CSG. Image Courtesy of Eastlake Studio, Kendall McCaugherty, Hall + Merrick Photographers
In the last few decades, architecture and interior design have experienced a dramatic shift in the workflows that professionals consider standard. Hand-drafting is long gone; for many it’s nostalgic, and many more embrace the power incumbent to digital drafting tools. Some take it even further with BIM, embracing the process to lead their businesses into lasting success.
Constrained by a lack of transportation and resources, vernacular architecture has started adapting the distinct strategy of utilizing local materials. By analyzing projects which have successfully incorporated these features into their design, this article gives an overview of how traditional materials, such as tiles, metal, rocks, bamboo, wooden sticks, timber, rammed earth and bricks are being transformed through vernacular architecture in China.
God Bless America by Seward Johnson on view at Grounds for Sculpture in New Jersey. (sk/ Flickr)
As many Americans tentatively ease back into their museum- and park-going routines, numerous cultural institutions and public spaces are slowly coming back to life on a limited/adjusted basis after months of hibernation to greet them, with coronavirus precautions firmly in place. Meanwhile, large, indoor gallery-centered museums continue to plot their eventual returns. The Metropolitan Museum of Art in New York, for example, plans to reopen in late August while the Getty Center in Los Angeles has still not announced its phased re-opening dates.
In many locales, a trickle of small but positive re-openings has taken place in recent weeks and/or are slated for mid-to-late July. With an eye toward public landscapes, open-air museums, and multifaceted art spaces with room to spread out, here’s a small sampling of places across the country that have reopened or expanded public access or are due to allow visitors in the very near future.
Renovations of Brazilian modernist buildings prompt a necessary debate on how to preserve and what best practices to employ when intervening in architectural heritage. The challenges of this type of intervention are immense. These projects must be approached with great care to maintain respect for their historical significance, preserving key elements of their composition while simultaneously updating the building to meet contemporary and client demands.
The air humidity is famous, reaching mercilessly low levels for anyone who has never visited a desert. Trees with twisted trunks, thick bark, and fuzzy leaves rise from the soil, attempting to defy gravity, but they contort in such a way that it is as if the heat were pushing them back toward the ground. The red earth is omnipresent, adding a touch of drama to every corner, as if the searing temperature whipped the land until it bled. Here in the *cerrado*, there is none of the density of a damp, dark jungle—like some menacing forest out of a Jack London novel, or an immemorial witness in a trance, as seen in a Joseph Conrad novella.
Certain acclaimed architectural works are recognized by details or specific elements designed with such care and inventiveness that they become the immediate reference that comes to mind when we think of these projects.
One such element that frequently takes center stage is the staircase. This is evident in classics like Lina Bo Bardi's Solar do Unhão, featuring a singular wooden staircase that organizes the entire open space and defines the scale of the structure, or the iconic helical staircase of the Itamaraty Palace, designed by Oscar Niemeyer with the precise curves that characterize his work.
Polis is a (hypothetical) coastal metropolis with a growing population. However, most of its infrastructure was built 100 years ago, lacks maintenance, and is unable to meet the city's future needs.
Compounding these issues, Polis is experiencing damage from rising floods and coastal erosion. Its residents, especially those already impacted by environmental pollution, suffer from heat waves and poor air quality driven by industrial activity and traffic congestion.
https://www.archdaily.com/1124013/integrated-planning-of-nature-based-solutions-the-key-to-urban-resilienceLisa Beyer e James Anderson
Skating took root as a sport in California during the 1960s and 70s, a time when extreme activities like surfing found their niche among the United States populace. Beginning as an urban adaptation of surfing, skateboarding became the pastime of choice for adolescents and, by the 1980s, acquired a worldwide following. Soon, city-scapes across the globe began transforming as spaces were created for people to engage in this uniquely urban sport.
Chinese courtyard houses are one of the most common housing typologies spanning all the way from the northern capital of Beijing to the poetic southern cities Hangzhou and back to the picturesque regions of Yunnan. Typically referred as heyuan, these courtyards homes are simply a “yard enclosed on four sides."
Figura 13. AC. Proceso constructivo del Albergue Ecoturístico en La Caleta, con materiales locales para estructura, tambo y cerramientos. Julio de 2018. Fuente: archivo de los autores.. Image Cortesía de Dearq
Sheet metal is characterized by an excellent strength-to-weight ratio, meaning it performs exceptionally well under heavy loads despite being lightweight and slender. Because of this, bookshelves made from sheet metal offer impressive storage capacity and have become increasingly popular in apartment design.
The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions. A wide array of subjects are covered with honesty and humor: some episodes provide useful tips for designers, while others are project reviews, interviews, or explorations of everyday life and design. The Midnight Charette is also available on iTunes, Spotify, and YouTube.
https://www.archdaily.com/944221/tips-and-tactics-how-to-develop-a-design-conceptThe Second Studio Podcast
The use of brick plays a very important role in the architectural history of the United Kingdom. Construction techniques that involve brick and stone have been in constant progress. In fact, brick production improved over time, making the material the most popular one in the construction industry. From the 18th century onwards, brickwork was predominantly used in domestic and industrial architecture, but later on, it was introduced to the structure of warehouses and factories, as well as other various forms of infrastructure.
While many of these buildings are still operating to this day, it comes as no surprise. Refurbishment and reuse are highly recommended techniques, and in many cases, the only methods to maintain densely populated European cities. Therefore, the challenge lays in reusing these buildings and recycling the materials available, always trying to retain as much of the original structure as possible.
What is your idea of landscape? Landscape Architecture—a field of knowledge adjacent to architecture and urbanism—is often translated into Portuguese as landscaping (paisagismo), a term many resist because it fails to capture the discipline's true complexity. We suspect this discomfort stems from a common architectural tradition in Brazil that views the landscape as a purely designed, static entity.
The Reggio Emilia Approach was created in the post-WWII period at the initiative of widowed mothers and under the coordination of journalist and educator Loris Malaguzzi. In a time of postwar urban reconstruction, the group's primary concern was the formation of new schools, where they wanted to create a peaceful, welcoming, and cheerful environment, with a domestic atmosphere where children could stay while their mothers worked. Understanding the children's interests and providing a suitable environment for exploration and experimentation is one of the focal points of this pedagogy. The creation of a safe and stimulating environment is so fundamental that, in much literature, it appears as a third teacher.
Making material recycling commonplace within the architectural field would require a top-down approach in adapting the industry’s processes and standards to create a suitable framework for the task. However, individual endeavours are bringing about change within the profession, pushing for a reconsideration of architecture’s relationship to waste. This article looks at some of the initiatives that are spearheading the transition towards a common practice of material recycling.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is one of those rare movies that not only gets better with time but also presents a new layer of meaning with each viewing. Recently I’ve come to believe that it’s the most important movie about environmentalism ever made, not only because of its warning about nuclear annihilation, which is obvious, but because of its sly critique of the idea of professionalism and the nature of work.
https://www.archdaily.com/944214/dr-strangeloves-strange-environmental-lesson-for-architectsChristopher L. Cosper
Architectural visualization company Brick Visual has been loading its most complex scenes into Chaos Group’s real-time 3D ray-traced engine, Project Lavina, since the private beta first launched. With the first public beta now available, Attila Cselovszki, CDO at Brick Visual, shares how adding Project Lavina to the architectural visualization (arch-viz) pipeline has revolutionized the way they work.