Photo of the Day: Ghadames, Libya http://t.co/MpRCAemGuy #pod #photography
— National Geographic (@NatGeo) March 27, 2013
Since time immemorial, and more recently, humans have wondered what the world looks like from above. This fascination has historically manifested in the plan drawing and aerial photography. In this vein, and using a motorized paraglider, National Geographic photographer George Steinmetz has captured a stunning bird’s-eye view of the ancient city of Ghadames, in Libya.
In this wide-ranging video, drone videographer Ian Wood captures the diversity of the built environment in Los Angeles, featuring architectural gems on equal footing with freeways and freight trains. The buildings and locations featured in the video span over a century of architectural history in LA, and cover the region’s vast geography, including such icons as Frank Lloyd Wright’s Hollyhock House, Cesar Pelli’s Pacific Design Center, Eric Owen Moss’ Stealth building, and Morphosis’ recently completed Emerson College Los Angeles.
But what truly sets this video apart is how it highlights the many murals spread throughout the city. Often utilizing otherwise blank facades facing parking lots and alleys, these murals are nonetheless an integral part of LA’s urban fabric, as illustrated in this video. Sadly though, as Wood notes on the video description, there were many more murals that vanished before he was able to get them on video.
Though the ahistorical dogma of modernism would seem a perfect fit for the Soviet Union’s mandated break with traditions, the architectural history of the USSR was somewhat more complex. Stalin’s neoclassically-inflected socialist realism superseded the constructivist heyday of the early Soviet Union, only to be replaced by a return to modernism under Khrushchev, facilitated by an opening to the West. Architectural photographers Denis Esakov and Dmitry Vasilenko recently used a drone to capture photographs of several landmark structures of the Khrushchev-era return to modernism, focusing on how these aerial views reinforce their rational geometries and regimented forms. Until the recent advent of satellite imagery and commercially available drones, these were views that were only ever seen by the architects, and the officials who reviewed the plans. Even so, the photographer notes that these methodical forms must have been very attractive to the state officers tasked with implementing Khrushchev’s mandated aesthetic.
The photographs, taken in and around Moscow, include works by several prominent Soviet architects. Leonid Pavlov’s long career spanned the full spectrum of state-sponsored architectural styles, starting as a constructivist, and moving into more historicist designs under Stalin, before emerging as one of the Soviet Union’s most prominent post-war modernists. Similarly, Yuri Platonov’s work received extensive state recognition, earning him the title of “People’s architect of the USSR,” as well as awards such the Silver Medal of the Arts Academy of the USSR, the USSR State Prize, and the State Prize of Russia.
Drone Brasília has shared with us a brief video filmed by a drone that gives a bird’s eye view of a signature feature of Brasília -- the “tesourinhas,” the so-called cloverleaf interchange that the city’s highways form.
In just thirty seconds the video shows the scale of the space, marked by cars traveling through the wide avenues, which themselves are projected onto an expansive green plane.
Photographer Amos Chapple has traveled the world, capturing well-known landmarks and cities from the perspective of a drone. From the Katshi Pillar in Georgia to New Delhi’s Lotus Temple and the star fort in Bourtange, the Netherlands, Chapple carried out “as much aerial work as weather and local laws allow.”
See 12 of his most impressive photos after the break.
Earthrise, a photograph taken on Christmas Eve of 1968 by astronauts of the Apollo 8 mission, was a defining moment for our collective understanding of the world in which we live on. For the very first time it dramatically pulled into focus the simultaneous magnificence, intricacy, and terrifying fragility of the planet we inhabit. Since that time the advent, acceleration, and accessibility of satellite imagery has made one thing abundantly clear: that humankind has had a considerable effect on Earth, for better or for worse. Daily Overview's self-defined mission is to "consider the places where man has left his mark and then conduct the necessary research to identify locations to convey that idea." They do so with incredible effect.
What is the draw of the aerial view? Whereas architects and designers often find solace in this particular spatial perspective there is a more inclusive, universal appeal to this way of seeing. The ease of access to online mapping services has increased our collective reliance on understanding our world from above.
Maps condense the planet into a little world inside our pocket, the commodification of which has universalised the ‘plan-view’ photograph. The question of whether or not their ubiquitous availability, having now been assimilated into our collective consciousness, is a positive step for the status of the plan is a discussion ongoing. Yet, in the face of this dilemma, architectural photographers are pushing the boundaries of drone technology in order to find new meaning.
