Lessons Learned is a podcast by Dutch Design Week and ArchDaily. In each episode we pair young design talents with seasoned designers to further their practice and help them learn from the mistakes of the past. The young talented individual asks one pressing question, and the designers share their learnings and their biggest fuckups.
Blending in with its urban context or standing out to draw attention, a façade tells a building’s story. It is an expressive medium through which we engage with architecture, defining first impressions and setting the tone for the interior by experimenting with transparency, movement, texture and color, among other aesthetic possibilities. Of course, the envelope also plays a crucial functional role, acting as a protective barrier against extreme weather conditions and directly impacting light transmittance, energy efficiency and acoustic comfort. Architects therefore face an important challenge: to achieve a balance between an attractive look and performance. To do so, it is pivotal to specify the right materials during the design stage.
On Friday, October 14, the jury announced its decision for the Long Stage of the 38th Alberto J. Pani Architectural Composition Award, organized by the Faculty of Architecture of the National Autonomous University of Mexico, in collaboration with an institution of the Association of Architecture Teaching Institutions of the Mexican Republic (ASINEA)—which this year was the Faculty of Architecture of the Universidad De La Salle Bajío in León, Guanajuato.
The noisier the environment, the harder it is to concentrate on the sounds we really want –and need– to hear. We spend about 90% of our time indoors, either at home or at work, often with little concern for acoustic qualities, making our body remain in a constant warning state. In offices this is an even more critical issue. While traditional open plan working spaces encourage teamwork and effective communication, many professionals face the challenge of being able to concentrate with the frequent noises, whether from a nearby conversation, the construction site next door, or a noisy espresso machine. Among the problems that noise pollution can cause in the human body are stress, accelerated heartbeat, increased blood pressure, insomnia, and a constant state of vigilance. Studies also show that poor acoustics negatively affect productivity.
This can be further amplified by the environment itself, often composed of "hard" surfaces (masonry, concrete, glass) that reverberate sound several times over, making it necessary for people to raise their voices to be understood. Furthermore, acoustic devices are generally perceived as accessories that are not very aesthetically pleasing, often with clumsy designs and with little or no flexibility.
University Cities constituted the most powerful architectural and urban action during the period of progressive Latin American governments. Despite North American influences, which pioneered the concept of the campus [1], projects in Latin America emerged in different contexts and took highly unique directions. Because of the scale and complexity of these complexes, for instance, they required several decades to complete. This extended timeline allowed multiple generations of architects to participate, infusing their architecture with diversity. Another characteristic feature in Latin America is the close relationship between University City projects and developmentalist governments—as noted by Gorelik (2005)—which invested in public policies during periods of economic prosperity.
From smartphones to space rockets and self-driving cars, the power of technology in this modern digital era is enormous (and practically limitless). It has impacted every aspect of our lives and will continue to open up endless possibilities that today we cannot even begin to fathom. When applied in a socially and environmentally responsible way, technology has the power to enhance productivity, communication and sustainability, enabling global communities to function efficiently, addressing people’s everyday needs and improving their quality of life. Simply put, good technology serves humanity. And just as the healthcare or manufacturing industries have taken advantage of this, the architecture, design and construction world cannot fall behind.
The global pause of the COVID pandemic has provided an opportunity to assess present-day globalism and the architecture that has emerged alongside it. Stemming back to the broad expansion of free trade in the 90s at the end of the Cold War, globalism’s cultural promise was simple and aspirational: integrating markets globally would increase the interaction between and learning of different cultures. By normalizing such experiences in our daily lives, we would become global citizens liberated from our previous prejudices–all well-intentioned objectives.
Architecture is human. So when I entered Cornell’s College of Architecture, Art, and Planning in 1973 and the entire faculty were as white and male as I was, it made no sense to me but reflected the end times of the full-on male dominance in my chosen profession. In that world, a few professors would often comment on how female students looked at juries, and some sexually victimized some students (none of whom were male).
It is clear that cities worldwide must make concerted efforts to encourage more people to choose sustainable modes of transportation—such as walking, cycling, and public transit—over cars and motorcycles. But what drives us to choose one mode of transport over another? What factors lie behind our choices? Are they, in fact, conscious decisions or merely "automatic habits"? Understanding this process is an important step toward promoting sustainable mobility.
A few days ago, I had the opportunity to speak with Emilio Hernández from the Centro de Imaginación Oaxaca, one of the participants in Cocina CoLaboratorio. Our conversation touched upon topics such as collective participation, the social management of habitat, altruism, racism, and many other social issues. During our chat, we addressed the nuances, highlights, and shadows surrounding welfare dependency and “aid” to communities, as well as how counterproductive and violent it can be to act from a position of privilege and top-down hierarchy.
The vulnerability found in countries on the periphery of capitalism, such as Brazil, has wide-ranging consequences that are evident both in statistics and in how the occupied territory is shaped. Peripherization and the struggle to access fundamental rights—such as healthcare, education, and housing—are among these consequences. Addressing these challenges falls to organized social groups striving to build alternatives within this context, as seen in social movements and Usina CTAH, an architectural practice dedicated to providing technical assistance to organized social groups.
The A' Design Awards - the world's leading annual international juried design competition - were established to promote and recognize the best design work in all countries and in all creative disciplines. The Award has 100 main categories, including Architecture, Building and Structure Design, Interior Space and Exhibition Design, and Furniture Design, in addition to others related to the world of Lighting, Landscape, Building Materials, and some "Super Categories" such as Good Industrial Design, Good Architectural Design, and more. Next year's edition is now open for entries; designers can register their submissions here.
With the construction sector getting back into full swing and major upcoming projects being announced, a larger workforce is getting ready to take on these colossal works. Accordingly, on-site presence and inspections are critical and essential to creating good architecture and constitute significant learning instances for architects or engineers looking to build expertise. But despite all these new endeavors that promise new technologies, a more sustainable future, and better ways of living, one old issue prevails the presence of gender discrimination on the construction site.
In many countries around the world, October is dedicated to raising awareness for breast cancer. Pink ribbons that represent this cause, are a tribute to Susan G. Komen, responsible for the Cure's 1990 campaign in the USA. To celebrate this month and add spread awareness efforts, ArchDaily selected some projects that incorporate the color pink into façades, interiors, and details.
weico is a high-profile, emerging design practice founded by a group of highly experienced architects. Its scope of work encompasses architectural design, interior design, urban planning, project programming, and engineering consultancy, with a particular focus on the cross-disciplinary integration of design with technology, industry, economics, and the humanities. Led by principal architect Sun Wei (former partner of HENN China), weico, within less than a year of its inception, has secured and undertaken projects including the T3 Headquarters, Hengli International Headquarters, Hongqi High-End Customization Center, and the Phase II consultancy for the Hong Kong University of Science and Technology (Guangzhou). It has also been shortlisted for the CGN Scientific Research Base and the Bay Area University projects, garnering significant attention within the domestic industry.
At a time when a lack of public safety daily plagues Brazil's major cities, impacting how we behave in the urban environment, we must examine not only how we act within this space, but also how we build it and with what intentions we modify it.
High walls, fences, cameras, alarms, and razor wire are already part of a landscape that feels fearful, constantly seeking to "protect" private property, often to the detriment of public space appropriation.
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Climate is one of the key factors to take into consideration when designing a space. Of course, this can present a challenge, especially when dealing with extreme climates and the need for insulating materials that are able to adapt to a wide range of conditions. Luckily, for architects operating in Mexico, the country's privileged climate facilitates the creation of microclimates and spaces that blur the line between interior and exterior.
Cinemas mirror architecture. While the coronavirus pandemic shuttered theaters across the world for months, the industry is looking to the future as it aims to rethink the movie-going experience. As crowds flocked to the cinema after the 1918 pandemic, so too will the industry change shape again as it respond to new modes of watching films together.
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