The Coronavirus pandemic has been taking over the news for a few months now, and has imposed unimaginable changes on the daily lives of the world’s entire population. Although the situation is worrying, and rather devastating in some cases, being aware of the virus's behavior and understanding ways to avoid it seems to be the best way to deal with the crisis. COVID-19 is a respiratory disease that spreads through droplets in the air. What makes it especially dangerous is its high rate of contagion, as the virus has the ability to survive outside the human body, in the air, and on surfaces such as metal, glass and plastics, if they were not properly disinfected. But how does the virus behave on each of these materials?
Healthy Design: The Latest Architecture and News
It is truly odd how we always find ourselves in a bad mood at work and our productivity keeps decreasing as the week passes by. To be fair, we can’t keep blaming our colleagues, clients, or Monday for our rough day; sometimes it’s the chair we are sitting on, the fluorescent lighting above our computer, or the constant “chugging” sound of the printer near the desk.
Other than the fact that people spend about 70-80% of their time indoors, almost 9 hours of their day are being spent at work; and studies have indicated that the environmental quality of an office has short and long term effects on the comfort, health, and productivity of the people occupying it. While research on the comfort conditions of workplaces is still relatively minimal, we have put together a list of factors that have proved to be highly influential on the comfort of individuals in workplaces.
Funded by Norman Foster in 1967, Foster+Partners studio develops projects that integrate architecture and engineering with interior and object design. In a special collaboration with Porcelanosa – experts in the fabrication of furniture and accessories made out of stone, ceramic, brass, wood and KRION®–, they have designed a collection of bathrooms in simple and minimalistic ways, highlighting the essence of the materials and the trade of their fabrication.
The collection has been branded as TONO and its objects can be mixed and adapt to diverse typologies, from residential interiors to commercial spaces and offices.
While many architects consider windows for brightening interior spaces, Norman Foster is intrigued by natural light from above. The British star architect has long held Louis Kahn and Alvar Aalto in high esteem for how they handled daylight - especially with regard to the roof. In particular large public buildings benefit from this strategy creating enjoyable spaces. Therefore, Foster regards daylight from above as indispensable when he develops megastructures for airports on the ground or tall skyscrapers for work. But daylight from above is much more than an aesthetic dimension, remarks Foster: "Quite apart from the humanistic and poetic qualities of natural light there are also energy implications."