
This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Historically and today, one of the cornerstones of urban planning is the design of major transit facilities and infrastructure in cities. These projects address a diverse program that typically responds to collective demands within public space; consequently, they tend to be large-scale structures designed to accommodate heavy passenger flows and serve as vital coordinators of urban mobility.

In an effort to avoid disruptions to the coming football season (and by extension, any frustration among the passionate University of Iowa Hawkeyes’ fans), the challenge facing Iowa City architecture firm Neumann Monson was to rapidly deliver and install Kinnick Stadium’s new custom glass facade, all during the team’s off-season. Ranked top among Big 10 stadiums, Kinnick opened the 2019 football season with an expanded North End Zone after careful coordination by the design, manufacturing, and construction teams throughout the project.

Women gaining a more prominent role in the labor market is an ongoing process, reflecting major historical efforts linked to the struggle for equal rights. While this is a subject of constant discussion and revision—especially considering that the gender spectrum should not be reduced to a simple male-female binary if we are to achieve a coherent and complex understanding of disparity—the relationship between occupation types, earnings, and gender generally continues to point to unfavorable conditions for women.

By definition, architecture is the art and technique of planning, designing, constructing, and modifying the human habitat. However, my own professional career has constantly forced me to confront the same question: if you are an architect and you don't design, are you still an architect?

March 8 was established by the UN in 1975 to commemorate the struggle for equal rights and universal suffrage. This commemoration honors the efforts of women who demanded their right to vote, to work, to professional training, to hold public office, and to combat labor discrimination. This struggle is the fruit of the labor of women who sacrificed themselves for the cause. Daily events clearly show that the social landscape has changed; however, it remains essential that both men and women commit to progress and justice to make things happen.

ArchDaily has created a list of best articles, news and projects that address everything you need to know about glass.

In honor of International Women’s Day celebrated on March 8, it’s important to reflect upon and acknowledge the progress that women across all design professions have made over the last several years. From more women being appointed to leadership roles in prominent academic institutions around the world, Jeanne Gang being named to Time 100’s Most Influential People in 2019, the all-female team of Counterspace being awarded the design of the Serpentine Pavilion in London, and the first female practice winning the prestigious Pritzker Prize only a few days ago, more women in architecture are gaining the recognition that they deserve in this traditionally male-dominated profession.

Which is more male: a stadium or a nursery? Hannah Rozenberg, a recent graduate of the Royal College of Art, says that it’s the former—and she has an algorithm to prove it.

As walls and slabs, furniture may delimit and define a space. However, opposite to constructive elements, which distinguish the rooms in a more permanent way, furniture may create useful boundaries between one space and another in an easily adaptable way.
To disseminate the history of Argentina's socially-grounded popular architecture, Moderna Buenos Aires - CPAU presents the documentary “Movimiento Nac&Pop”, a film that compiles testimonies from various Argentine architects—including Jorge Moscato, Alfredo Garay, Rodolfo Sorondo, Jorge Hampton, Emilio Rivoira, Roberto Frangella, and Mario Sabugo—who formed the collective known as Nac&Pop. This professional group emerged during the final years of the military dictatorship, fueled by democratic fervor, and was responsible for, among other achievements, driving the transformation of Palermo Viejo and designing the master plan for Puerto Madero.

'Cities for Play' is a project whose main objective is to inspire architects and urban planners to create stimulating, respectful, and accessible cities for children.
Natalia Krysiak, its creator, is an Australian architect who believes that children's needs should be placed at the center of urban design to ensure resilient and sustainable communities. In 2017, she produced 'Cities for Play,' studying examples of cities that are concerned with providing environments that are capable of promoting the health and well-being – physical and emotional – of children through a focus on play and "active mobility” in public spaces.

Today, the availability of information and data has vastly expanded our ability to analyze, interpret, and understand life in our cities. In urban planning, some of the most valuable and highly sought-after data for analyzing urban mobility dynamics comes from the use of the SUBE system (the Unified Electronic Ticket System, used in Argentina to pay for public transit). By gathering this information, millions of digital footprints can be aggregated and visualized, allowing us to interpret and anticipate citizen transit behavior. This, in turn, helps us understand urban trends based on the time of day and the day of the week.
Pritzker Prize 2020 Laureates, Irish architects Yvonne Farrell and Shelley McNamara are known for their powerful yet delicate approaches. In this exclusive video for ArchDaily, Martha Thorne, executive director of the Pritzker Architecture Prize and Dean of IE School of Architecture and Design, shares some of the reasons why Grafton Architects has won the Pritzker Prize 2020.
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“When you read Love in the Time of Cholera you come to realize the magic realism of South America.” Yvonne Farrell, Shelley McNamara and I were in a corner of the Barbican Centre’s sprawling, shallow atrium talking about the subject of their most recent accolade, the Royal Institute of British Architects inaugural International Prize, awarded that previous evening. That same night the two Irish architects, who founded their practice in Dublin in the 1970s, also delivered a lecture on the Universidad de Ingeniería and Tecnologia (UTEC)—their “modern-day Machu Picchu” in Lima—to a packed audience in London’s Portland Place.

Space Saloon and Designers on Holiday have announced DeSaturated, a week-long interdisciplinary community-in-residence design festival in California's Cuyama Valley. Following the success of the first two iterations, LANDING and FIELDWORKS, the team is returning to California once more. The community-in-residence program will bring together designers, artists and researchers to address issues of water scarcity.

With residential developments offering ever-smaller housing units, the challenge for architects and interior designers to develop compact and multifunctional solutions for interior projects increases. From this perspective, it is increasingly common for professionals to focus on their clipboards in creating new solutions for joinery and multifunctional furniture that allow the space to transform completely in a few seconds, such as strategic cabinets and bookcases to supply the lack of storage space; sliding furniture on rails or pulleys; cabinets that turn into beds through vertical rotation; drawers in stairways, etc.

Yvonne Farrell and Shelley McNamara founded Grafton Architects in 1978, after they met each other at the School of Architecture at University College Dublin. The practice, named after the street where the duo's first office was located, has been awarded this year’s prestigious 2020 Pritzker Award. Grafton's built work reflects the continued search of architectural excellence, in buildings ranging from small scale housing to large public volumes.

With more than 40 years of professional experience, Yvonne Farrell and Shelley McNamara, partners and co-founders of Dublin-based Grafton Architects, are the first women to be jointly awarded the architecture’s highest honor, the Pritzker Prize. In addition to a very welcoming breath of hope towards greater female representation in the field, the selection also cast light over an equally urgent theme in the profession: recognizing architecture practice as a collective effort.

Australian architecture is rooted in the land. From environmental and climatic concerns to the country's unique cultural background, the built environment down under is defined by a history of connections to local contexts. Today, Australian architecture has also come to embrace a multicultural identity, with a new class of cultural projects showcasing how contemporary buildings and structures are being designed for the future.

Door handles are a ubiquitous part of daily life, being used constantly in almost every space but rarely given thought by the passing user. Nevertheless, the chosen material of each handle can vary widely in terms of aesthetics, durability, and sustainability, with good choices going noticeably right and poor choices going noticeably wrong. For objects that are seen and used multiple times every day without fail, it’s imperative that designers get the choice right.
To deepen this topic, FSB helps us to lay out the properties of four of the most common handle materials below, allowing you to make an informed decision on which material aligns best with your project’s needs.

Entering the Guggenheim Museum, visitors find themselves surrounded by a feast of vivid colors and mismatched fonts. Passing the gigantic green tractor at the entrance, they move across the ground floor, littered with stickers, like a lunchbox, or a lid of a laptop. A thick pillar that pierces the internal atrium has become a garish advertising column. A bale of hay, a drone, and some other object (impossible to identify) levitate high overhead. A cardboard cutout of Joseph Stalin on robot wheels moves down the ramp, scaring off visitors. Big reflective letters say: “Countryside, The Future”.
Architect Rem Koolhaas, the founder of the Office of Metropolitan Architecture (OMA) and Samir Bantal, director of OMA’s internal think-tank AMO, created this utterly confusing environment to exhibit years of research on the space beyond the boundaries of the 21st-century city.

While brick is one of the preferred construction methods within the architectural culture of several Latin American countries, Uruguay's unique history with this material has been deeply shaped by the contributions of the renowned engineer Eladio Dieste. His work pushed brick to its ultimate lightness, creating curved surfaces through a pioneering technology he termed reinforced ceramics. In doing so, Dieste offered the country—and the world—a new perspective on the structural possibilities of brick, strengthening its role in local identity and inspiring further exploration and design with the material.

Historically, stone materials have offered ancient cultures the ability to build robust structures by interlocking stones of various shapes and sizes. The simplicity of the technique and its ability to deliver efficient, durable results have sustained the transmission of this construction method over time, enabling multiple contemporary architectural variations and reinterpretations.

Humans have mastered ceramic manufacturing for about 15,000 years. Even today, it remains a widely used material in fields such as civil construction, crafts, and even high-tech industries. Because they are durable, cost-effective, and offer an immense variety of dimensions, patterns, and finishes, ceramic tiles are extremely popular finishes. Versatile, they can be used on horizontal or vertical surfaces, indoors or outdoors, in wet or dry areas. They are produced from a mixture of clay and inorganic raw materials; after being dried and fired at high temperatures (above 1,000 °C), the pieces acquire waterproof, easy-to-clean surfaces with a wide range of finishes and colors.