In our final segment of Thinking Past Day 17 – our series examining the larger implications of hosting the Olympic Games – we conclude with ideas for the future host cities that involve dividing the Games across 7 permanent sites, complete with reusable architecture and a focus on sustainability at the urban level.
The effects of urban displacement coupled with post-Games housing concerns for the Athletes’ Village in Olympic Park – which we addressed in Part II - will definitely test the future viability of the Olympic Committee’s planning strategies. It is interesting to note that in relation to the entirety of the Olympic map, the area designated for the Village represents only a minuscule portion of the land that must be reintegrated post-Olympics. So, if we zoom out from the Athletes’ Village, what will become of the vast expanses of land currently supporting the major sporting facilities?
With a quarter million LEGO bricks and 300 hours of finger intensive labor, Warren Elsmore and his wife constructed a mini replica of the 2012 Olympic Park in London. As Gizmodo reports, the model weighs about 80kg and would cost around $300,000 to build for scratch!
Dover Street Market has commissioned Zaha Hadid to design this site-specific installation to showcase in their London store during the 2012 Olympic and Paralympic Games. The concept behind “Aqua” references the formal language of Hadid’s London Aquatics Centre.
Zaha Hadid: “Designing for Dover Street Market is an exciting opportunity to install a piece inspired by the fluid geometries of the London Aquatics Centre: a wave of liquid, frozen in time, right in the heart of London.”
This summer, New York artist Kurt Perschke brought his celebrated art project RedBall to the UK. Co-produced by Torbay Council and The Dartington Hall Trust, it arrived on the streets of the English Riviera in Torbay in June before touring to Plymouth, Exeter, Weymouth & Portland and London, finishing the tour at Dartington Hall and popping up in a total of 20 sites. The project engaged thousands of people on its tour of alleyways, underpasses, high streets, town squares, heritage sites and bridge arches across the country. Alongside the tour, the RedBall UK education project worked with hundreds of young people and staff in 5 schools to raise the aspirations and achievements of Year 6 pupils. Text Courtesy of Danny Cooke. For more information on RedBall UK, please visit here.
OMA announced today that they have been appointed as the masterplanners and lead architects of a mixed-use development in London. Morden Wharf, a 19 acre regeneration site on Greenwich Peninsula, will become a 2 million square foot “premier entertainment zone.”
Reinier de Graaf, the partner who will be leading the project with Ellen van Loon, said, "Our Vision for Morden Wharf adds value to an already impressive site through regeneration of existing buildings and infrastructure which will attract visitors and residents to the sites cultural, residential, leisure, and commercial offerings. We look forward to the development of an innovative proposal which will enhance Morden Wharf's exceptional character."
With the success of the Tate Modern (the museum hosts approximately 2 million visitors a year), in 2005, the museum selected Herzog and de Meuron to expand its gallery space by nearly 70%. Since that time, we have shared the transformation of the design which began as an irregularly stacked pyramid of glass boxes to a geometric faceted volume clad in perforated brick. Yet, the expansion plans also include a vital component that is buried underground – the Tanks – which opened earlier this week.
The disappointment generated by the Shard’s opening laser light show is not so surprising for a project that has been grounded in controversy for over a decade. Since 2000, when Piano sketched his initial vision upon meeting developer Irvine Sellar, the project has consistently met obstacles such as English Heritage and the financial crash of 2007. But, the biggest opposition of the tower has been its height. English Heritage claimed that the tower, formerly known as London Bridge Tower, would “tear through historic London like a shard of glass” (ironically, coining the new name of the tower), and Piano counters that, “The best architecture takes time to be understood…I would prefer people to judge it not now. Judge it in 10 years’ time.”
Leading us to wonder…does the Shard simply need time to be fully appreciated?
