This article was originally published on Common Edge as "How the Quick Daily Drawing Puts Humanity Back Into Architecture."
Architect Frank Harmon has a discipline: he tries to do a freehand drawing every day. He doesn’t spend much time on them. About five minutes. These short spurts of depiction have the effect of catching lightning in a bottle or, as Virginia Woolf once said about the importance of writing every day, “to clap the net over the butterfly of moment.” To capture these moments you must be fast. The minute moves. Harmon’s drawings feel loose, fuzzy at the edges. You sense their five-minute duration.