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Architects: Max Dudler
- Area: 1500 m²
- Year: 2016
Germany
Cantzheim Vineyard Manor House / Max Dudler
Maredo Flagship-Restaurant / Ippolito Fleitz Group
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Interior Designers: Ippolito Fleitz Group
- Area: 580 m²
- Year: 2016
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Manufacturers: KFF, Plank, Villeroy & Boch, Wallpaper
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Professionals: Lichtwerke GmbH
BECYCLE / götz+bilchev Architekten + Lien Tran + DRAA
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Architects: DRAA, Lien Tran, götz+bilchev Architekten
- Area: 410 m²
- Year: 2016
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Manufacturers: Dinesen, Knauf, Material ID, Plaka
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Professionals: STUDIO SZYBKO, Soundception & BOSE NY
City Balcony / bob-architektur
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Architects: bob-architektur
- Area: 11500 m²
- Year: 2016
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Manufacturers: Saint-Gobain, ABC Klinkergruppe
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Professionals: Kreer Ingenieure GmbH
Kiel Steel House / BLK2 Architects
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Architects: BLK2 Architects
- Area: 600 m²
- Year: 2016
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Manufacturers: Siedle, Wicona, Windows, horizAl
The “Anker Gardens“ of Bielefeld / Kresings Architektur
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Architects: Kresings Architektur
- Area: 14200 m²
- Year: 2017
SKF Test Centre / Tchoban Voss Architekten
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Architects: Tchoban Voss Architekten
- Area: 5829 m²
- Year: 2017
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Manufacturers: Flachdach Technologie
House S Lake Starnberg / Stephan Maria Lang Architects
Inside the Flower Pavilion / LAVA
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Architects: LAVA
- Area: 16 m²
- Year: 2017
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Manufacturers: Archimedes Exhibitions, Prinzenpott, Tege Planen & Zelte
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Professionals: Bollinger + Grohmann, Cityplot
Sattelkammer Heidelberg Castle / Max Dudler
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Architects: Max Dudler
- Area: 190 m²
- Year: 2017
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Manufacturers: Deutschen Werkstätten Hellerau, Glashütte Limburg, Natursteinsanierung Sandt
C.A.R.L. Auditorium at RWTH Aachen University / Schmidt Hammer Lassen Architects + Höhler+Partner Architekten
Kindergarten in Aichtal / Simon Freie Architekten BDA
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Architects: Simon Freie Architekten BDA
- Area: 1400 m²
- Year: 2016
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Manufacturers: FSB Franz Schneider Brakel, ALUKÖNIGSTAHL, Betzold, Vitra, Wehrfitz, +1
AD Classics: Haus am Horn / Georg Muche
In 1919, at a time in which Germany was still in upheaval over its defeat in the First World War (and compounded by the loss of its monarchy), the Academy of Fine Arts and School of Applied Arts in Weimar, Germany, were combined to form the first Bauhaus. Its stated goal was to erase the separation that had developed between artists and craftsmen, combining the talents of both occupations in order to achieve a unified architectonic feeling which they believed had been lost in the divide. Students of the Bauhaus were to abandon the framework of design standards that had been developed by traditional European schools and experiment with natural materials, abstract forms, and their own intuitions. Although the school’s output was initially Expressionist in nature, by 1922 it had evolved into something more in line with the rising International Style.[1]