Students of Gedik University Interior Architecture and Environmental Design Department have set up the display of a year-end exhibition as a part of the "Interior Photography" course. It is important that the photographs taken by the students "at home" during the pandemic, became more different and creative at the end of the semester.
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Moments of Silence, 2020, Media projection and sound, 90 1/2 x 145 3/4 in
BLANK SPACE is pleased to present a special exhibition of works by designer and artist Hayoun Won which directly responds to the current Covid-19 pandemic. Moments of Silence, pictured above, is a multimedia installation and series of printed works which offer a memorial space for the victims across the globe. Also included are a number of both digital and hand drawn design works which seek to expand the reach of design in relation to social issues.
On Thursday, 4 June at 6 p.m., Oris House of Architecture (Kralja Držislava 3) in Zagreb, launches the international Friends for Oris exhibition, which will be on view until 31 July 2020. The opening of the exhibition will be organised in accordance with the Recommendations for the prevention of the emerging COVID-19 pandemic during public events and gatherings, issued by the Croatian Institute of Public Health.
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Unbuilding Building Exhibition Poster - Princeton School of Architecture
Princeton School of Architecture is pleased to announce UnBuilding Building, an online exhibition by the 2020 Post-Professional M.Arch Thesis class coordinated by Professor Jesse Reiser. The website showcases projects by five students—Catherine Ahn, Esra Durukan, Sarah Etaat, Kyle Weeks, and Olga Zakharova—collectively named "V".
UnBuilding Building
Our built environment is in a constant state of destabilization by changing environments, influences, and functions. In a landscape where architecture is often pushed to sublimate into other types of creative practices, permanence in architecture is no longer something that can be taken for granted. We confront this question of permanence of buildings through actively constructing
The European Cultural Centre presents the fifth edition of the extensive biennial architecture exhibition TIME SPACE EXISTENCE. The exhibition will open in parallel with Biennale Architettura on August 29th, 2020 and it will run for six months until February 16th, 2021 at Palazzo Bembo, Palazzo Mora and Giardini della Marinaressa, with press previews and opening parties in each location on August 27th and 28th. TIME SPACE EXISTENCE features completed and ongoing projects, innovative proposals, and utopian dreams of architectural expressions. Through a wide selection of projects ranging from conceptual works, models, photographs, videos, sculptures, to site specific installations, each room will provide
“A city is a unity of dissimilar elements,” said Aristotle, and his words still ring true. Today, millions of people live in megacities with different, often conflicting interests, and the task of urban planners is to make cities convenient for everyone, taking into account the characteristics of their inhabitants.
With Coventry designated as the UK City of Culture for 2021, and with many of its post-war architectural masterpieces under threat of redevelopment or destruction, printmaker Paul Catherall thought this a timely chance to create a body of work that reflected on the unique beauty of his hometown.
Paul Catherall has become beloved for his linocuts of brutalist and modernist architecture that are both nostalgic and contemporary. Playing on the phrase ‘Sent to Coventry,’ this exhibition will showcase the underrated beauty of Paul’s home city and its iconic architecture that should be preserved, relating that aesthetic to views of London, where
This landmark exhibition at the Building Centre will explore the potential of stone to revolutionise architecture and construction in light of the current climate crisis. It may seem like an ancient building material but stone has serious sustainability credentials; with the ability to reduce a project’s embodied carbon by an incredible 90 per cent compared to typical steel or concrete frames. The New Stone Age will celebrate the sustainability, practicality and inherent beauty of the world’s oldest natural material.
The exhibition is accompanied by an experimental installation in the Store Street Crescent, in the form of a giant raised stone floor
RIBA presents Forms of Industry, an exhibition of contemporary photographs by Alastair Philip Wiper (1980) and archival images by Eric de Maré (1910-2002) from the RIBA Collections. Separated by more than 50 years, the two photographers share a common interest in industrial buildings and landscapes, yet their differing approaches create a commentary on changing attitudes towards industrialisation and sustainability.
Eric de Maré was one of Britain’s most influential architectural photographers, responsible for raising awareness of the value and beauty of Britain’s overlooked industrial heritage via photographs taken for the Architectural Review in the 1950s and 1960s. A selection from RIBA’s extensive
Freestyle by Space Popular at RIBA Architecture Gallery @ Francis Ware
RIBA presents its first virtual reality (VR) exhibition, exploring moments across 500 years of aesthetics in architecture.
What makes a style? How is a style collectively agreed upon and shared? Drawing on RIBA’s world-class collections, Space Popular uses virtual reality to examine styles of the past and to consider the technology’s impact on contemporary spaces and buildings. Historic artefacts will be displayed alongside newly commissioned content, inviting you to enter a beguiling virtual universe to experience how popular cultures and technologies impact architecture and its style evolution.
Making connections across mass media and style, Freestyle takes the visitor on a journey through
OVO Grąbczewscy: Małopolska Science Center, Krakow (2018)
Architecture is a serious matter – in that respect, OVO Grąbczewscy is no exception. Functional, constructive, legal, and financial requirements as well as client expectations mean that architecture is the most “unfree” of all the arts, and the trend is rising. In order to retain the creative freedom necessary for their profession, the architects have developed the thesis of “playing architecture”. This enables them – despite stringent conditions – to apply their vision, research, and sense of freedom, fun, and humor as they see fit.
The Museum of Fire (Żory, 2015), for example, was originally intended to be a simple information
The exhibition will be one of the projects in the anniversary exhibition programme celebrating AEDES' 40th anniversary. It has been chosen as a significant social project and a unique example of support for young architects at the national level. "The Russian youth architecture Biennale is truly unique – there is nothing like it in the world,” says Kristin Feireiss, founder of AEDES Architecture Forum, curator, architecture critic, and member of the jury for the Pritzker Prize. “And the fact that Russia was the first country to organize a competition like this is eloquent evidence of its interest in motivating, supporting,
Sergei Tchoban, 'Old New Above', Charcoal on Canvas, 2019
The future of the European city is the central theme for Sergei Tchoban. It is evident that the language of contemporary architecture and the size of urban gestures contrast with the structure of the historical or traditional European city. Is it possible to harmonize and regulate these two positions? Is there a quality in the spontaneity or even in the chaos that can arise?
The exhibition ‚Une Ville Dessinée / A Drawn City‘ reflects the high-contrast interplay between historical and modern architecture, as it is so strongly traced in modern cities. It brings together visualized and constructed ideas on paper, presents
The School of Architecture at Mississippi State University is hosting an exhibit of the work of renowned African American Architect Philip Freelon as part of a celebration of Black History Month. The exhibition is located in the Charlotte and Richard McNeel Architecture Gallery in the Giles Hall School of Architecture on the campus of Mississippi State University. This partnership with the Mississippi State University African American Studies Program will also host an opening reception on Wednesday, February 5, 2020 at 12:00 pm in Giles Hall, located at 899 Collegeview Street, Mississippi State, MS 39762. The reception and exhibit are free
Europe’s oldest known wooden house is the Bethlehem House, a solid timber construction erected in 1287 in the Swiss canton of Schwyz. With a design that is both functional and flexible design, the building is still in use today.
Rossetti+Wyss explore the qualities of traditional building methods and transport these into their work. Many of their projects involve the use of solid wood for project-specific applications and designs, as well as in combination with other materials. Embracing the many facets of this trustworthy building material, they have used it for load bearing and bracing, as well as for protective and insulating
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Prize details: https://thedrawingprize.worldarchitecturefestival.com// Image Courtesy of Make Architects
Sir John Soane’s Museum
The Architectural Drawing Prize
Until Sunday 16 February 2020
The winning and commended entries of the third Architecture Drawing Prize, held in partnership with Make Architects and the World Architecture Festival, are now on exhibit at Sir John Soane’s Museum.
Launched in 2017, the prize celebrates and showcases the significance of drawing as a tool in capturing and communicating architectural ideas. It embraces the creative use of digital tools and digitally-produced renderings, while recognising the enduring importance of hand drawing.
The Architecture Drawing Prize is curated by Make Architects, Sir John Soane’s Museum, and the World Architecture Festival.
Museum presents the works of two giants of 20th-century architecture, Le Corbusier and Alvar Aalto, as seen through the lens of Jari Jetsonen. Jetsonen is a recognised Finnish photographer, who has been photographing Alvar Aalto’s architecture for over 20 years. As a dedicated photographer of architecture he became fascinated by the points of contact and similarities in the forms and ideas in both the buildings and thinking of the two seemingly oppositional architects. What becomes important here is the point of view of the artist and the way he sees buildings. Referring to Johann Wolfgang von Goethe’s idea that architecture