Content Editor at ArchDaily Mexico. Architect by UNAM (2018). Her interests focus on exploring the relationship of the body with architecture through dance. She has collaborated with different international choreographers who explore dance and architecture as an event. Twitter / Instagram: @monicarellano_
Yesterday, July 30, 2019, Cristiano Toraldo di Francia died at 78 years of age —56 years ago the architect founded - together with Adolfo Natalini - one of the most important offices of radical post-war architecture in Italy, Superstudio, which, during the 60's and early 70's, focused on the form of a strong critique of the production methods of design and architecture. All this analysis was reflected in a very different way of representing architecture, collages, experiments, manifestos, furniture, stories, storyboards, etc. This approach has unleashed multiple discussions that remained valid to this day among the younger generations, which have resumed these modes of criticism to apply them to new ways of producing and thinking about architecture.
The history of Cine Ópera dates back to 1949, when the iconic venue—designed by architect Félix T. Nuncio with interiors by set designer Manuel Fontanals—held its first screening, quickly becoming one of Mexico City's most popular movie theaters. Located at 9 Serapio Rendón Street in the San Rafael neighborhood, the Art Deco building features a facade framed by a large window with two stone-carved sculptures depicting the comedy and tragedy masks.
Bamboo is a building material that has been used since antiquity in various structures. It has proven its superiority over modern materials like plastic and steel thanks to its countless benefits, not to mention an incomparable aesthetic appeal that has positioned it as one of today's major architectural trends.
In 1919, the creation of the Bauhaus school in Germany marked an important moment in the history of architecture, one that would ignite innumerable debates about architecture and design for years to come. This school, which later became more of a movement than an institution, faced an array of political resistance throughout its existence, eventually closing its doors in 1933 during the Nazi regime. However, the knowledge instilled by the Bauhaus transcended time and space to travel across the globe and make its mark on cities worldwide.
In the fall of 2017, a 7.1-magnitude earthquake struck at least nine Mexican states, leaving several areas severely damaged across Mexico City, Puebla, Morelos, Oaxaca, Veracruz, Tlaxcala, Guerrero, and the State of Mexico. Jojutla, a municipality in Morelos, was among the hardest hit, left in ruins after the September 19 disaster. Much of the local infrastructure was devastated, prompting a master plan initiated by Infonavit to reconstruct the municipality's primary public buildings.
In 2014, a group of friends from Ciudad Juárez, Chihuahua, eager to contribute to their city's resilience and recovery process, came together to discuss and share ideas for reclaiming streets, plazas, and parks through sociocultural projects and urban interventions in public spaces. This is how Nómada Laboratorio Urbano was born. Ciudad Juárez is an industrial city located on the northern border with the United States, directly across from El Paso, Texas. Over the years, Juárez has been economically dominated by the “maquiladora” manufacturing industry and was once considered one of the most violent cities in the world due to a wave of crime between 2008 and 2012.
In recent years, architectural production in Mexico has faced a series of extraordinary challenges. Some of these stem from natural disasters that severely shook at least nine states, leaving several areas gravely affected across Mexico City, Puebla, Morelos, Oaxaca, Veracruz, Tlaxcala, Guerrero, and the State of Mexico. However, these events also served as a catalyst, prompting the architectural community to increase its focus—and active involvement—on housing and infrastructure for the most vulnerable sectors of the population.
As part of the Museo Jumex’s fall programming in Mexico City, internationally acclaimed artist James Turrell will illuminate two of its galleries with immersive installations from his new body of work—one of the most significant series of his career—which engages viewers with the limits of human perception. These two installations will offer contrasting experiences, transforming the spaces to blur the boundaries of the horizon in both light and darkness.
Materia, founded in 2009, is one of the most prominent emerging firms in Mexico and Latin America. Its work focuses on studying the relationship between spatial moments and the strategy of materiality in architecture. The firm's work is characterized by a meticulous, handcrafted refinement and technical execution of built details. Its creative process methodology considers the contextual elements of the site, the user, and the specific requirements of each project as design references. Concepts such as mass, light, and contrast are fundamental tenets in the materialization of projected spaces.
In June, Japanese architect Go Hasegawa attended the first Porto Academy 'Visiting Barragán' Workshop in Mexico City. Held annually at the Faculty of Architecture of the University of Porto—designed by 1992 Pritzker Prize laureate Álvaro Siza—this event is the result of a profound passion for architecture and a belief that practice, as the exercise of the profession, is fundamental to the future of the discipline.
The relationship between the human body and architecture has always been a key element in architectural design and practice, however, the connection between the two wasn't documented or even accepted until the rise of ergonomics some years ago. Nowadays, the question is how is the body perceived in modern times? How does this perception influence the way we design the buildings and spaces that we inhabit? Too often, ergonomics is seen as a discipline that emphasizes the separation between body and object; however, not only is it the connection between them, it is also the pre-established blueprint that maximizes and synchronizes their productivity. At its most basic level, it's a technical discourse on the increasingly mechanized human dwelling.
Currently, nearly 65 million people worldwide have been forced to flee their homes due to conflicts unfolding across the globe, leaving behind their belongings, years of personal history, and years of hard work to find themselves adrift. Many of these families are forced to cross oceans and diverse terrains in search of a promising future to start from scratch. These journeys often lead to informal settlements where many perish due to rampant disease and shortages of medicine, food, and clean water.
During June, Mexico City hosted one of the world's most famous workshops for the first time: Porto Academy. Held annually at the Faculty of Architecture of the University of Porto—designed by 1992 Pritzker Prize laureate Álvaro Siza—this event is the result of a deep passion for architecture and for those who believe that practice, as the exercise of the profession, is fundamental to the future of the discipline.
The history of the Triadic Ballet dates back to 1919, when the Bauhaus was founded in Weimar, Germany, including a theater workshop within its curriculum. Directed by Oskar Schlemmer, this theater workshop focused on staging new concepts and reflections on the relationship between humans and space, based on a geometric analysis of bodily forms and movement in space.
The volume of debates, ideas, discourses, and discussions triggered by theater at the Bauhaus—and its subsequent influence on architectural production—is almost incalculable. Schlemmer opened a door to an architectural study centered on the body. One of his most famous works is the Triadic Ballet (Das Triadische Ballett), staged in 1921. It comprised 12 small-format pieces featuring 18 costume and lighting changes spanning several hours.
The installation Hórama Rama by Pedro y Juana (Ana Paula Ruiz Galindo and Mecky Reuss) opened this summer as part of the 20th edition of the Young Architects Program 2019 at MoMAPS1. This architectural installation is an immersive jungle landscape set within a large-scale cyclorama that sits atop the courtyard walls of MoMAPS1 and runs from June 28 through September 2, 2019.
Obra en Obra is a multidisciplinary project led by architects, whose work focuses on experimenting in different ways with the built architectural object, as well as its processes and spaces, through the intersection of architecture with other disciplines such as dance and the visual arts. Conceived as a private, citizen-led, and professional non-profit initiative, Obra en Obra operates in partnership with various firms, conceiving architecture through the senses and experience—a perspective that arises from reversing processes and exposing confrontations.
According to announcements on the UNESCO website, the World Heritage List represents an invaluable legacy of monuments, natural beauty, and cultural treasures belonging to all humanity. The sites inscribed on this list serve as milestones on our planet, symbolizing regional and national awareness of the significance of place and shared wealth, while preserving this collective heritage for future generations.
