Taking place this coming Tuesday, April 2nd at 6:30pm, Daniel Libeskind…, one of the most celebrated architects working today, will be delivering the ‘Future of Cities’ lecture as part of the Assembly Series at Washington University in St. Louis. His presentation, sponsored by the Sam Fox School
Peter Rice has been described as both one of the best engineers and architects of the twentieth century. Unhappy with the role that engineers play in designing buildings, Rice dedicated his life to championing brave innovation and poetry through structure in a way that helped bridge the gap between engineering and architecture. His desire to work in tandem with architects, towards a shared vision, made him one of the most in-demand engineers of the twentieth century.
Read more about this amazing man and check out the video after the break…
“Assess: Chile at Columbia” is an initiative led by the Latin Lab at the Graduate School of Architecture, Planning, and Preservation’s (GSAPP) of Columbia University that discusses, in several formats, the state of contemporary cities in the southern country by addressing the question: who cares for Chilean cities?
This project aims to raise questions and skip external, often patronizing understandings of Chilean practices. To do so, “Assess: Chile at Columbia” invites Chilean scholars who— closely in touch with both national practices and international debates in the fields of architecture, public space, and urban projects—are uniquely positioned to initiate a critical conversation.
Distinguished Chilean scholars Luis Eduardo Bresciani, Romy Hecht, and Rodrigo Pérez de Arce selected three projects to represent each of the aforementioned categories in the exhibition Answers form Architecture, Public Space and Urban Projects, to be held on the 100 Level of Avery Hall. This show will inform the Conference “Who cares for Chilean cities?,” at which renowned US-based scholars Saskia Sassen, Stan Allen, and Iñaki Ábalos will assess the topics and works presented by their Chilean peers, opening up a further discussion moderated by GSAPP faculty Clara Irazábal, Galia Solomonoff, and Enrique Walker.
Re-zoning midtown would ultimately lead to the demolition of the corporate steel and glass skyscrapers, which preservationists argue are emblematic of the cutting edge modernism that swept 1950′s America. However, landlords contest that – for the most part – they are poorly built copycats of seminal landmarks such as the Seagram and Lever buildings and are not particularly significant or suited for modern needs.
More information after the break..
During a speech at the AJ Women in Architecture luncheon in London last week, postmodern icon Denise Scott Brown requested to be acknowledged retrospectively for her role in Robert Venturi’s 1991 Pritzker Prize, describing Pritzker’s inability to acknowledge her involvement as “very sad”.
Although at the time of the award Brown had co-partnered their practice Venturi Scott Brown and Associates for over 22 years and played a critical role in the evolution of architectural theory and design alongside Venturi for the over 30 years, as well as co-authored the transformative 1970’s book Learning from Las Vegas, her role as “wife” seemed to have trumped her role as an equal partner when the Pritzker jury chose to only honor her husband, Venturi.
More information and an online petition after the break…
Architects: ZSK Architects
Location: Budapest, Hungary
Architect In Charge: László Kalmár, Zsolt Zsuffa
Project Architect: Gábor Nagy
Assistant Architects: Glória Papp, Szilvia Rehus (competition), Katalin Fazekas, Zsófia Lázár, Mihály Kanyó, Roland Németh, András Gali, Iván Kund, Balázs Rose
Interior Design: Gábor Szokolyai, Dénes Kovács
Area: 10500.0 sqm
Photographs: Tamás Bujnovszky
Long Lane, a key section of the Great Kneighton development on the southern fringe of Cambridge, has recently received planning approval, which will provide 273 homes over 5.4 hectares. Designed by C.F. Møller… their contemporary masterplan retains historic features from
Architecture is quickly adopting the popular technology of robots. Although it is slightly hard to define what “robot” really means, for architecture, it tends to refer to anything from robot arms to CNC mills to 3D printers. Basically, they are programmable, mechanical, and automated instruments that assist in processes of digital fabrication.
So, what might robots mean for architecture? A more precise architecture which could contribute to a more sustainable building life cycle? More innovative design derived from algorithmic processes? A more efficient prefabrication process that could reduce the time and cost of construction?
Probably a mix of all three. But more importantly, what might robots mean for humans? Robotic replacement for the construction worker? Loss of local craftsmanship and construction knowledge? Maybe. But I might reformulate the question. Asking what robots mean for humans implies passivity.
What I ask, then, is what can robots do for humans?