The Campus 54 office building, designed by Pelletier de Fontenay, aims to create a setting where spaces for leisure, stimulation, relaxation, health, nature and ad hoc encounters would seamlessly blend into the work spaces. At the heart of this project is the notion of the campus. Planned as a multi-tenant office complex for over 4000 employees, the first challenge was to keep an intimate, personal feeling within such a large building. The strategy was to use the scale of the project as an opportunity to create the complexity and variety desired. More images and architects’ description after the break.
The fifth anniversary of the Creative Spaces summer event highlights the creation of a pedestrian mall on St. Catherine, between St-Hubert and Papineau streets. Taking place until September 16, the event offers an opportunity for the instigator of the project, the Société de développement commercial du Village (SDCV), in collaboration with the Ville-Marie borough, to celebrate the thirtieth anniversary of the creation of Montreal’s Gay Village. The spaces will open up for the display of creative installations and art exhibitions. More information on the event after the break.
Location: Montreal, QC, Canada
Design Team: Maxime Frappier, Louis-Philippe Frappier, Gabriel Villeneuve, Jean-Philippe Parent, Patrick Morand, Laurence Lebeux, Laure Giordani, Robert Dequoy, Simon Orman, Mathieu St-Hilaire, Veronique Taillefer, Denis Dupuis
Project Year: 2012
Photographs: James Brittain, ACDF*
On view now until September 9, the ‘Très Grande Bibliothèque (Very Big Library)’ Exhibition at the Canadian Center for Architecture (CCA) presents materials produced by OMA, in response to an international competition launched by France’s then president, Francois Mitterrand, in 1989 to design the new bibliotheque nationale de France. Curated by Rem Koolhaas and Clement Blanchet of OMA, the concept of their proposal resided in the notion of the library spaces being excavated as voids from a ‘solid cube’ containing the archives. The concept offered great architectural freedom, with the public spaces (or voids) being liberated from the constraints of a predeterminded structure or form. More information on the exhibition after the break.
Coinciding with the exhibition Alturas de Macchu Picchu: Martín Chambi – Álvaro Siza at work on view at the Canadian Centre for Architecture (CCA) for an extended run until 29 April 2012, Pritzker prize-winning architect Álvaro Siza will give a not-to-be-missed lecture on Thursday 26 April 2012 at 7 pm at the CCA. The event is a rare opportunity to hear the preeminent architect speak in person. Siza’s lecture discusses his design development of the Iberê Camargo Museum in Porto Alegre, Brazil, completed in 2008 and noted for its sculptural volumes and tight integration with a coastal escarpment. As with all of Siza’s projects, hand sketches play a key role in the design process, from massing studies to fine-tuning details. For more information, please visit here.
Montreal has long been known as the ”city of a hundred steeples”. Through the heart of this northern metropolis, ATOMIC3 has scattered Éclats de verre: a giant shattered stained-glass window reorganised into a playful maze that offers a unique immersive experience to its visitors, and a colourful panorama to passersby.
Winner of the Créer l’hiver competition, Éclats de verre is one of three works that make up Luminothérapie 2012. The goal of this event produced by the Partenariat du Quartier des Spectacles in Montreal is to beat the winter blues, using interactive light-based installations.
Continue after the break for more.
The Canadian Centre for Architecture (CCA) is launching the 2012 program to stimulate curatorial opportunities for students and young professionals: the Young Curator Program and the Power Corporation of Canada Curatorial Internships Program. The Young Curator Program offers the opportunity to propose and curate a project on the contemporary debate in architecture, urbanism, and landscape design, from exhibition in the octagonal gallery or online, publications, seminar, series of events and more, during a residency of 3 months at the CCA. The Power Corporation of Canada Curatorial Internships Program encourages students and recent graduates in design disciplines, arts and humanities to become acquainted with the CCA’s collection, exhibition, and research programs through an internship of 6 to 9 months in Montréal.
The call for applications for both the Young Curator Program and the Power Corporation of Canada Curatorial Internships Program will remain open until 27 April, 2012, with the residency and internship beginning in fall 2012. For more information, please visit here.
The design intent of Lemay Associés for the Stinson Transport Center in Montreal was to achieve a seamless weaving of the project into the surrounding urban fabric. They then did thus through the introduction of a new dialog element: an interface which will serve as a catalyst for the renewal of the surrounding industrial sector. Characterized by simple and contemporary volumetrics, the project is based on functional principles which give it its geometric singularity. More images and architects’ description after the break.
The sports center’s concept by Côté Leahy Cardas Architects rests on the alteration of the site on which it will be implemented. A site which has been metamorphosed from an industrial field (a quarry) into a landfill and will now be transformed into a park and environmental complex. By its shape, and its feature, its adaptability to the site, by its suggested trails and visual links, the project expresses the whole transformation, the evolution towards a huge environmental park, opened on research and experimentation. More images and architects’ description after the break.
In 1995, Portuguese architect Álvaro Siza packed a few changes of clothes, some poetry books and a single sketchbook as he set forth to Peru. These few items were all he needed to record and interpret his voyage, allowing him to integrate his investigations into his architecture. More than a half a century earlier, Peruvian photographer Martín Chambi ventured into the peaks of Macchu Picchu were he captured a famous series of portraits of the ancient Inca ruins. His project was more political, it acted as a re-appropriation of the site by its locals, but the tools of Chambi and Siza are the same: the production of images to define a reality.
The Canadian Center for Architecture (CCA) presents Alturas de Macchu Picchu: Martín Chambi – Álvaro Siza at work – an exhibit featuring thirty-five original sketches by Álvaro Siza alongside the historic 1920s photographs by Martín Chambi, now on view at in the CCA’s Octagonal Gallery until April 22, 2012. Continue reading for more information.