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  7. Altamira Building / Rafael Iglesia

Altamira Building / Rafael Iglesia

  • 16:00 - 29 January, 2019
  • Curated by Karina Duque
  • Translated by Diego Hernández
Altamira Building / Rafael Iglesia
Altamira Building / Rafael Iglesia, © Gustavo Frittegotto
© Gustavo Frittegotto

© Gustavo Frittegotto © Gustavo Frittegotto © Manuel Cucurell © Manuel Cucurell + 26

  • Collaborators

    Andrés Lombardo, Mariano Fiorentini
  • Client

    Conystar SRL
  • Structural Calculation

    Ing. Bollero e Ing.Campodónico
  • Construction

    Conystar SRL
  • More Specs Less Specs
© Gustavo Frittegotto
© Gustavo Frittegotto

Text description provided by the architects. In this project, I tried to highlight two aspects above the others: First, questioning what a housing apartment is, and how it works. Second, solving the structure

© Gustavo Frittegotto
© Gustavo Frittegotto

The Program

The modern movement did not only leave its aesthetics, but also its ethics: In a dwelling, the specificity of its functions showed us that there was a bedroom for parents (for procreation), and another for children (two, if is that they were of different sexes). This functional specificity is what is questioned in my building, since the family unit is not as big as it used to be, a change that could be traced in ethics, traces that we can not follow here.

© Gustavo Frittegotto
© Gustavo Frittegotto
Floor Plans
Floor Plans
© Gustavo Frittegotto
© Gustavo Frittegotto

Structure

Deleuze introduces a description of the two parties of opposite operations, Chess and Go, a description that can well illustrate two ways of working within Architecture. In an encoded architecture, all its elements function like chess pieces: they have an internal nature or intrinsic properties that make them what they are. Thus, a window is always a window, a door is a door, a beam, a beam, and this was demonstrated with each component. They designed the functions and movements. Each of them is a subject of the enunciation with a relative meaning, the relative meanings are combined in a subject of enunciation.

© Manuel Cucurell
© Manuel Cucurell
© Manuel Cucurell
© Manuel Cucurell
© Manuel Cucurell
© Manuel Cucurell

In my building, I try to achieve the opposite. What I am trying to show are only the beams, treated as simple units whose function is anonymous, collective and a third person, like the pieces of Go. Here, the beams do not become, as elements, subjects with intrinsic properties, but with properties derived from their situation: they can become a wall, a window, a door. Maybe, they will "act" their roles, to support something, and those functions will depend on the place they occupy in space. The beam moves around persistently, building, destroying, bordering, rising and falling, supporting, persisting, leaving and disappearing when least expected, without altering the unit. Within "the Work", the beam can become the hero or the steward, who appears or disappears only when that is required for the destiny to be fulfilled.

© Gustavo Frittegotto
© Gustavo Frittegotto

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Project location

Location to be used only as a reference. It could indicate city/country but not exact address.
About this office
Cite: "Altamira Building / Rafael Iglesia" [Edificio Altamira / Rafael Iglesia] 29 Jan 2019. ArchDaily. (Trans. Hernández, Diego) Accessed . <https://www.archdaily.com/910467/altamira-building-rafael-iglesia/> ISSN 0719-8884

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