Materials & ProductsExclusive Articles, from ArchDaily

The act of play creates a welcome escape from the demands of daily life, encouraging joy, creativity and collaboration, with tangible benefits from stress relief to improved cognitive function. So when it comes to the interiors of spaces for play—for leisure and socializing for example—how can design enhance these effects? Specifying adaptable modular furniture that can blend the boundaries between indoor and out is one method to improving the freedom and spontaneity of space, bringing agency to moments of joy, possibilities for fresh configurations and equipping interiors for shifting future dynamics.

Vibrant colors, ping-pong tables, video games, free food and extravagant decorations. Photographs of the Silicon Valley offices of the early 2000s became the model for ideal, disruptive work environments, meticulously designed to attract and retain new talent in a highly competitive job market. Most importantly, they were the extreme opposite of the famous cubicles of previous decades. Over time, these same companies have invested in creating healthier and more dynamic working environments, giving special consideration to providing contact with nature and better ergonomics for employees. Among the innovations of the past years, the so-called “standing desks” have been gaining popularity, as they offer flexibility and promote a culture of health and well-being. Having the flexibility to work either standing up or sitting down encourages more movement throughout the day and has been proven to improve health and stretching, burn more calories and even increase concentration.

In contemporary architecture, the boundary between indoor and outdoor spaces has increasingly been dissolved. This dissolution establishes a smooth transition between spaces, promoting a sense of harmony and connectivity with the surrounding environment. This trend reflects a fundamental change in contemporary lifestyles, where seamless integration between humans and their environment is increasingly valued and sought after. One of the ways this can be achieved is through fluid spatial arrangements or distinctive architectural elements, such as large windows, open plans and integrated outdoor areas. 

The historical local markets of San Lorenzo and Sant'Ambrogio in the centre of Florence, Italy, have been a meeting point for local people for decades; a privileged location from which a sense of community, belonging and sharing has grown. The structure-symbol for local residents and a major tourist attraction, they recently underwent a series of renovation works to update their image and strengthen relations with customers and retailers, with a view to preserving their identity and authenticity. 

Italian architect and designer Antonio Citterio is renowned for creating spaces that transport individuals to a mood as much as a physical place. He’s a designer of sets and a storyteller as well as a creator of objects. As he says: “I always imagine the product in a movie set, an ambiance where people interact with the product and the space.” His latest collaboration with AXOR—a collection of distinctive bathroom fixture designs—is a paradigm of his craft, expanding the idea of the objects into idealized "light box" domestic spaces, in which they feature. One of these spaces is his "Nature Bound Vacation Home" concept.

Tinnerbäcksbadet, a leisure center established in 1965 on the shores of a lake in Linköping, Sweden, was showing signs of aging. To revitalize the area and meet the ever-changing demands, the city launched an international architectural competition for a new facility. The winning design, conceived by the Danish firm 3XN, blends modernity and functionality. This integration into the surrounding urban landscape, with the new structure serving as a focal point in a newly reimagined neighborhood square, was crucial to the project's success.

In pool design, one big challenge is to make sure that the pool blends in with the rest of the architecture. If it is being designed from scratch, the materials must meet the necessary design criteria, as well as the technical requirements of areas exposed to the elements and in direct contact with water.

Brick is one of the oldest and most versatile materials in construction, going beyond the simple masonry wall. Its origins date back to 7500 B.C., with kiln-fired specimens appearing around 3000 B.C., representing a technological breakthrough for the construction of sturdier buildings. Spreading across Europe and Asia around 1200 BC, they replaced materials such as wood and stone in scarce regions. Roman bricks, notable for their long shape, were widely used in the construction of their cities and are still used today. The history of bricks is intertwined with that of civilization, being an easy-to-produce, resistant and versatile material, allowing for a multitude of applications and achieving impressive and unusual results.

Throughout history, the undeniable interrelationship between sound and architecture has shaped user's experiences. From auditoriums to offices, cultural centers, and schools, acoustics in architecture can manifest itself in two ways: as a determining element of a structure's shape and as a material. When discussing aesthetics, the latter aspect is particularly relevant, as any material that forms part of a composition aims to have a cohesive design with the rest.

Producing sustainable materials and products demands constant analysis of how we conserve resources and manage waste effectively. This unfolds within a scenario where the environmental impacts of global warming and the climate crisis are becoming increasingly evident. In that context, sustaining the dialogue on waste disposal is fundamental to positively impacting our environment and maximizing circular economy opportunities.