When applying “major surgery” to a beloved, 20th century “masterpiece”, you’re going to face some harsh criticism. Such is the case for Norman Foster, as the legendary British architect has been receiving intense backlash from New York’s toughest critics for his proposed renovation to the New York Public Library. First, the late Ada Louise Huxtable exclaimed, “You don’t “update” a masterpiece.” Now, the New York Time’s architecture critic Michael Kimmelman claims the design is “not worthy” of Foster and believes the rising budget to be suspect.

More on Kimmelman's critique and Foster’s response after the break...

With an intention to attract and impress viewers with his massive scale, He has been selected as winner of the 2013 Young Architects Program (YAP) MAXXI in Rome, an annual competition that promotes and supports young and emerging architects in collaboration with MAXXI Architettura, MoMA/MoMA PS1 of New York, Constructo of Santiago and, for the first time, Istanbul Modern, Turkey.

Turin-based studio bam! bottega di architettura sostenibile, designed He as a grandiose and buoyant installation that transforms the concrete MAXXI facade and expansive piazza into a visual spectacular, while offering a shady escape from the Summer heat.

Originally published on the author’s website and blog on Archinect, 'Ruins of an Alternate Future (Jinhua Architecture Park)' was written by Shanghai-based architectural designer and theorist Evan Chakroff.

One of the great, if seldom realized, promises of architecture is its capacity to affect change. The best architects seem to have this potential in mind constantly as they structure career-length narratives around the social impact that good design can achieve. While this is often hyperbole, and most projects are driven by functional or economic considerations, there is the occasional opportunity for artists and architects to create purely speculative work, where radical departures from established typologies suggest alternatives to the status quo. In these rare cases, novelty is embraced not for its own sake, but for its potential to generate new archetypes, to provide a glimpse into a parallel world where architecture truly has agency: where design can change society for the better. 

Continue reading after the break...

Today, six months after the laser light extravaganza that marked the completion of The Shard in London, the controversial glass tower celebrated its official opening to the public. Architecture enthusiasts and residents were welcomed to join the mayor of London 244 meters above the capital on the 72 floor observation deck for the official ribbon cutting.

Designed by Italian architect Renzo Piano, the 310 meter needle-point structure is currently the tallest in Western Europe. The two million square meter mixed-use development offers ample office space, restaurants, a five-star shangri-la hotel and residences.

Celebrating those who transform urban problems into creative solutions since 1987, the biennial Rudy Bruner Award (RBA) has announced the 2013 finalists. The prize aims to illuminate the complex process of urban placemaking by seeking out often overlooked urban exemplars whose existence heightens the richness and diversity of American cities.

In celebration of their achievement, one $50,000 Gold Medal award and four $10,000 Silver Medals will be awarded to the finalists in May. 

The 2013 Rudy Bruner Award finalists are:

Praised for his masterful blends of architecture and engineering, yet criticized for rarely sticking to a budget, Valencia-native Santiago Calatrava is no stranger to controversy. His latest project making headlines is the largest landmark in Valencia and the second most-visited cultural complex in Spain: the City of Arts and Sciences.

More on the controversy after the break.

Karakusevic Carson and David Chipperfield have been announced as the “preferred bidder” for a pair of residential towers the East London district of Shoreditch. As reported on BDOnline, the £25 million project at Colville Estate will rise up to 14 and 20 stories high to replace the existing 1950‘s low-rise buildings. This will be the second and last phase of the largest council-backed housing development in London and the first UK mass housing project for Chipperfield.

More on Colville Estate after the break.

Although the 2012 London Olympics concluded last August, RIBA president Angela Brady and New London Architecture chairman Peter Murray continued to lead a fierce campaign against the strict International Olympic Committee (IOC) rules that forbid architectural practices who contributed to the design and construction of the venues from promoting their work. Months later, a compromise has finally been met and the architects will now allowed to discuss their contributions freely.

Brady said: “The majority of architects and designers we were standing up for in the campaign were young small businesses who just wanted to be able to promote their work. It’s great that they are now able to speak freely about their contribution.”

Steven Holl Architects have been selected to design a new, 60,000 square foot addition to the prestigious John F. Kennedy Center for the Performing Arts in Washington D.C. The $100 million project, which will be lead by Steven Holl and senior partner Chris McVoy, is envisioned as three connected pavilions clad in translucent Okalux, glass, and Carrara marble, the material used on the original 1970s building.

Located mostly below grade on the south side of the existing facility, the protruding structures will be embedded within a lush landscape of public gardens. To the west, one pavilion will extend over the Potomac River, offering an outdoor stage at the water’s edge. The expansion will compliment the existing performance center with new classrooms, rehearsal and multipurpose rooms, along with lecture and office space. Both the new and the old will be directly connected underground and through the main plaza. A formal design will be refined and announced in the coming months.

More images and information on the Kennedy Center expansion after the break.

In an effort to maximize Istanbul’s potential of becoming a bustling regional hub, Transport Minister Binali Yildirim has released a request for proposals to construct and operate what could potentially be one of the world's largest airports. With the Ataturk airport - Turkey’s largest airport which handled nearly 45 million passengers last year - steadily reaching capacity and limited by land restrictions, the new $9 billion dollar, six-runway airport promises to expand the country’s aviation capacity with the potential of handling 150 million yearly passengers.

“The new airport project will be bigger than any other in Turkey and will be part of our plan to build a new city on the Black Sea coast,” Yildirim said, according to Bloomberg.

More after the break.

Concluding 2012 with strong business conditions, the December Architecture Billings Index (ABI) marks five consecutive months of growth with a score of 52.0. Released by the American Institute of Architects (AIA), the ABI is a leading economic indicator of construction activity that reflects the approximate nine to twelve month lag time between architecture billings and construction spending. By remaining above 50, December’s score reflects an increase in demand for design services. However, growth is slightly slower than the previous month, whose mark at 53.2 brought the strongest business conditions since 2007. Additionally, the new projects inquiry index remains in positive territory with a score of 59.4, also down slightly from the 59.6 mark of November.

London and Barcelona-based practice AZPA (Alejandro Zaera-Polo Architecture) has been announced as winner of an international competition aimed to establish a permanent residence for the Locarno International Film Festival in Switzerland. Breaking away from the starchitect notion of public architecture needing to make an “extravagant gesture”, AZPA’s innovative proposal partakes in an act of “urban recycling” by reusing the pre-existent, nineteenth century structure of Piazza Castello and transforming its interior courtyard into three sizable theaters. Additionally, a complimentary renovation will take place on the surrounding Piazza Remo Rossi, which will be repaved with red natural stone that essentially provides a “permanent red carpet” qualified to host an array of festival related events.

As Architect Alejandro Zaera-Polo describes: "I do not want to redraw the city, but keep the city." 

AZPA’s winning design not only preserves and capitalizes on the existing integrity of the city, but the strategies employed makes this an economically viable solution. With an estimated price tag of 28 million Swiss Francs, this renovation is said to be no more than the cost of a complete demolition. 

More on AZPA’s winning proposal after the break.