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Sto Werkstatt: The Latest Architecture and News

Architecture Is Moving Into a Realm Where History Plays as Much a Part as Medium

05:30 - 13 November, 2017
Architecture Is Moving Into a Realm Where History Plays as Much a Part as Medium, Detail: Träbågen (unrealized). Image © Space Popular
Detail: Träbågen (unrealized). Image © Space Popular

In this essay British architect and academic Dr. Timothy Brittain-Catlin presents the work of Space Popular, an emerging practice exploring the meaning of and methods behind deploying virtual reality techniques in the architectural design process.

Architectural practice, especially in the UK, is moving fast into a realm where history plays as much a part as medium. But the ways in which architects work have been transformed entirely from those of the past, generating a fundamental conflict: how in practice does design through virtual reality use history? In the earliest days of fly-throughs we all realised that we could show our work to clients in a way that even the least plan-literate could understand. We could develop details three-dimensionally and from different angles, even representing different times of day. But what next? How do we engage historical knowledge and experience of buildings?

Towards an Architecture of Light, Color, and Virtual Experiences

12:00 - 25 September, 2017

This essay by Space Popular references an installation currently on display at Sto Werkstatt, in London. You can experience it in virtual reality, here.

The Glass House has no purpose other than to be beautiful. It is intended purely as a structure for exhibition and should be a beautiful source of ideas for “lasting” architecture but is not intended as such. According to the poet Paul Scheerbart, to whom it is dedicated, the Glass House should inspire the disillusion of current architecture’s far-too-restricted understanding of space and should introduce the effects and possibilities of glass into the world of architecture.

Bruno Taut [above] described his Glashaus for the 1914 Werkbund Exhibition in Cologne, Germany, as a "little temple of beauty"; as "reflections of light whose colors began at the base with a dark blue and rose up through moss green and golden yellow to culminate at the top in a luminous pale yellow.”[1] The Glass Pavilion, designed based on its potential effects on those who perceived it, was supposed to create vivid experiences. The site was the human mind.

The Glass Chain / Space Popular (Sto Werkstatt, London). Image © Space Popular The Glass Chain / Space Popular (Sto Werkstatt, London). Image © Space Popular The Glass Chain / Space Popular (Sto Werkstatt, London). Image © Space Popular The Glass Chain / Space Popular (Sto Werkstatt, London). Image © Space Popular + 15

Space Popular Reignite the Concerns of "The Glass Chain" Letters By Way of Virtual Reality

16:45 - 17 September, 2017

"The Glass Chain" (Die Gläserne Kette in its native German) was an exchange of written letters initiated by Bruno Taut in November 1919. The correspondence lasted only a year, and included the likes of Walter Gropius, Hans Scharoun, and Paul Gösch. In the letters, the penfriends—thirteen in all—speculated and fantasized about the possibilities of glass, imagining, in the words of Fredrik Hellberg and Lara Lesmes (Space Popular), "fluid and organic glass follies and colourful crystal cathedrals covering entire mountain chains and even reaching into space."

© Ben Blossom © Ben Blossom © Ben Blossom © Ben Blossom + 18

Sam Jacob Studio to Create a Russian Doll-Like Installation at London's Sto Werkstatt

04:00 - 3 March, 2016
Sam Jacob Studio to Create a Russian Doll-Like Installation at London's Sto Werkstatt, One Thing After Another. Image © Sam Jacob Studio
One Thing After Another. Image © Sam Jacob Studio

Sto Werkstatt have announced that Sam Jacob Studio will be creating "a unique installation" for their London gallery space that will "explore the exchange of information between digital and physical worlds." Entitled One Thing After Another, the project has its origins with what Jacob considers the most mundane, yet essential form, of architecture: the garden shed. The structure will be 3D-scanned to create a digital copy which will then be processed and scaled to fabricate a new CNC’d version from Verolith, a lightweight type of volcanic stone made of 90% perlite.

Look & Listen: A New Sound Responsive Exhibition In London

04:25 - 2 April, 2015
Look & Listen: A New Sound Responsive Exhibition In London, © G. G. Archard
© G. G. Archard

Look & Listen, a new sound responsive exhibition at the recently opened Sto Werkstatt gallery in London, explores "the often unnoticed, yet vital role acoustics play in our experience of place." Designed by The Klassnik Corporation, the exhibition offers a variety of "sonic experiences" which encourage the visitor to focus on the audible aspects of architecture. It creates a unique set of environments built using Sto’s range of acoustic systems, "utilising the perfect balance of design flexibility and technical leadership the acoustic materials offer." The installation also demonstrates the materials‘ capabilities in reducing reverberation and promoting clearer sound.