Exhibition

Dans le cadre de SUREXPOSITION, l'agence Lobjoy-Bouvier-Boisseau Architecture vous propose 2 visites privées accompagnées des architectes afin de découvrir son exposition et d'échanger autour du projet Fondation-s ; nouveau bâtiment de la Fondation Henri Cartier-Bresson et de la Fondation François Sommer.

Étudiant en école d'architecture / HMONP ? Amateur d'art ou simple curieux ? Inscrivez-vous et venez nous rencontrer le 15 ou le 20 février 2019 à partir de 16h.

Plus d'informations sur : https://www.eventbrite.fr/o/agence-lobjoy-bouvier-boisseau-architecture-18549638858?fbclid=IwAR12se6WBNy0Qwcz0WtlStAOiM_r5PD-tBOWEyEYZnL1nE3Qu03Emj8Ewlo

SUREXPOSITION goes beneath the surface of the new premises for the Fondation Henri Cartier-Bresson and Fondation François Sommer, with its renowned Museum of Hunting and Nature. Designed by

VAULTS BEDS GARDENS: Public Hedonics and Alternative Publicness presents amid.cero9’s investigations on the role of architecture in the formation of the contemporary public realm. Through large format drawings and precious models recreating the working environment of their studio in Madrid, the exhibition presents architectural projects ranging from the beginning of their practice in 1998 to their most recent work.

The complex of trivial operations called logistics is wrapped and supported byt the simplest possible architecture. The combination of cheap labour, central geographic location and growth of online shopping has formed fertile ground for the current explosive growth of Czech logistic parks. Their total floor area has doubled in the past two years alone. In proportion to the GDP, Czechia now has almost twice the storage area of Poland and three times more than Hungary and Slovakia.

A collaboration between ANCB and the Centre for the Future of Places at KTH Royal Institute of Technology, Stockholm.

Date: Saturday, 26 January 2019, 12-5 pm
Place: ANCB The Aedes Metropolitan Laboratory, Christinenstr. 18 – 19, 10119 Berlin.

n the past decade, we have witnessed a radical expansion of the space, remit, and role of the museum as a public institution. This has taken the form of an increasing shift from public space to public programme, from the spatial organisation of artefacts to the temporal organisation of events that places the museum’s activities solidly in line with the production of discourse, atmospheres, experiences,

Videos

With this exhibition of drawings by Hans Poelzig, the Museum for Architectural Drawing in cooperation with the Architecture Museum of the Technical University Berlin present the work of an architect who, with Walter Gropius, Bruno Taut, Mies van der Rohe and Peter Behrens, was undoubtedly one of the most important German architects of the first half of the 20th century.
His oeuvre was diverse as his personality was colourful: in parallel with his architecture, he painted and created stage designs and film sets. He was director of the School of Art and Design in Breslau and later taught at the

What does community architecture look like? Making It Happen tells the stories behind four very different examples of new or reimagined public areas. This immersive exhibition charts and celebrates the coming together of communities and architects to craft and create spaces that work for all.

In recent years many public buildings in Britain have faced an uncertain future as a result of budget cuts or the withdrawal of funding. In response, communities have come together to keep public buildings open and functioning, campaigning and fundraising in the face of closure or catastrophe. Making It Happen: New Community Architecture features four recent

A room of one’s own: Feminist questions about architecture

A room and money of her own – these are two prerequisites for a woman’s self-fulfilment, so wrote Virginia Woolf almost 90 years ago. Despite this, Estonian architectural culture still seems to be completely unaware of the fact that space can also be a feminist issue. Yet feminism provides a methodology and approach that allows us to raise a wide range of questions and to see the history of Estonian architecture in the 20th century as well as contemporary practices and ways of using space in a completely different light. That

Join Rios Clementi Hale Studios and Cal Poly Tech for an investigation of virtual reality in architecture on Sunday, December 9 at the Rios Clementi Hale Studios offices.

A jury will judge final presentations from architecture students taught by Frank Clementi and other RCHS team members. The virtual reality projects all aim to evaluate the essential conventions of architectural spaces and adapt them to the reduced conditions of simulated environments. Attendees are invited to experience the students' plans firsthand followed by a roundtable discussion investigating the evolution of architecture and how it behaves.

This event is open to the public.

The invited design competition aims to explore visions and urban schemes envisaging the re-articulation of manufacturing areas in the territory in-between Mestre and Marghera industrial area. In a condition of radical transformation of labor and productive activities, among the ones that are suitable for Marghera areas, some relevant processes seem to be more feasible and innovative. They consist of the increase of the level of digital content within enterprises, the profound innovation in the manufacturing sector, the inclusion within circular economy processes, the ever-increasing sharing of services and equipment that become places for urban sociality.

The fifth edition of the Cities Connection Project is taking place in collaboration with Wallonie-Bruxelles Architectures.The first part of the CCP double exhibition focuses on the re-use of existing spaces, mixed uses and reconstruction, beginning in  Wallonia-Brussels, the second part will be in Barcelona in 2019.

Sergei Tchoban: Drawing Buildings/Building Drawings

Russian-German architect, artist, and collector Sergei Tchoban is the focus of Sergei Tchoban: Drawing Buildings/Building Drawings, an exploratory exhibition that brings together fifty of the architect’s large scale urban fantasy drawings, deeply personal contemplations about the past, present, and future of his favorite cities – Saint Petersburg, Rome, Amsterdam, Venice, Berlin, New York – along with documentation on five realizations – two museums, two exhibition pavilions, and a theater stage design. The show traces design process and highlights the architect’s intentions behind his searching architecture. Tchoban is questioning his own impact on some of these cities.

With Den-City – Urban Landscape, Sergei Tchoban lets us feel the essence of density: façades of the buildings are pushing pedestrians, dangling street cables are covering the view of the sky, and places hum about merging of stone, glass and steel. And suddenly moments of complete silence latch on the viewer, as a thinking break from all the dust and noise.

In his drawings, which were created mainly during his travels Tchoban captures not only the flickering atmosphere of Asian metropolises, but also the urban jungle of an American city. With the city characteristics seen and experienced, the artist composes breathtaking

The term Low-resolution precedes Houses in order to make the exhibition-goer think about houses through this double technological and representational-aesthetic lens. All 44 houses exhibited fall into one or more of the following categories of Low-resolution: first, houses that vaguely resemble houses, using familiar house elements, such as pitched roofs, etc.; second, houses that appear to be constructed, in that you can see the construction, joints and the materials, there is a sort of cheap unfinished quality to the work; and third, houses that are composed of basic geometric primitives—squares, circles, triangles—arranged in a non-compositional or abstract manner. By these