Rich in symbolism and tradition, religious architecture has always been marked by the grandiosity and extravagance of its interior spaces. For the architects and designers who created these spaces, everything from the scale, to the materials, to the lighting were tools to be used in optimizing their form and function and creating a place for users to connect with their faith.
When we study Amancio Williams' work, it almost always centers on his emblematic Bridge House, built for his father in Mar del Plata between 1943 and 1946, or his technical role in Le Corbusier's Casa Curutchet. Of course, to study Williams is to confront several questions: Did he not design any other residential projects? What modernist ideas and concepts can we glimpse into his work? How did his work impact the development of Argentine architecture?
While stone has been used in construction since time immemorial, it's maintained its place in architecture thanks to its design capabilities, durability, and efficiency.
Peru, with its varied geography and vast array of natural resources, renders an architectural style that makes itself one with the landscape. In the country's three principal terrains —coast, mountain, and rainforest— there is little variation in temperature and the climate can be defined as either tropical or subtropical.
Whether by traditional windows, linear openings in the wall, or skylights, the manipulation and incorporation of natural lighting in architectural projects can render a radical change in interior spaces.
While concrete is without a doubt the world's go-to building material thanks to its durability, malleability, and ability to withstand a wide range of climates, it is also the principal source of CO2 emissions within the realm of construction. To combat this and reduce their creations' carbon footprint, many architects have begun experimenting and innovating in a bid to optimize concrete's technical qualities while diminishing its impact on the environment. Among these efforts, there are several projects that have explored the possibility of replacing traditional frameworks with more sustainable materials like bamboo, a resource that grows in abundance throughout many regions of the world and, along with having minimal environmental impact, renders high quality textured detailing on a variety of architectural surfaces.
While Buenos Aires' architecture is known for its heterogenous and constantly-changing nature, within the city's low density residential sectors, it's possible to detect forms and patterns that have remained constant under the city's many transformations. One of these is the HP, or Horizontal Property, a legal concept that allows for multiple constructions on one lot, resulting in a handful of low-rise structures congregated together in a high-density layout.
The umbrella column or hollow vault (bóveda cáscara) is a reinforced concrete structure designed by Amancio Williams (Buenos Aires, 1913-1989) that, thanks to its form, has the capacity to support massive amounts of weight while independently maintaining its balance. In other words, it doesn't need any reinforcing structure, save for its singular column, to remain standing.
The studies surrounding bóveda cáscara in architecture were started by Williams in 1939, and resulted in numerous essays and small-scale models. The structures, specifically designed for high roofs and also known as 'umbrellas' or 'parasols,' are a prime example of the modern architectural movement in Argentina, distinguished by their experimentation in form and function.
Patios and gardens play a crucial role in a project's planning and layout. In some instances, they serve as organizing elements while in others, they improve the quality of life in a space by providing light, ventilation, and a connection to the outdoors while maintaining the privacy of the inhabitants.
When a material runs its course and becomes obsolete, whether because of wear and tear, a change of style, a tear-down, or a remodel, many are tempted to simply toss it into a scrap heap and send it to the landfill. In the grand majority of cases, however, these materials can be repaired, recycled, and reused in a vast array of creative endeavors. Of course, depending on the material and its characteristics, this can also present a challenge. In the case of windows and doors, particular care must be taken to keep them intact throughout the dismantling or demolition process and even afterwards, an inspection may be necessary to determine their viability for future use. Of course, many avoid the path of re-utilization altogether and opt for new materials that make for an easier and more uniform project.
In some cases, a roof can become the shining centerpiece in a work of architecture. Catalan vault, also known as Valencian timbrel vault, became a fixture in Spanish architecture in the 19th century, popularized thanks to its low cost and ease of sourcing and assembly. With the ability to span over 30m per module, this technique is currently making a comeback, establishing itself as a go-to construction method in industrial architecture and can be seen in everything including workshops, factories, and warehouses.
Skating took root as a sport in California during the 1960s and 70s, a time when extreme activities like surfing found their niche among the United States populace. Beginning as an urban adaptation of surfing, skateboarding became the pastime of choice for adolescents and, by the 1980s, acquired a worldwide following. Soon, city-scapes across the globe began transforming as spaces were created for people to engage in this uniquely urban sport.
When urban spaces become the medium for expression, protest, criticism, and defiance, the audience is limitless. Pedestrians and bystanders of all ages and ideologies become spectators of demonstrations that walk the line between art and activism and transform the city's streets, walls, and sidewalks into canvases for diffusing ideas on a massive scale. Banksy once said that "a wall is a very big weapon. It's one of the nastiest things you can hit someone with." This call to arms has rung true for many as they take to the streets in a bid to make themselves heard.
Whether you're looking for an upgrade or to replace broken pieces for floors or walls, tiles are always an effective and readily available option for any project that you have in mind. With their relatively low production cost, tiles are rarely reused or recycled and, if they are, it's usually for their original function.
The results are in from the 2019-2020 Richard H. Driehaus International Architecture Competition, a contest put on by the Spanish government that invites architects and urbanists from around the world to design projects that promote local, traditional Spanish architecture.
The Manifesto of Futurism, written by Italian poet Filippo Tommaso Marinetti in 1909, was the rallying cry for the avant-garde movement driven by the writers, musicians, artists, and even architects (among them Antonio Sant'Elia) in the early 20th century. After the manifesto's publication, Futurism quickly came to the forefront of public conscience and opened the way for many other cutting edge movements in the art world and beyond.
While the movement would undergo a significant decline in the years following World War II, it reinvented itself decades later during the Space Age, when faith in technology and industry were at a fever-pitch and the world's powers were racing to put humans on the Moon. All of a sudden, humanity had a new cultural panorama that inspired every facet of society--from musicians, to scientists, to architects. With the combination of engineering and art, not to mention the bountiful scientific achievements of the time, works of architecture turned into works of science fiction.
Techniques in visualization have evolved significantly over the years, providing increasingly accurate depictions that give architects a realistic view of their work before the foundation is even laid. For architects and the people they work with, the goal of a visualization is to illustrate the qualities and characteristics of a three-dimensional space that has yet to be built or is in the process of being constructed, by using hand or computer drawn images, videos, and even virtual reality platforms. All of these tools serve as a way of bringing an idea to life, whether for clients or judges in an architectural competition.
Through a visual survey, architect and photographer Ramón Paolini explores the evolution of Caracas (Venezuela). The photographs capture the capital's transformation throughout the past forty years, giving viewers an in depth look at one of Latin America's most tumultuous regions, its urban development, and the socio-political aspects behind it. Most importantly, Paolini illustrates his personal vision for this urban space that builds, destroys, and rebuilds with an astounding tenacity.
.jpg?1597856160 "Pabellón de exposición en Palermo (1966). Image Cortesía de Archivo Williams - Director Claudio Williams")
.jpg?1597856292 "Supermercado textil en Bernal (1960). Image Cortesía de Archivo Williams - Director Claudio Williams")
.jpg?1597855792 "Casa en Punta del Este (1961). Image Cortesía de Archivo Williams - Director Claudio Williams")
.jpg?1597856029 "Escuela Industrial en Olavarría (1960). Image Cortesía de Archivo Williams - Director Claudio Williams")
