Design diagram for the City of Culture of Galicia, Spain. Image Courtesy of Eisenman Architects
If we define deconstructivism, it literally translates to the breaking down, or demolishing of a constructed structure, whether it being for structural reasons or just an act of rebellion. It is perhaps for this reason that many misunderstand the Deconstructivist movement.
Deconstructivism is, in fact, not a new architecture style, nor is it an avant-garde movement against architecture or society. It does not follow “rules” or acquire specific aesthetics, nor is it a rebellion against a social dilemma. It is the unleashing of infinite possibilities of playing around with forms and volumes.
Safety and design are not mutually exclusive - especially when you choose EGGER products with certified antibacterial surface property. The wood-based materials manufacturer makes it easy for architects and fabricators in their projects with high hygiene requirements: the antibacterial property is included in products with the proven EGGER decor and material combination.
New Generations is a European platform that analyses the most innovative emerging practices at the European level, providing a new space for the exchange of knowledge and confrontation, theory, and production. Since 2013, New Generations has involved more than 300 practices in a diverse program of cultural activities, such as festivals, exhibitions, open calls, video-interviews, workshops, and experimental formats.
In most architectural works involving level changes, vertical circulation is, almost by implication, a central design feature, with stairs being the most common expression.
Below, we present a selection of projects in Colombia across various typologies where vertical circulation plays a hierarchical, organizing role, and in some cases, becomes the primary driver of the building's space and atmosphere.
One of the most iconic selection tools for architecture and urban planning projects in Brazil is the design competition. Firmly established in the country's architectural culture, they provide, on the one hand, an environment of stimulation, opportunity, and revitalization for both practice and the debate of ideas—an important condition for reaffirming a democratic and horizontal approach to choosing winning proposals. On the other hand, they are the subject of heated debate due to how they have evolved, their evaluation methods, and, above all, because they frequently award proposals that reiterate a certain type of architecture linked to a modern formal vocabulary, neglecting proposals that seek some form of renewal of this formal imagery.
Despite a bad reputation in children's stories, straw buildings can be sustainable, comfortable, and, above all, solid and resistant. Several studies and experiments have been carried out with this agricultural waste substance, qualifying it as an potential material for the construction of walls, with good thermal, acoustic, and even structural characteristics. In addition, it is a renewable resource and easily constructed. Below, we'll talk about the characteristics of this material and how much more it would take than the breath of a big bad wolf to bring down a house made of straw.
Malibu Crest, a 2019 remodeling of a 1949 International Style home, was a vital undertaking by the architecture firm Studio Bracket that aimed to expand the structure’s square footage and panoramic views of Malibu while retaining over 50% of the home’s original walls. The project was ultimately successful, not only in its refurbishment of the interior rooms and reconfiguration of the space, but in its enlargement of the windows to truly capture views of the surrounding lagoon and mountains. This expansion of the view was done in part through an open corner window scheme and floor-to-ceiling glass, manufactured by Western Window Systems. The uninterrupted glass walls afforded by this open corner technology is one of the most effective ways that architects can open an interior space to the stunning vistas of a natural environment. Yet an even more striking configuration increasingly being employed by residential architects is that of the open corner sliding glass door – a system that can even more completely open an interior space to the unobstructed outdoors. Below, we discuss this technology in more detail, alongside several examples of projects using the open corner glass door.
https://www.archdaily.com/944057/open-corner-sliding-glass-doors-towards-a-light-and-wide-architectureLilly Cao
As the COVID-19 global pandemic has unfolded over the last several months, stories of people cooped up in crowded cities and concerned about their future have anecdotally popped up across the internet. When the virus first arrived, it was common for people to escape to their beach-side homes, or to return to their parent’s house for more space and a sprawling yard.
Outdoor dining has proven to be something of a lifeline for restaurants not only in New York but around the country, as indoor dining remains far out of reach at this point in the novel coronavirus crisis. Faced with restrictive mandates, however, architects, planners, and restaurateurs across the U.S. have been forced to come up with creative ways to keep patrons uninfected while assembling aesthetically pleasing outdoor dining areas.
The public transit system in large Brazilian cities was already in crisis long before the coronavirus pandemic. Transit operators have seen passenger demand steadily decline over recent decades, driven by a combination of factors: urban policies that incentivize private vehicle use; urban sprawl, which dilutes economies of scale when serving peripheral areas; rising congestion; transit routes increasingly disconnected from actual urban mobility patterns; a growing need for transfers along passenger routes; deteriorating fleets and service quality; rising incomes leading to alternative choices like private cars, motorcycles, and ride-hailing services; and, above all, steadily rising fares.
https://www.archdaily.com/1123363/how-to-avoid-the-collapse-of-public-transit-post-pandemicAnthony Ling, Marcos Paulo Schlickmann e Gabriel Lohmann
Architectural Education is still largely living in the mid-20th century, where the studio model is both wonderful, limited and alive and well. Students are offered two stark pedagogies: either getting a fine arts education or applying a glorified trade school regimen towards being a technocrat. Artificial Intelligence (AI) might just eliminate architecture as a career for those who are not versed in the things that only humans can do: synthesize, channel, invent, craft. Beyond imitation. By its new nature, architecture could be becoming inhuman.
Universities are environments defined by the intrinsic relationship between teaching, research, and outreach. As multidisciplinary institutions responsible for cultivating and disseminating knowledge, the various facilities that make up a university not only translate (directly or indirectly) the principles of education, research, and outreach into physical space, but also serve as the stage for the multifaceted dynamics and activities that shape campus life.
Today, August 8, marks World Pedestrian Day. The date is famous for the iconic photo of the Beatles crossing Abbey Road in 1969. It is now 2020—more than fifty years later—and we still face immense challenges as pedestrians in our cities. How many times have you faced the hazard of crossing the street? Or had to navigate narrow, poorly lit sidewalks?
Casa Meche / ENSUSITIO Arquitectura. Image Cortesía de ENSUSITIO Arquitectura
The series of articles developed by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy and Ernesto Philibert-Petit researches the peculiarities of social housing in Latin America. This time the authors explain a construction strategy through iterative design and the emergence of form.
https://www.archdaily.com/944293/a-construction-strategy-for-socially-organized-housing-in-latin-americaNikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy & Ernesto Philibert-Petit
On the summit: the first cable car with a real glass facade allows for some very special perspectives. Image Courtesy of Doppelmayr/Garaventa
The new Saanersloch gondola lift in Gstaad is a static masterpiece – and with its specially designed and unique all-glass facade by Glas Marte, it has also reached the top of the world.
In 2014, a group of friends from Ciudad Juárez, Chihuahua, driven to contribute to their city's resilience and recovery, came together to dialogue and share ideas for reclaiming streets, plazas, and parks through sociocultural projects and urban interventions in public space. This gave rise to Nómada Laboratorio Urbano. Ciudad Juárez is an industrial city located on the northern border with the United States, directly adjacent to El Paso, Texas. Over the years, Juárez's economy has been dominated by the maquiladora industry; the city was also once considered one of the most violent in the world due to a wave of crime between 2008 and 2012.
Gerson Castelo Branco is a self-taught architect from the state of Piauí in Brazil. His architecture is a collection of references and experiences that he describes as "an expression of freedom," the Paraqueira.