Transport for London today announced TateHindle as the winners of the competition to transform their London Underground Headquarters into a residential building. The building, designed by Charles Holden and completed in 1929, was once the tallest office block in London and has been home to Transport for London ever since. However, TfL say the building at 55 Broadway is “no longer fit for purpose”, and will move out in 2015 when TateHindle will begin the renovation. You can read the full story on the Architects’ Journal.
A rival to Steven Holl Architects‘ design for the Maggie’s Centre at St Barts Hospital in London has received planning permission. The alternative scheme was commissioned by a group called “Friends of the Great Hall and Archive”, who believe the proposal by Steven Holl Architects would threaten the 18th century, Grade I* listed Great Hall. The newly approved scheme, designed by Hopkins Architects, proposes a different site for the new cancer care centre.
After their initial scheme was rejected, Steven Holl Architects’ revised design was submitted for planning approval last week, with a decision expected in the summer.
Read on for reaction to the two rival schemes
Zaha Hadid’s Heydar Aliyev Center is among seven shortlisted designs being considered for this year’s Design of the Year award. As announced by London’s Design Museum, the undulating cultural center was pulled from 76 innovative nominations and placed first in the architecture category. The shortlisted proposals, ranging from a portable eye examination kit to Volkswagen’s XL1 CAR, will remain on view at the museum through August 25. A winner is expected to be announced June 30.
British practice Níall McLaughlin Architects together with Kim Wilkie have been unanimously selected as the winners of the competition to reimagine the external grounds of London’s Natural History Museum. The competition, which attracted proposals from shortlisted teams such as BIG (Bjarke Ingels Group), Stanton Williams Architects, and Feilden Clegg Bradley Studios, called for entries to ”reshape the Museum’s grounds and reinvigorate its public setting” with an aim to creating “an innovative exterior setting that matches Alfred Waterhouse’s Grade I listed building whilst also improving access and engaging visitors.”
On what would have been his birthday today, we celebrate and look back on British architect and Pritzker Laureate Sir James Stirling, who died aged 66 in 1992. Stirling, who grew up in Liverpool, one of the two industrial powerhouses of the British North West, began his career subverting the compositional and theoretical ideas behind the first Modern Movement. Citing a wide-range of influences – from Colin Rowe, a forefather of Contextualism, to Le Corbusier, from architects of the Italian Renaissance to the Russian Constructivist movement – Stirling forged a unique set of architectural beliefs that manifest themselves in his works. Indeed, his architecture, commonly described as “non-comformist”, consistently caused annoyance in conventional circles.
According to Rowan Moore, Stirling also “designed some of the most notoriously malfunctioning buildings of modern time.” Yet, for all the “veiled accusations of incompetence”, as Reyner Banham put it, Stirling produced a selection of the world’s most interesting and groundbreaking buildings. Notably, the Royal Institute of British Architects’ highest award, the Stirling Prize, was named after him in 1996.
The American architect Louis Kahn (1901-1974) is regarded as one of the great master builders of the Twentieth Century. Kahn created buildings of monumental beauty with powerful universal symbolism.
This exhibition encompasses an unprecedented and diverse range of architectural models, original drawings, travel sketches, photographs and films. Highlights of the exhibition include a four-metre-high model of the spectacular City Tower designed for Philadelphia (1952-57), as well as previously unseen film footage shot by Kahn’s son Nathaniel Kahn, director of the film ‘My Architect’.
Title: Exhibition: Louis Kahn / The Power of Architecture
Organizers: Design Museum
From: Wed, 09 Jul 2014
Until: Sun, 12 Oct 2014
Venue: Design Museum
Address: Shad Thames, London SE1, UK
Building on the success of their first Winter school in 2010, ManTownHuman’s “Critical Subjects” school returns this summer. The week-long event that will serve as a platform to debate vital architectural questions as diverse as “what is ‘nature’?”; “whatever happened to the avant garde?”; and “what is architecture for?” Applications are currently open – 30 of the keenest architecture students from the UK and beyond will be chosen for their critical and innovative thought.
The school will visit a different venue each day, with hosts including Zaha Hadid Architects, Arup Associates and The Architectural Review. In a series of lectures, debates and design challenges, students will be expected to explore these topics in greater depth than is usually possible in architecture school, challenging the method of received wisdom that is increasingly taking hold in education, as explained by event organizer Alastair Donald in his article for The Architectural Review.
Applications are open until May 7th, with the event taking place between July 13th-19th. For more information and to apply, visit the event’s webpage here.
Title: Critical Subjects: A ManTownHuman Summer School
From: Sun, 13 Jul 2014 17:00
Until: Sat, 19 Jul 2014 18:00
Venue: Multiple venues in London
Recently voted the UK’s ugliest tower, The Barbican Tower is one of the three residential towers of the Barbican Estate, built between 1965 and 1976 in London. Along with fourteen apartment blocks, the Barbican Estate contains 2014 flats, connected by a labyrinth of floating passageways and landscaped gardens.
Designed by the architects Chamberlin, Powell and Bon, the Estate was part of a utopian vision of urban renewal and transformation of the city center after the Second World War. When it opened in 1982, Queen Elizabeth even referred to the high-end mega-complex as “one of the modern wonders of the world.” Though many Londoners despise the massive concrete megastructure, it is in fact a Brutalist masterpiece in the heart of London, a relic from a time of architectural coherence and uncompromised ambition.
Check out the incredible view from the Barbican Tower in the time-lapse above, and let us know your thoughts in the comments below!
London’s Royal Academy of Arts (RA) is selling off parts of their blockbuster architectural exhibition, Sensing Spaces. The Great Architecture Fair will see the seven practices behind the enormous installations select objects and materials from the exhibition to be repurposed as beautiful, unique items available to buy. In addition to these, the RA are offering members of the public the chance to experience the spaces out-of-hours “to give you your own exclusive moment in the exhibition.”
Ranging from a top step from Chilean architects Mauricio Pezo and Sofia von Ellrichshausen’s gargantuan installation for £450, to a bag of pebbles (plus certificate) from Li Xiaodong’s Zen Garden for £10, slices of one of the world’s most accessible architecture exhibitions in recent years are up for grabs.
As phase three of London’s Battersea Power Station regeneration, Foster + Partners has collaborated with Gehry Partners to design the 42-acre development’s primary entrance. Together, the duo has envisioned “The Electric Boulevard” – a massive gateway connecting the Northern Line Extension station to the Power Station, which will be formed by an undulating Foster-designed tower known as “The Skyline” and Gehry’s five-building “Prospect Place.”
Housing more than 1,300 homes and over 350,000 square feet of retail and restaurant space, the boulevard is expected to become one of London’s most distinguished high streets.
In response to the recent study by New London Architecture, which found that there are currently over 230 tall buildings either planned or under construction in London, an argument is brewing over the UK capital’s sudden, seemingly uncontrolled, growth.
The most vocal reaction to all of this has come from Rowan Moore, architecture critic for The Observer, who has teamed up with the Architects’ Journal to launch a campaign calling for more rigorous planning and public consultation when it comes to tall buildings. The campaign has support from 80 signatories, a list that reads like a ‘who’s who’ of British architecture, including architects, planners, politicians, developers and artists as well as a range of civic societies.
Read on for more reaction to London’s tall building boom.
The London Festival of Architecture will be taking place from June 1 to June 30. Now in its 10th year, the Festival is initiated by The Architecture Foundation, British Council, New London Architecture and RIBA London to celebrate London as a global hub of architectural practice, discussion and debate.
Leading cultural institutions including the Barbican, Design Museum, National Trust, Royal Academy of Arts, Serpentine Gallery and Sir John Soane Museum will be presenting activities across the city. Now, the Festival is presenting a call for associated projects by independent practices, designers, artists and curators to form part of the Festival in 2014.
Participants need to respond the 2014 Festival’s theme: Capital. They will need to explore the dynamism of London, including ts architecture and open space. More information can be found here.