Curated by architect Greg Lynn, the ’Archaeology of the Digital‘ exhibition at the Canadian Centre for Architecture is currently on display until October 13. Conceived as an investigation into the foundations of digital architecture at the end of the 1980s and the beginning of the 1990s, the exhibit features four seminal projects that established bold new directions for architectural research by experimenting with novel digital tools: The Lewis Residence by Frank Gehry (1985–1995), Peter Eisenman’s unrealized Biocentrum (1987), Chuck Hoberman’s Expanding Sphere (1992) and Shoei Yoh’s roof structures for Odawara (1991) and Galaxy Toyama (1992) Gymnasiums. Videos of conversations with the architects can be viewed after the break.
Just as layers of history accumulate through time to offer varying perspectives on culture and environment, Saucier + Perrotte’s design for the Fifth Pavilion of the Montreal Museum of Fine Arts is composed of a series of mineral strata that form a home for the Hornstein collection of art. Floating gently above street level, each marble stratum is superimposed to produce a sculpted volume containing the collection and defining a space dedicated to the next generation of Montreal art lovers. Their proposal was recently announced as a finalist in the competition
Opening May 7 at the Canadian Center for Architecture (CCA), the ‘Archaeology of the Digital’ exhibition will feature the work of Frank Gehry, Peter Eisenman, Shoei Yoh and Chuck Hoberman while examining the foundations of digital architecture at the end of the 1980s and the beginning of the 1990s. Curated by architect Greg Lynn, the exhibition along with the related publication are conceived as object-based investigations of four pivotal projects by the featured architects that established distinct directions in architecture’s use of digital tools. The event delves into the genesis and establishment of digital tools for design conceptualization, visualization and production. The exhibit runs until October 13. For more information, please visit here.
Curatorial practice as it emerged during the twentieth century is being extensively recast. The tremendous change in the status of the object, culture, the various disciplines, information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has recently emerged within the field of architecture. For the third year, the CCA (Canadian Center for Architecture) offers two curatorial opportunities with the generous support of the Power Corporation of Canada: the Young Curator Program and the Curatorial Internships Program. More information after the break.
Architectural Design: Appareil Architecture
Lighting Design: ATOMIC3
Sound Design: Jean-Sébastien Côté
Interactive Systems Design: Philippe Jean/Les Ateliers Numériques
Technical Coordinator Set: Guillaume Simard
Technical Coordinator Sound/Light/Interactive System: Alexis Rivest
Photographs: Courtesy of Martine Doyon, Montreal Quartier des Spectacles Partnership
Taking place this Thursday, March 7th, at 6:00pm, the Canadian Centre for Architecture (CCA) will present the first 2013 Mellon Lecture, a free event, featuring Japanese architect Yoshiharu Tsukamoto, founding partner of Atelier Bow-Wow in Tokyo with Momoyo Kaijima. Yoshiharu Tsukamoto will present his concept of Architectural Behavior, which investigates the physical responses to natural elements such as light, air, heat, wind, water, human behavior related to custom, and the way in which buildings relate to the city and their surroundings. For more information, please visit here.
Architects: Provencher Roy + Associés Architectes
Location: Montreal, Quebec, Canada
Design Team: Claude Provencher , Architect, Senior Partner and Co-founder – Matthieu Geoffrion, Architect, Partner – Eugenio Carelli, Architect, Partner – Jean-Luc Rémy, Architect – Denis Gamache, 3D Designer
Client: Montreal Museum of Fine Arts
Area: 5,483 sqm
Photographs: Marc Cramer, Tom Arban
The Campus 54 office building, designed by Pelletier de Fontenay, aims to create a setting where spaces for leisure, stimulation, relaxation, health, nature and ad hoc encounters would seamlessly blend into the work spaces. At the heart of this project is the notion of the campus. Planned as a multi-tenant office complex for over 4000 employees, the first challenge was to keep an intimate, personal feeling within such a large building. The strategy was to use the scale of the project as an opportunity to create the complexity and variety desired. More images and architects’ description after the break.