Radical material responsibility through novel, regenerative, resilient, indigenous, and traditional materials with contemporary tools and innovations. Conference aims to revolutionize our approach to material responsibility in Architecture and design
The "Architectural Material Technologies Commons" conference aims to revolutionize our approach to material responsibility in architecture and design. By focusing on novel, regenerative, resilient, indigenous, and traditional materials, AMT2025 seeks to foster sustainable practices that respect our environment, honor cultural heritage, and empower practitioners through the democratization of knowledge and skills.
Meet the Architecture and Design Festival which will be hosting guided tours through the hidden gems of the underexposed architectural hub, Columbus, IN. From post offices to public libraries, the city is embedded with landmark marvels by some of the greatest known architects of our time. Located just 40 miles south of Indianapolis, the city is home to about 46,000 and is one of the most architecturally significant cities in America with masterwork buildings and landscapes by the likes of Eliel Saarinen, Eero Saarinen, Kevin Roche, I.M. Pei, Harry Weese, and Deborah Berke.
Allied Works Architecture has released designs for the Ohio Veterans Memorial and Museum in Columbus. Set to complete by 2016, the billowing museum will be constructed on the banks of the Scioto River, directly across from downtown, as part of Scioto Peninsula’s 56-acre redevelopment masterplan. It will host a variety of galleries, education and interpretive spaces that will house exhibitions and artifacts that serve as a testimonial to the 250 years of military service of Ohio Veterans.
“The Ohio Veterans Memorial and Museum is conceived as an architecture of two acts. The first is an act of landscape, where the surrounding parkland is cut, carved and lifted into the sky, creating a processional path to the sanctuary, a place of ceremony, celebration and reflection - a civic room for the city of Columbus,” explains Allied Works. Continue reading to learn more.
Before it was even completed, New York Times critic Paul Goldberger dubbed the Wexner Center for the Arts “The Museum That Theory Built.” [1] Given its architect, this epithet came as no surprise; Peter Eisenman, the museum’s designer, had spent the better part of his career distilling architectural form down to a theoretical science. It was with tremendous anticipation that this building, the first major public work of Eisenman’s career, opened in 1989. For some, it heralded a validation of deconstructivism and theory, while its problems provided ammunition for others who saw theory and practice as complimentary but ultimately divergent pursuits. The building’s popular reception has been equally mixed, but its influence and intrigue in the academic community is as pronounced and unmistakeable as the design itself.