In 2012, the TED Prize was awarded to an idea: The City2.0, a place to celebrate actions taken by citizens around the world to make their cities more livable, beautiful and sustainable. Now, on the newly relaunched TED City2.org website, you can find inspiring and informative talks on topics like housing, education and food, and how they relate to city life. Preview a sampling of these city centric talks, featuring eight ideas for the future of cities, here.
Scaring people is an art, a lucrative art if done right; the haunted house industry makes $300 million a year in the US. Fast Company recently interviewed the designers behind some of the nation’s most notorious haunted houses to learn just how to design architecture that truly terrorizes. A hint: Set the stage; reclaim an existing, preferably already “haunted”, historic building, add fog, and always “scare people forward.” With this in mind, what famous building would you choose to transform into a terrifying haunted house? Let us know in the comment section below and read all of FastCo’s design tips, here.
Since winning the Pritzker Prize in 2004, the first woman and Muslim to do so, Hadid’s career has been on an exponential trajectory. Before the prize, Hadid was better known for her extraordinary sketch-paintings of unbuilt works; particularly, her competition-winning entries for “The Peak” in 1982 and the Cardiff Bay Opera House in 1994. Zaha’s “flying” forms were so revolutionary, that some questioned if they could even be made reality – hence why the Opera House was ultimately rejected, for supposed ”uncertainties.” Indeed, before 1994, the only built project she could boast was the complex, deconstructivist Vitra Fire Station.
Kum & Go has enlisted six internationally renowned practices to compete for design of its new $92 million headquarters planned for Des Moines, Iowa: Bjarke Ingels Group (BIG), Bohlin Cywinski Jackson, Morphosis, Renzo Piano Building Workshop, Safdie Architects, and Skidmore, Owings & Merrill LLP (SOM). The 24-hour convenience store chain plans to select an architect by mid-November. The 120,000-square-foot corporate office will be built on the north side of the Pappajohn Sculpture Park, between 14th and 15th streets.
Ben Derbyshire, managing partner at HTA Design and a newly-elected member of the Royal Institute of British Architects (RIBA) Council, has called for a significant overhaul of the RIBA election process if the organization is to reverse ”a long term decline in the fortunes of the profession, the role of architects in commerce and society, the influence of design in the quality of environment and on long term sustainability.” Derbyshire, writing in his column for Building, argued that future RIBA presidents should only be drawn from the elected councillors if the RIBA is to avoid “the likelihood of successive Presidents failing to share agendas” – alongside five other proposals that he believes will strengthen the architectural profession. Read on after the break for more of his comments.
The US Olympic Museum committee has selected Diller, Scofidio + Renfro to design a $60 million museum in downtown Colorado Springs. The New York-based practice will collaborate with Anderson Mason Dale Architects of Denver and exhibit designer Gallagher & Associates to showcase the Olympic and Paralympic’s history through exhibits and artifacts. Once complete by early 2018, the museum will include a hall of fame, theater, a 20,000-square-foot exhibit hall and retail space. Designs are expected to be released by mid-2015.
Developer Tom Bloxham has argued that problems with prefabricated homes or other unusual building techniques “must not stop innovation” in the UK housing sector. Bloxham, whose company Urban Splash was responsible for the Stirling Prize-nominated Park Hill regeneration and has worked with architects such as Norman Foster, FAT and Will Alsop, was speaking at an Archiboo event titled “Housebuilding is Ripe for Disruption.” Discussing the problems that have befallen RSH+P’s Oxley Woods project, he said “Whenever we innovate something inevitably goes wrong. There are risks and it is difficult. But somebody has to take these risks for the industry to move forward,” reports the Architects’ Journal.
Michael Rotondi, principle of Los Angeles-based RoTo Architecture and former student of Cal Poly Pomona, has been selected to receive the Richard J. Neutra Medal for Professional Excellence from the College of Environmental Design at the California State Polytechnic University, Pomona. Co-founder of SCI-Arc and long-time architectural educator at Arizona State University, Rotondi was selected for his “commitment to architectural education, for the concern he shows in his work for society and the environment, and for the inventiveness of his architecture,” says Cal Poly Pomona professor Sarah Lorenzen.
Following a national search, the National Medal of Honor Foundation has selected Safdie Architects to design its new museum and education center at Patriots Point in Mount Pleasant, South Carolina. Safdie was selected for their “extensive experience with cultural projects and national monuments across the U.S. and abroad.” The National Medal of Honor Museum will bring the stories of the Medal of Honor recipients to life for visitors.
The Medal of Honor was created in 1861 and is the nation’s highest military honor. It is awarded by the President of the United States on behalf of the United States Congress for valor in combat. The Museum is the first part of a multi-phase development of the site on the eastern shore of Charleston Harbor and will become an iconic destination in the region.
The 2030 Progress Report for the American Institute of Architects (AIA)’s 2030 Commitment - a voluntary program for architects who want to commit their practice to advancing the AIA’s goal of carbon neutral buildings by the year 2030 – has found a significant increase in the number of projects that meet its current targets for a 60% reduction in carbon emissions, with over 400 buildings in the program meeting the goal. “There is some very encouraging data in this report that shows how architects are making measurable progress towards reducing the carbon emissions in their design projects,” said AIA Chief Executive Officer, Robert Ivy, FAIA. Read on after the break for more results of the report.
The West Hollywood City Council has selected Australian designer Daniel Tobin to build an AIDS memorial for West Hollywood Park. As stated by the non-profit Foundation for an AIDS Monument, Tobin’s installation of 341 vertical strands “functions as a destination piece — recognizable as an AIDS monument, leaving no question about the work when you leave the space.” It will represent the 5,000 Americans how had died of AIDS-related causes or who are living with HIV. You can learn more about Tobin’s selection and design, here.
According to the BBC, Frank Gehry’s Biomuseo in Panama City, Steven Holl’s Sifang Art Museum in Nanjing, and BIG’s Danish National Maritime Museum in Helsingør are among the top eight greatest museums recently completed. Do you agree? Let us know which recently completed museums tops your list in the comment section after the break and review the BBC’s complete selection here.
As part of the launch of his latest book, Food City, Professor CJ Lim of the Bartlett School of Architecture will present a lecture at Ravensbourne in Greenwich, London. Food City follows on from professor Lim’s previous book, Smartcities and Eco-Warriors, exploring the role that food production and distribution has historically played in day-to-day life, and how we might once again reinstate it as an integral part of our cities through essays on 25 cities around the globe.
Hashim Sarkis - a prominent scholar of architecture and urbanism, a practicing architect whose works have been built in the United States and the Middle East, and a leading expert on design in the Middle East – has been named the new dean of MIT’s School of Architecture and Planning (SA+P), effective in January. Sarkis is currently the Aga Khan Professor of Landscape Architecture and Urbanism in Muslim Societies at Harvard University’s Graduate School of Design (GSD). He has been on the Harvard faculty since 1998, and has been a full professor since 2002.
“The energy and forward-looking attitude I have encountered at one of the oldest schools of architecture and planning in the country makes it feel like the youngest,” Sarkis says. Read the complete press release here.
As part of the Dylan Thomas in Fitzrovia festival, The Building Centre is examining the space Dylan Thomas and other writers depend on to create their work. A Shed of One’s Own is a photographic exploration of unique sheds with architectural significance and literary connections. From award-winning studios in Central London to weathered bothies in Scotland, this exhibition explores the importance of space for creativity and inspiration.
“All space must be attached to a value, to a public dimension. There is no private space. The only private space that you can imagine is the human mind.” – Paulo Mendes da Rocha, May 26, 2004
Paulo Mendes da Rocha is one of Brazil‘s greatest architects and urbanists. Born in Vitória, Espírito Santo in 1928, Mendes da Rocha won the 2006 Pritzker Prize, and is one of the most representative architects of the Brazilian Paulista School, also known as ”Paulista Brutalism” that utilizes more geometric lines, rougher finishes and bulkier massing than other Brazilian Modernists such as Oscar Niemeyer.
Grab your cardboard, parcel tape, and model building skills: Halloween masks are no longer just for witches and warlocks, but for architects too. A furniture designer turned mask creator based in the United Kingdom has created a series of geometric masks for the creatively inclined, available as a template online. A great way to use up leftover model-making materials, the masks were designed “to create a set of masks that could be built by anyone using local materials removing the need for mass manufacturing or shipping and with the minimum environmental impact,” says their creator Steve Wintercroft.
Have you ever had the urge to squeeze a lemon on the dome of St. Peters Basilica? Or perhaps, crack a beer with Kohn Pedersen Fox’s “bottle opener”? New York-based designer Nicholas Blechman has put into illustration what we’ve all been thinking, landmark architecture as the food-related items they resemble. Check out Blechman’s “Gastro-Architecture” series here on the New York Times and preview a couple of our favorites, after the break.