Produce personalized presentation boards that distill complex concepts into simple visual representations with a few helpful tools and effects.

In the last few decades, architecture and interior design have experienced a dramatic shift in the workflows that professionals consider standard. Hand-drafting is long gone; for many it’s nostalgic, and many more embrace the power incumbent to digital drafting tools. Some take it even further with BIM, embracing the process to lead their businesses into lasting success.

As many Americans tentatively ease back into their museum- and park-going routines, numerous cultural institutions and public spaces are slowly coming back to life on a limited/adjusted basis after months of hibernation to greet them, with coronavirus precautions firmly in place. Meanwhile, large, indoor gallery-centered museums continue to plot their eventual returns. The Metropolitan Museum of Art in New York, for example, plans to reopen in late August while the Getty Center in Los Angeles has still not announced its phased re-opening dates.

In many locales, a trickle of small but positive re-openings has taken place in recent weeks and/or are slated for mid-to-late July. With an eye toward public landscapes, open-air museums, and multifaceted art spaces with room to spread out, here’s a small sampling of places across the country that have reopened or expanded public access or are due to allow visitors in the very near future.

Chinese courtyard houses are one of the most common housing typologies spanning all the way from the northern capital of Beijing to the poetic southern cities Hangzhou and back to the picturesque regions of Yunnan. Typically referred as heyuan, these courtyards homes are simply a “yard enclosed on four sides."

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The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions. A wide array of subjects are covered with honesty and humor: some episodes provide useful tips for designers, while others are project reviews, interviews, or explorations of everyday life and design. The Midnight Charette is also available on iTunes, Spotify, and YouTube.

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The use of brick plays a very important role in the architectural history of the United Kingdom. Construction techniques that involve brick and stone have been in constant progress. In fact, brick production improved over time, making the material the most popular one in the construction industry. From the 18th century onwards, brickwork was predominantly used in domestic and industrial architecture, but later on, it was introduced to the structure of warehouses and factories, as well as other various forms of infrastructure.

While many of these buildings are still operating to this day, it comes as no surprise. Refurbishment and reuse are highly recommended techniques, and in many cases, the only methods to maintain densely populated European cities. Therefore, the challenge lays in reusing these buildings and recycling the materials available, always trying to retain as much of the original structure as possible.

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The Reggio Emilia Approach was created in the post-WWII period at the initiative of widowed mothers and under the coordination of journalist and educator Loris Malaguzzi. In a time of postwar urban reconstruction, the group's primary concern was the formation of new schools, where they wanted to create a peaceful, welcoming, and cheerful environment, with a domestic atmosphere where children could stay while their mothers worked. Understanding the children's interests and providing a suitable environment for exploration and experimentation is one of the focal points of this pedagogy. The creation of a safe and stimulating environment is so fundamental that, in much literature, it appears as a third teacher.

Making material recycling commonplace within the architectural field would require a top-down approach in adapting the industry’s processes and standards to create a suitable framework for the task. However, individual endeavours are bringing about change within the profession, pushing for a reconsideration of architecture’s relationship to waste. This article looks at some of the initiatives that are spearheading the transition towards a common practice of material recycling.

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This article was originally published on Common Edge.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is one of those rare movies that not only gets better with time but also presents a new layer of meaning with each viewing. Recently I’ve come to believe that it’s the most important movie about environmentalism ever made, not only because of its warning about nuclear annihilation, which is obvious, but because of its sly critique of the idea of professionalism and the nature of work.

Architectural visualization company Brick Visual has been loading its most complex scenes into Chaos Group’s real-time 3D ray-traced engine, Project Lavina, since the private beta first launched. With the first public beta now available, Attila Cselovszki, CDO at Brick Visual, shares how adding Project Lavina to the architectural visualization (arch-viz) pipeline has revolutionized the way they work.

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Metropolis catches up with the High Line Network, a consortium of North American reuse projects that has been sharing notes and best practices through the pandemic.

Since the pandemic began, the High Line Network—a group of North American infrastructure reuse projects founded in 2017—has been conducting regular teleconference calls among its members, comparing notes on operations and sharing best practices and advice with fellow members. With many open or planning to reopen soon, and as the pandemic continues, many observers expect these projects will become even more popular among the public, since they provide outdoor space where visitors can walk, bicycle, and safely enjoy themselves—usually at an appropriate distance from one another. Especially now, the network believes its constituent projects can deliver tremendous and much-needed social, health, environmental, and economic benefits.

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When urban spaces become the medium for expression, protest, criticism, and defiance, the audience is limitless. Pedestrians and bystanders of all ages and ideologies become spectators of demonstrations that walk the line between art and activism and transform the city's streets, walls, and sidewalks into canvases for diffusing ideas on a massive scale. Banksy once said that "a wall is a very big weapon. It's one of the nastiest things you can hit someone with." This call to arms has rung true for many as they take to the streets in a bid to make themselves heard. 

This article is part of "Eastern Bloc Architecture: 50 Buildings that Defined an Era", a collaborative series by The Calvert Journal and ArchDaily highlighting iconic architecture that had shaped the Eastern world. Every week both publications will be releasing a listing rounding up five Eastern Bloc projects of certain typology. Read on for your weekly dose: Historic Hotels.

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Whether you're looking for an upgrade or to replace broken pieces for floors or walls, tiles are always an effective and readily available option for any project that you have in mind. With their relatively low production cost, tiles are rarely reused or recycled and, if they are, it's usually for their original function.

New Generations is a European platform that analyses the most innovative emerging practices at the European level, providing a new space for the exchange of knowledge and confrontation, theory, and production. Since 2013, New Generations has involved more than 300 practices in a diverse program of cultural activities, such as festivals, exhibitions, open calls, video-interviews, workshops, and experimental formats.

New Generations launches a fresh new media platform, offering a unique space where emerging architects can meet, exchange ideas, get inspired, and collaborate. Recent projects, job opportunities, insights, news, and profiles will be published every day. The section ‘profiles’ provides a space to those who would like to join the network of emerging practices, and present themselves to the wide community of studios involved in the cultural agenda developed by New Generations.

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It takes more than creativity to create exceptional designs. Effective collaboration is an essential element in any successful project, as well as in day-to-day business. Using the right tools can help architects and designers overcome project obstacles and elevate their designs. Real-time rendering tool Enscape has introduced a collaborative issue-tracking feature, aptly named Collaborative Annotation, in their latest software version 2.8. This new feature promises to provide architects and designers with a more collaborative workflow.

Structural components can be the main stars in architectural projects, contributing to the understanding of how the building's intrinsic forces are organized and distributed. Cables are constantly being used to steal the scene: they subvert the logic of supporting structures and build stable systems using tension, creating both a sense of strength and lightness in the building.

This kind of element is found in buildings of many different sizes, ranging from the steel cables of large and majestic suspension bridges to the cables on residential roofs. We have picked a series of Brazilian houses that benefit from this delicate and powerful structural component in different ways, showing the versatility of its potential applications.

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Seeing the Earth from a great distance has been proven to stimulate awe, increase the desire to collaborate, and foster long-term thinking. Daily Overview aims to inspire these feelings — commonly referred to as the Overview Effect — through their imagery, products, and collaborations. By embracing the perspective that comes from this vantage point, the team believes they can stimulate a new awareness that will lead to a better future for our one and only home. Check out Daily Overview's Gallery of Amusement Parks and follow the team's work on their Instagram.

Whether we like it or not, every architect is a recycler.

The phrase “Swamp Yankee” is neither a diss nor a stereotype. Swamp Yankees lived in pre-20th-century New England. They were those poor folk who could only afford to live near water – where disease, vermin and bad weather regularly wrecked lives. Those folk never threw anything out that could be reused (someday). They bartered and they salvaged as a way of life. There was never waste (“waste not, want not”). Swamp Yankees made recycling a lifestyle. Sustainability was not a Green choice – it was the way they survived.

I am a Swamp Yankee Architect. 

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