New York City-based Diller Scofidio + Renfro has been chosen to design the gallery and visitor experience at the historic Smithsonian Cooper-Hewitt National Design Museum – the only museum in the United States that is exclusively devoted to historic and contemporary design. The New York City landmark is currently under undergoing an extensive, $64 million transformation that will expand gallery space by sixty-percent. The new environment will be laced with interactive elements in which Local Projects will help integrate into the gallery space as they have been selected as participatory media designer.
The contemporary vision of the re:design aims to become a modern exemplar for museum design, while still preserving the historic Carnegie mansion. The renovation is led by Gluckman Mayner Architects and Beyer Blinder Belle. It will achieve LEED certification and is scheduled to be complete by 2014.
“It is because of their keen abilities to translate ideas and concepts into boundary-stretching design that Cooper-Hewitt selected DS+R and Local Projects as the ideal partners to help re-envision the design of its gallery, visitor and participatory digital experiences,” explained Bill Moggridge, director of the museum.
In a word, yes.
The Report, a consolidation of 15 years of research involving over 800 building projects and 500 organizations, gathered hard evidence to find out: what influences a cultural building’s success or failure? The question is a relevant one: between 1994 and 2008 there has been a building boom of performing arts centers, museums, and theaters in the U.S., costing cities billions of dollars. And unfortunately, supply has outrun demand.
The biggest problem the Report identifies is that cities and towns, many of which have recently experienced improved education/income and enthusiastically undertake these projects, often overestimate the actual need for these centers in their communities. Thus, when they run into financial difficulties (most do: over 80% of the projects surveyed ran over-budget, some up to 200%), the centers become economic drains rather than cultural boons.
In other words: Just because you build it, it doesn’t mean they will come.
So what does make for a successful Cultural Center? More after the break…
At the University of Minnesota’s College of Design several projects have been developed to advance more cost-effective, more environmentally aware buildings, infrastructure, and even communities. One very useful program they’ve developed falls under the Building Evaluation category. It’s called the CBSR Site and Building Design Carbon Calculator. What does it do? It measures the carbon footprint of any building or site. In other words, it measures greenhouse gas emissions from sites and from building development. Even better, it can be used by both professionals and the general public alike, for either existing or future structures. Indeed, after downloading the calculator, which is very well-researched and comprehensive, it is clear that this tool is self-explanatory and very easy-to-use.
The international team, lead by well-known Russian urbanist Andrey Chernikhov, and including McAdam Architects, Tower 151, Georgi Stanishev and Ginsburg Architects placed first in round two of the Moscow City Agglomeration Development Concept competition. The winning consortium sparked debate by suggesting Moscow officials should consider redeveloping the abundant brown field sites and other available infill spaces within the existing city boundaries before proposing new development. They highlighted vast areas occupied by goods railways and disused industrial sites from Soviet times as prime areas for regeneration and expansion, as well as a re-thinking of transport networks to alleviate pressure on existing systems.
Continue after the break to learn more.
Is it the perfect blend of sculpture and engineering, or it is a twisted form of nonsense? Opinions are quite varied on the subject of Anish Kapoor and Cecil Balmond’s observation tower, ArcelorMittal Orbit, which will serve as a permanent reminder of London’s hosting of the 2012 Olympic Games. The red steel structure will rise close to 400 feet – taller than New York’s Statue of Liberty and London’s Big Ben – to be Britain’s largest piece of public art. Criticized for undertaking such a massively expensive project during the country’s recession, London Mayor Boris Johnson has claimed that the Orbit will not only enhance visitors’ experiences at the Olympic Games but will also be “the right thing for the Stratford site” beyond the summer time, calling on its potential to become ”the perfect iconic cultural legacy”.
More about the Observation Tower after the break.
Katerva isn’t looking for ideas that will improve the world in small increments. We are looking for paradigm-busting ideas. Our Award winners don’t simply move the needle when it comes to efficiency, lifestyle or consumption; they change the game …
In the proposal for the Klaksvik City Center, DL+A _ SIZE*… perceives the need to interact and present the city to the world as an open culture. As a pioneer in the city growing master plan in the region, this
KCAP…’s urban design for the transformation of the Garonne waterfront in Bordeaux-Brazza was recently finalized and officially approved by Alain Juppé, Mayor of Bordeaux, and by Bordeaux’s City Council. The project site is a 67 ha area within Bastide
Architects: Modus Studio
Location: Berryville, Arkansas, USA
Architectural Team: Chris M. Baribeau, AIA (principal architect), Josh Siebert, Assoc. AIA, Chris M. Lankford, Austin L. Chatelain, Assoc. AIA
Completed: February, 2011
Effective Area: 2,450 sf
Cost: $291,748 | $119 per SF
Site Infrastructure: $43,000
Photographs: Rett Peek
In an effort to promote resilience for the Sandy-affected region, U.S. Housing and Urban Development (HUD) Secretary Shaun Donovan has launched a multi-stage regional design competition that is intended to attract world-class talent, promote innovation and develop projects that will actually be built. Dubbed Rebuild by Design, the competition will accumulate a variety of design solutions, ranging in scope and scale, for review. Once the best ideas are identified, HUD will incentivize their implementation using funds made available through the Community Development Block Grant Disaster Recovery (CDBG-DR) program as well as other public and private funds to actually build the project.
The double landscape and architectural competition proposal for Yanqing Grape and Wine Park and Yanqing Greenhouse and Winery by LocalDesignStudio… was organized ahead of the World Grape Conference to be held in 2014 in Yanqing County. The park was meant
Architects: Albert Company Olmo, Jan Glasmeier, Line Ramstad, Alejandro Buzo, Maria Nuñez and Eduardo Novo
Location: Mae Sot, Thailand
Construction: Ga Yaw Ga Yaw
Students involved: Marta de las Heras Martínez, Luis Rodríguez Carnero, Alejandro Buzo, Maria Nuñez and Eduardo Novo
Project Area: 72 sqm
Project Year: 2012
Photographs: Line Ramstad, Allyse Pulliam