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MoMA's Barry Bergdoll On "The Politics And Poetics Of Developmentalism" In Latin American Architecture

MoMA's Barry Bergdoll On "The Politics And Poetics Of Developmentalism" In Latin American Architecture
MoMA's Barry Bergdoll On "The Politics And Poetics Of Developmentalism" In Latin American Architecture, Eladio Dieste. Church in Atlantida, Uruguay, 1958. Image © Leonardo Finotti
Eladio Dieste. Church in Atlantida, Uruguay, 1958. Image © Leonardo Finotti

On display until July 19th, MoMA's exhibition "Latin America in Construction: Architecture 1955-1980" is an attempt to bring the architecture of this global region, and this time period, to a greater audience after decades of neglect by the architectural establishment. Curated by Barry Bergdoll, the exhibition effectively follows on from MoMA's last engagement with the topic of Latin American architecture, way back in 1955 with Henry-Russell Hitchcock's exhibition "Latin American Architecture Since 1945." In an intriguing interview, Bergdoll sits down with Metropolis Magazine to talk about why he is revisiting the topic after so many years (or, indeed, why MoMA took so long to do so), and explains his ambitions to elevate the featured works and to frame Latin America itself as "not simply as a place where the pupils of Le Corbusier went to build, but a place of origins of ideas." Read the full interview here.

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Cite: Rory Stott. "MoMA's Barry Bergdoll On "The Politics And Poetics Of Developmentalism" In Latin American Architecture" 01 May 2015. ArchDaily. Accessed . <https://www.archdaily.com/626426/moma-s-barry-bergdoll-on-the-politics-and-poetics-of-developmentalism-in-latin-american-architecture/> ISSN 0719-8884

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