Architecture is energy. Lines drawn on paper to represent architectural intentions also imply decades and sometimes centuries of associated energy and material flows. “Form Follows Energy” is about the relationship between energy and the form of our built environment. It examines the optimisation of energy flows in building and urban design and the implications for form and configuration. It speaks to both architectural and engineering audiences and offers for the first time a truly interdisciplinary overview on the subject, explaining the complex relationships between energy and architecture in an easy to follow manner and using simple diagrams to show how

The gold-standard exploration of architecture's global evolution A Global History of Architecture provides a comprehensive tour through the ages, spinning the globe to present the landmark architectural movements that characterized each time period. Spanning from 3,500 b.c.e. to the present, this unique guide is written by an architectural all-star team who emphasize connections, contrasts and influences, reminding us that history is not linear and that everything was 'modern architecture' in its day. This new third edition has been updated with new drawings from Professor Ching, including maps with more information and color, expanded discussion on contemporary architecture, and in-depth chapter

“Green buildings” that slash energy use and carbon emissions are all the rage, but they aren’t enough. The hidden culprit is embodied carbon―the carbon emitted when materials are mined, manufactured, and transported―comprising some ten percent of global emissions. With the built environment doubling by 2030, buildings are a carbon juggernaut threatening to overwhelm the climate.

It doesn’t have to be this way.

Like never before in history, buildings can become part of the climate solution. With biomimicry and innovation, we can pull huge amounts of carbon out of the atmosphere and lock it up as walls, roofs, foundations, and insulation. We can

A passionate and personal book about the writer's own love for a controversial architectural style. Featuring buildings typically constructed of concrete, Brutalist architecture flourished in the 1950s to mid-1970s. Though controversial, the style has an enthusiastic fan base—including John Grindrod, who is on a mission to explain his passion. His enlightening study brings humor, insight, and honesty to the subject as it journeys from the UK to examine Brutalism’s influence around the world, from Le Corbusier's designs in India to Lina Bo Bardi's buildings in Brazil. Featuring a series of mini essays, along with illustrations by The Brutal Artist,

The book focuses on both the historical and theoretical reinterpretation of the Heart of the City Idea, which was introduced at CIAM 8 in 1951 and has played an impor¬tant role in architectural and urban debates ever since. It is a comparative history-theory, which traces the social-spatial role and character of transdisciplinary encounters and migrations on the concept of the Heart of the City.
The main aim is to illustrate the continuity and the complexity of this pivotal theme, highlighting a new perspective on the significance of public space in our contemporary urban condition as well.
In an age of

Architecture and the arts have long been on the forefront of socio-spatial struggles, in which equality, access, representation and expression are at stake in our cities, communities and everyday lives. Feminist spatial practices contribute substantially to new forms of activism, expanding dialogues, engaging materialisms, transforming pedagogies, and projecting alternatives. Feminist Futures of Spatial Practice traces practical tools and theoretical dimensions, as well as temporalities, emergence, histories, events, durations – and futures – of feminist practices.
Authors include international practitioners, researchers, and educators, from architecture, the arts, art history, curating, cultural heritage studies, environmental sciences, futures studies, film, visual communication, design and

YACademy launches Architecture for Exhibition, a high-level training course offering 8 scholarships and internships in internationally-renowned architectural firms.

The past few decades brought a revolution in computer software and hardware; today we are on the cusp of a materials revolution. If yesterday we programmed computers and other machines, today we program matter itself. This has created new capabilities in design, computing, and fabrication, which allow us to program proteins and bacteria, to generate self-transforming wood products and architectural details, and to create clothing from “intelligent textiles” that grow themselves. This book offers essays and sample projects from the front lines of the emerging field of active matter.

Active matter and programmable materials are at the intersection of science, art,