This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

In Accra, the capital of Ghana, Owusu, his wife, and their four children share a house with five other tenants and their families in the Tantra Hills neighborhood. The house has one bathroom and electricity, but the costs of both are excessively high. Because it is not connected to the municipal water grid, Owusu must buy water from vendors who charge high prices. The electricity bill, around $50 per month, is higher than his rent of $33. With a monthly income of $175, Owusu lives in constant fear of eviction if rent, water, or electricity prices rise.

In addition, Owusu's neighborhood lacks easy access to public transit. The nearest bus stop is about a kilometer away, and he typically waits up to 30 minutes for a bus. His commute to work at a gas station takes around two hours, even without traffic. From Monday to Saturday, he leaves home at 4:30 AM to beat the rush hour.

Through immense Greek columns, the door centered under the pediment invites one to enter either a temple or a home. The sense of smallness is undeniable. From north to south, this is a recurring scene: no upper-middle-class neighborhood escapes a neoclassical building.

Over the centuries, kitchens have undergone an interesting transformation that has dictated both their use—once frequented only by staff, today an essential social hub—and their size—shrinking from the largest room in the house to one of the smallest. Yet, regardless of size, the kitchen increasingly represents the heart of the home. An essential space, it now transcends the simple act of preparing food, becoming a place associated with leisure and togetherness. Consequently, this space must meet a series of specific demands, balancing functionality and efficiency with comfort and well-being.

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November 19 marks Women's Entrepreneurship Day, prompting a reflection on the challenges of entrepreneurship as a woman.

In 2019, the Brazilian Institute of Quality and Productivity released its most recent report on Entrepreneurship in Brazil, based on the Global Entrepreneurship Monitor (GEM), a worldwide research program that assesses entrepreneurship levels across countries. In this report, which predates the COVID-19 pandemic, 88.4% of respondents stated that one of their primary motivations for starting a new business was 'to make a living because jobs are scarce.' In Brazil, micro-enterprises have gained significant ground as alternative employment, driven both by rising unemployment rates and the deregulation of labor laws and subsequent increase in 'outsourcing.'

While closely related, landscaping and gardening are distinct practices that engage with natural, living elements within the built environment. Read on to explore how each of these fields operates. 

To reach the designs we know today, bathtubs have taken on countless forms. From Greek public baths and Zen Japanese ofuros to 18th-century cast-iron tubs and sophisticated modern whirlpool systems, these fixtures have been shaped and reinvented over the centuries, securing their place in history. Yet, regardless of culture or era, they have always been associated with spaces of physical and mental purification, allowing for moments of relaxation and introspection.

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Verticalization and population density are poorly understood aspects of our cities. Contrary to popular belief, a more vertical city is not necessarily a denser one. In Brazil, favelas and semi-formal housing make up some of the densest urban areas. These consist of small dwellings built close together, often home to multiple families. Conversely, there are neighborhoods with many high-rises and few people. These buildings may be commercial, with no residents, or they may contain large apartments, small families, and expansive open space around them. Few realize that Cidade Ademar, a low-rise residential district in southern São Paulo, is twice as dense as the high-rise jungle of Itaim Bibi.

At the FIESP Cultural Center in São Paulo, Nicolás Valencia sits down with Brazilian artist Giselle Beiguelman to discuss artificial intelligence, data centers, and coup plotters, drawing from her book Políticas da Imagem, her exhibition Venenosas, Nocivas e Suspeitas, and her research project Domingo no Golpe.

Since the onset of the Covid-19 pandemic, cycling has become an even more popular, resilient, and reliable alternative for daily travel, and temporary (or pop-up) bike lanes are increasingly common in major cities around the world. Between March and July 2020, 394 cities, states, and countries reallocated street space so people could walk and bike with greater ease, efficiency, and safety.

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As summer approaches, so does the desire to enhance our homes' outdoor spaces. Whether for sunbathing, enjoying the breeze, or gathering with friends, areas like patios, backyards, and balconies can be highly versatile depending on how they are occupied. With this in mind, we have compiled some essential tips to help you make the most of these spaces. 

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Before we are drivers or cyclists, we are all pedestrians. Designing safer ways to navigate on foot, while also offering opportunities for leisure and contemplation for passersby, means conceiving a fairer city that offers a better quality of life—one that respects all its citizens and prioritizes their well-being. Accordingly, we have gathered here several parks, crossings, and pedestrian bridges designed exclusively for non-motorized use.

The exercise of observing a space, taking into account its historical, social, and sensory complexities, is an act that should be part of the daily life of those who practice architecture. This act qualifies actions that engage with that spatiality. Consequently, using architecture as a tool to understand the dynamics of the environments we frequent becomes essential.

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Another year draws to a close, and with it comes another list reviewing the most memorable moments of the last twelve months. This time, we analyze the photos that garnered the highest engagement (likes, comments, shares, and saves) on ArchDaily Brasil's Instagram.

In Brazil, urban problems associated with urban growth and poverty, driven particularly by the informality of land occupation and the precariousness of infrastructure and urban services, have proved to be an insurmountable challenge for public authorities.

Despite past efforts, low-income housing access has largely been achieved through self-built housing and the relaxed enforcement of land subdivision, use, and occupation regulations.

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Play, as a human activity, is a multidimensional practice: it stems from biology, is socially transmitted, and is situated within the architectural realm. Within this interrelation, while play introduces dynamics and narratives that invite us to explore alternative ways of inhabiting the world, architectural projects provide the physical and sensory support needed to unlock these possibilities, with play structures serving as the medium connecting the two. Consequently, a defining relationship emerges between play, the built environment, and its evolution over time.

Contrast can be widely used in architecture as a tool to highlight what we want to showcase. Do we want to emphasize an entrance? Make the project stand out from its surroundings? Turn our architecture into a landmark in the urban—or rural—landscape? Do we need to create symbolism? Ensure legibility? How do we achieve this? How do we "shine a light" on something?

Whatever we want to highlight is amplified through comparison—by means of an exaggerated, antagonistic contrast. Intentionally, we can intensify the use of darkness to emphasize a single light source, framing a staircase in a dramatic and theatrical way. Or we can introduce solid, opaque walls to make a light, transparent entrance stand out.

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A bamboo structure rises as a space of convergence between technique, ancestry, and collective practice. OCO is the first work by Cambará Instituto, an organization that grew out of the Arquitetas Negras Project. Conceived during an artistic residency at Cerbambu, in Ravena (Minas Gerais), with support from re:arc institute, the project brought together ten black women architects who, over seven days of immersion in July this year, worked alongside master builder Lúcio Ventania to explore the constructive and symbolic potential of bamboo. The process culminated in the presentation of the work at the 14th International Architecture Biennial of São Paulo.

The experience sought to reconnect architectural practice with knowledges rooted in the body and the earth. The process encompassed every stage of production—from selecting and cutting the bamboo to curing and assembling it—resulting in a structure six meters high and five meters in diameter. Its design draws inspiration from the xossas of Benin and features straw from the African country at its top. The installation was also “clothed” with 220,000 beads, known as Our Lady’s Tears, handcrafted by forty elderly women in situations of social vulnerability who live in the same region where the residency took place—strengthening both community and economic bonds.

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Colors can define atmospheres, shape spatial perception, and translate ways of being, memories, and collective affects. Consequently, understanding them has become an essential part of contemporary creative and constructive processes. Behind every shade lies a field of research that bridges sociology, psychology, aesthetics, and technology, connecting color to broader cultural shifts and revealing how it can serve as a tool for reading and expressing the present.

An architectural award serves as a legitimizing mechanism, indicating which approaches, materials, and strategies are beginning to take center stage in the discipline's discourse. By bringing together projects with different programs, scales, and constraints, these initiatives bring to light emerging priorities and directions in the field. Within this context, the Shaw Contract Design Awards have established themselves as a global recognition platform for interior design and a barometer of the transformations reshaping the discipline, prompting reflection on the role of design in building more responsible, inclusive, and sustainable environments.

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Videos

Taking a deeper look at the interplay of light and shadow in architecture seems to be a recurring topic on the agenda of many professionals in the field. Spaces of light and darkness are conceived to enhance circulation and spatial directionality, as well as to highlight the colors, textures, and forms of specific architectural elements. That said, the impact of natural light on building facades reveals the need to develop strategies that support energy savings, improve the thermal and visual comfort of interior spaces, and promote the reduction of carbon emissions. Considering light as another material in architecture, in what ways could its power contribute to the architectural experience?

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At the helm of architectural discourse on sacred architecture, attention almost always settles on the monument. Temples, mosques, monasteries, and churches dominate architectural histories, design criticism, and photography alike, becoming the physical symbols through which faith is understood. For millions of pilgrims across India, the most consequential architectural experience begins long before the shrine comes into view. It unfolds across mountain roads, river ghats, shaded streets, temporary camps, queue systems, bridges, water kiosks, medical stations, and countless ordinary pieces of infrastructure through which pilgrimage actually takes place. The architectural work of pilgrimage may lie less in the shrine itself than in the environments that allow millions of people to reach it.

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Buildner has announced the results of its Re-Form: New Life for Old Spaces, second edition, an international ideas competition examining the adaptive reuse of small-scale existing buildings. The competition invited architects and designers to propose transformations of used, abandoned, or overlooked structures with an approximate footprint of 250 square meters, located anywhere in the world. With no fixed site or program, participants were encouraged to explore alternatives to demolition and new construction through reuse strategies grounded in contemporary social and environmental concerns.

Almost certainly, everyone has their own ritual when entering a pool. There are those who dive in without hesitation, those who start with their toes, those who swim for sport, and those who submerge themselves for pure pleasure. Private or shared, intense or contemplative, every experience with water takes place within an environment carefully constructed to receive it.

Architecture and water are of opposing natures. While one delimits and contains, the other insists on spreading, and it is from this tension between solid and liquid that aquatic centers emerge. In these buildings, the presence of water transforms everything around it. Light fragments into shimmering reflections, sound acquires a distinct reverberation, and temperature and humidity define the atmosphere of the spaces, while materials and structural systems are constantly put to the test. Yet their uniqueness is not merely technical.

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