ArchDaily | Broadcasting Architecture Worldwidethe world's most visited architecture website
i

Sign up now and start saving and organizing your favorite architecture projects and photos

i

Find the most inspiring products for your projects in our Product Catalog.

i

Get the ArchDaily Chrome Extension and be inspired with every new tab. Install here »

All
Projects
Products
Events
Competitions

Wired

In Defense of the Emoji Building and Architecture Being Fun, Sometimes

09:30 - 27 July, 2017
In Defense of the Emoji Building and Architecture Being Fun, Sometimes, © Bart van Hoek
© Bart van Hoek

It’s always fascinating when architecture breaks the bounds of the profession and becomes a topic of debate in the wider profession. Fortunately, thanks to the internet, there is no shortage of such occasions: whether it’s the click-seeking cluster of articles that found a client for an improbable cliff-hanging design or the forums that suddenly decided that most modern architecture looks “evil,” the viral trend treadmill ensures that there are plenty of opportunities for the layperson to offer their two cents on the output of our profession.

The flavor of the summer of 2017 is Attika Architekten’s Emoticon Facade. This thoroughly sensible and polite building has caught the public’s attention thanks to its inclusion of emoji-shaped decorative additions. While most of the internet has responded with heart-eyes, there’s no shortage of people for whom these carved emojis are a clear indication that architecture, and by extension society, and by extension all of life as we know it, is doomed, never to recover. Such an opinion is legitimized by articles like this one in Wired by Sam Lubell, who in reporting on the building found two experts willing to take a big old smiley poop on Attika Architekten’s work. Given the role that these experts play in directing the conversation among the public, their arguments bear analysis.

Stood in Splendid Isolation, Questions Are Raised About Apple's Cupertino Campus

10:15 - 12 June, 2017
Stood in Splendid Isolation, Questions Are Raised About Apple's Cupertino Campus, © Apple
© Apple

The "Spaceship" has landed and the dust, it appears, is starting to settle. In an article by Adam Rogers, which follows Wired's exclusive breakdown of the new Apple Campus in Cupertino, Californiaa convincing case is put forward against its design and wider masterplan. "You can’t understand a building without looking at what’s around it," Rogers argues – and most, including its architects, Foster+Partners, would surely be inclined to agree.

Whether you call it the Ring (too JRR Tolkien), the Death Star (too George Lucas), or the Spaceship (too Buckminster Fuller), something has alighted in Cupertino. And no one could possibly question the elegance of its design and architecture. This building is $5 billion and 2.8 million square feet of Steve Jobsian-Jony Ivesian-Norman Fosterian genius.

The Spaceship Has Landed: Apple’s New Campus Opens

08:00 - 19 May, 2017
The Spaceship Has Landed: Apple’s New Campus Opens, © Apple via screenshot from video
© Apple via screenshot from video

“It’s a pretty amazing building. It’s a little like a spaceship landed” - Steve Jobs

WIRED has published an in-depth article exclusively detailing Apple’s new headquarters that has now opened in Cupertino, California. Coined as the “One Last Thing” Steve Jobs had envisioned prior to his death in 2011, journalist Steven Levy takes the reader through a step-by-step tour of the new Apple Park campus guided by design spearhead Jonathan Ive and head of facilities Dan Whisenunt. Designed in collaboration with Foster + Partners, the sprawling 75 acres hosts facilities ranging from a 100,000 square foot Wellness Center, a hilltop theater, a 755-foot entrance tunnel (tiled Apple white of course) and immense 4-storey glass doors that open up the Ring’s equally giant café to the elements.

© Apple © Apple via screenshot from video © Foster + Partners, ARUP, Kier + Wright, Apple © Apple via screenshot from video + 13

Bjarke Ingels to Feature in New Netflix Series on Design and Architecture

06:00 - 19 January, 2017

On February 10 2017, Netflix will launch a new documentary series—Abstract: The Art of Design—which will present "the most creative designers" from various fields in the design word, with the aim of demonstrating how design influences all aspects of our lives. One of the eight protagonists in the spotlight will be Danish architect Bjarke Ingels, of BIG, who will present his vision of architecture alongside professionals in interior design, graphic design, automotive design, illustration, and set design.

Check out the series feature designers after the break:

"Architecture Should Be More Like Minecraft": Bjarke Ingels Profiled for WIRED UK

12:05 - 15 September, 2016

Similarly to how he prefers to practice architecture, Bjarke Ingels likes speaking in big, bold assertions. In his recent profile for WIRED UK, the Danish architect makes quite a few of those assertions, among them the belief that architecture could learn a thing or two from the imaginative world of architecture-based video games such as Minecraft.

Bjarke Ingels, Rem Koolhaas to Feature in September Issue of WIRED UK, "THINK BIGGER"

16:15 - 25 August, 2016

Next Month, architecture will be hitting the mainstream media, as Bjarke Ingels has been selected to grace the cover of the September 2016 edition of WIRED UK. Titled “THINK BIGGER,” the issue will also feature profiles and stories from architects and designers Tom Dixon, Neri Oxman, David Adjaye and Rem Koolhaas. A Condé Nast Publication, the magazine focuses on the effects of science and technology on topics including design, architecture, culture, the economy, politics and philosophy.

Video: Bjarke Ingels on the Power of Architecture

00:00 - 4 November, 2014

This past month at WIRED by Design, Bjarke Ingels gave a rundown of his most ambitious projects, highlighting one underlining theme: BIG’s mission to “create social infrastructure for resilient cities.” From their Manhattan “BIG U” storm proofing plan, recently awarded $400 million in federal funds, to their “ski slope” waste-to-energy plant currently underway in Copenhagen, the Danish practice is undoubtedly fulfilling their mission in a BIG and infectious way.