With Coventry designated as the UK City of Culture for 2021, and with many of its post-war architectural masterpieces under threat of redevelopment or destruction, printmaker Paul Catherall thought this a timely chance to create a body of work that reflected on the unique beauty of his hometown.
Paul Catherall has become beloved for his linocuts of brutalist and modernist architecture that are both nostalgic and contemporary. Playing on the phrase ‘Sent to Coventry,’ this exhibition will showcase the underrated beauty of Paul’s home city and its iconic architecture that should be preserved, relating that aesthetic to views of London, where
RIBA presents Forms of Industry, an exhibition of contemporary photographs by Alastair Philip Wiper (1980) and archival images by Eric de Maré (1910-2002) from the RIBA Collections. Separated by more than 50 years, the two photographers share a common interest in industrial buildings and landscapes, yet their differing approaches create a commentary on changing attitudes towards industrialisation and sustainability.
Eric de Maré was one of Britain’s most influential architectural photographers, responsible for raising awareness of the value and beauty of Britain’s overlooked industrial heritage via photographs taken for the Architectural Review in the 1950s and 1960s. A selection from RIBA’s extensive
RIBA presents its first virtual reality (VR) exhibition, exploring moments across 500 years of aesthetics in architecture.
What makes a style? How is a style collectively agreed upon and shared? Drawing on RIBA’s world-class collections, Space Popular uses virtual reality to examine styles of the past and to consider the technology’s impact on contemporary spaces and buildings. Historic artefacts will be displayed alongside newly commissioned content, inviting you to enter a beguiling virtual universe to experience how popular cultures and technologies impact architecture and its style evolution.
Making connections across mass media and style, Freestyle takes the visitor on a journey through
In recent years, the architectural community has become heavily involved, in both positive and negative ways, with the chronic global issue of homelessness. In response, James Furzer of UK-based Spatial Design Architects has undertaken a photographic analysis exploring defensive forms of urban design. Using the typology of public benches in London, Furzer documents public fixtures which act as deterrents to rough sleepers, essentially denying a right to the city for those who ultimately have no choice but to be there.
The French Pavilion at the London Design Biennale 2020 will explore the theme of resonance through metronomes. The design team will comprise of designer Sebastien Servaire, Margot Myers and curator Anne-Laure Pingreoun. Up to 50 countries, territories and cities will exhibit at the third edition of London Design Biennale this autumn. They will respond to Artistic Director Es Devlin's call to action exploring how design can provide solutions to the major crises of our time.
Privatisation of public land is a growing phenomenon in cities such as London. More and more communal spaces are being sold to public bodies or developers, resulting in them becoming the primary makers of modern cities. This transformation has been giving rise to privately owned public spaces (POPS), a term to describe spaces open to the public, formed from deals between the city and the developer in return for zoning concessions. The areas around King’s Cross current development is one of the 50 POPSs in Central London.
THE DEBATE
The term POPS has been demonised and attacked by various media for one