperfield is one of them. As if that was not enough, he also left his mark on another project of inestimable value: the Neue Nationalgalerie, designed originally by Mies van der Rohe in Berlin. The four centuries that separate the design from its restoration seem to pose no difficulties for the 2023 Pritzker Prize winner, who rejects an international style of architecture in search of a trait that highlights local qualities.

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São Gabriel da Cachoeira (AM) is considered the most Indigenous city in Brazil, home to 23 peoples belonging to five language families — Eastern Tukano, Arawak, Yanomami, Japurá-Uaupés, and Tupi. There, at two small excavation sites, archaeologists have found evidence proving a dense, continuous, and ancient settlement dating back at least two thousand years. 

The findings challenge the common narrative that characterizes the region by depopulation, isolation, and disconnection from the rest of the Amazon. The area is one of the best-preserved in the Amazon and has been studied since 2019 by Parinã (Intercultural Archaeological Program of the Northwest Amazon), which has just compiled its first reports on the recovered archaeological fragments.

The idea of "Biophilia" was defined as "love of life" in ancient Greece. Although the term may seem relatively new, coming across as a trend in the fields of architecture and interior design, the concept of biophilia was introduced by psychologist Erich Fromm for the first time in 1964 and then popularized in the 1980s by biologist Edward O. Wilson, who studied the lack of connection with nature caused by urban life.

The guiding principle is quite simple: connect people with nature to improve their well-being and quality of life. How could architecture do that? By seeking alternatives to integrate nature – either through natural elements or techniques – into its designs.

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Carbon footprint, circularity and environmental sustainability are terms that are increasingly present in many professional fields, but what do they mean? How do they relate to architecture and the built environment? We spoke with civil, environmental and sanitary engineer Lucas Rosse Caldas about these and other emerging architectural issues.

Lucas is a professor at the Graduate Program in Architecture at the Federal University of Rio de Janeiro and the Civil Engineering Program at the same institution. He participated in chapter 9 of the sixth report of the Intergovernmental Panel on Climate Change (IPCC) on buildings. He wrote several scientific and technical articles about architecture and sustainable construction.

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Somewhere between 1914 and 1915, Le Corbusier designed the Maison Dom-Ino, a groundbreaking modular structure that replaced the heavy load-bearing walls with reinforced concrete columns and slabs. The open floor plan with minimal thin elements, coupled with large glass facades, would ensure healthy natural daylight for the interior spaces as well as desirable architectural transparency that could blur the boundaries between interior and exterior —at least metaphorically.

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On the grounds of the Tripoli International Fair (Rashid Karameh International Exhibition Center) in Lebanon, one finds one of the five largest exhibition centers in the world. The 15 structures, designed by legendary Brazilian architect Oscar Niemeyer in 1963, remain unfinished due to the project's abandonment during the country's civil war in 1975. Inscribed on UNESCO's World Heritage List and World Heritage in Danger List, on January 25th, 2023, the 70-hectare site is located between the historic center of Tripoli and the port. In 2022, the renovation of one of the structures on the site, the Niemeyer Guest House, by East Architecture won the Aga Khan Award.

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No País dos Arquitectos is a podcast created by Sara Nunes, who also runs the architectural film production company Building Pictures. The podcast aims to explore the professionals, projects, and stories behind leading contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a fascinating country in this professional field, and its architectural output far exceeds what its population or territorial scale would suggest.

In this episode of the fourth season, Sara talks with Manuel Roque from Pitagoras Group about the rehabilitation of the former Teatro Jordão and Garagem Avenida building. Listen to the conversation and read an excerpt of the interview below.

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There are many ways to get to know a place. Ask a group of people who know Venice; chances are good that everyone has some mental image of the city and its canals. Once again, ask how many have already visited the Venetian capital. Few or no one may have done so. While traveling is a complete way to experience a place, it's not the only way - images of cities, areas and buildings are everywhere, from advertising to the arts, from Instagram to cinema, and they leave deep impressions on our memory and imagination.

Of all arts, there is one that is truly capable of embracing architecture, and that is the cinema. The ability to represent spaces, moving in the course of time, brings cinema closer to architecture in a way that goes beyond the limitations of painting, sculpture, music - for a long time considered to be the art closest to ours - and even of dance. Both in cinema and in architecture space is a key subject, and although they deal with it in different ways, they converge by providing a bodily - and not only visual - experience of the built environment.

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No País dos Arquitectos is a podcast created by Sara Nunes, who is also responsible for the architectural film production company Building Pictures. The podcast aims to profile the professionals, projects, and stories behind Portugal's leading contemporary architecture. With just over 10 million inhabitants, Portugal is a highly compelling country regarding this professional field, and its architectural output punches far above its population or territorial scale.

In this episode of the fourth season, Sara talks with Tomás Salgado, from the office Risco, about the Cidade do Futebol, a facility for the Portuguese Football Federation. Listen to the conversation and read part of the interview below.

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If you haven't gotten a chance to visit Brasília, Joana França's photographic projects offer a comprehensive interpretation of the capital of South America's most populous country. França has dedicated a significant part of her career as an architecture photographer to the pursuit of amassing an impressive archive of images of the city planned by Lúcio Costa and Oscar Niemeyer.

We recently published an exceptional selection França's aerial photographs of Brasília divided by scale - residential, monumental, gregarious and bucolic. These overhead views solidify what, in theory, is already evident: the city lacks human scale, or the human scale of Brasília is just vast and (perhaps) not very human at all.

In July of this year, UNESCO designated the Roberto Burle Marx Site as a World Heritage site. As a result, Brazil now has 23 sites and practices inscribed on the World Heritage List, which brings together properties, ensembles, and practices of tangible and intangible value.

According to UNESCO, the 23 listed properties and practices in Brazil can be divided into Cultural Heritage—"composed of monuments, groups of buildings, or sites that have outstanding universal historical, aesthetic, archaeological, scientific, ethnological, or anthropological value"—and Natural Heritage—"outstanding physical, biological, and geological formations, habitats of threatened animal and plant species, and areas of outstanding scientific, conservation, or aesthetic value." 

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"What characterizes and gives meaning to Brasilia is a game of three scales... the residential or everyday scale... the so-called monumental scale, in which man acquires a collective dimension; the urbanistic expression of a new concept of nobility... Finally the gregarious scale, in which dimensions and space are deliberately reduced and concentrated in order to create a climate conducive to grouping... We can also add another fourth scale, the bucolic scale of open areas intended for lakeside retreats or weekends in the countryside." - Lucio Costa in an interview with Jornal do Brasil, November 8, 1961.

Photographer Joana França shared with us an impressive series of aerial photographs of the national capital of Brazil, Brasilia. The photoset is divided into four sub-series each presenting a scale: residential, monumental, gregarious and bucolic.

No País dos Arquitectos is a podcast created by Sara Nunes, who is also responsible for the architectural film production company Building Pictures. The podcast aims to introduce the professionals, projects, and stories behind Portugal's leading contemporary architecture. With just over 10 million inhabitants, Portugal is a highly compelling country when it comes to this professional field, boasting an architectural output that far exceeds its demographic or territorial scale.

In this episode of the fourth season, Sara talks with architects Filipa Guerreiro and Tiago Correia about the Environmental Education and Interpretation Center of the Corno de Bico Protected Landscape. Listen to the conversation and read part of the interview below.

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