Similar to a mainstream school setting, Celebrate the Children, a school for children with autism, lines its hallways with colorful banners, photographs, and student artwork. Parents concerned with some of their children’s hypersensitivities often ask Monica Osgood, the school’s director, if there is too much stimulation. Monica responds that her students need to learn in ‘real’ world settings if they will ever have a chance to use their acquired skills outside of the classroom. This logic for replicating ‘neuro-typical’ environments, argues directly against the sensory sensitive approach, and, with reasons worth exploring. Individuals with autism often have very poor generalization skills. Therefore proponents of ‘neuro-typical’ simulated environments claim that sensory sensitive environments actually cause less, not more, universal access and integration into the larger population. Whether or not there is any truth to this claim is unknown. There are strong arguments for and against the ‘neuro-typical’ approach, but there are no definitive studies comparing the sensory sensitive approach to the ‘neuro-typical’ approach.
https://www.archdaily.com/181402/designing-for-autism-the-neuro-typical-approachChristopher N. Henry
What do we know about designing for individuals with autism? Those concerned with sensory issues are split on some issues. Some say we should limit daylight and exterior views, keep ceiling heights low and spatial volumes small, use restrained details, subdued colors, and reduce acoustical levels. Others advocate for high ceiling heights, large spatial volumes, and high levels of daylight with plenty of views to the outside. Still others disagree with catering to sensory needs altogether. They point out that individuals with autism struggle generalizing skills, and designing sensory heavens can do more harm than good. Thus they argue for autism classrooms, schools, and homes that mimic all the colors, sounds, lighting, and spatial volumes of “neuro-typical” environments. So who is right?
https://www.archdaily.com/177293/designing-for-autism-lightingChristopher N. Henry
Green Technology has given architects several things to rejoice about. It is helping designers become more responsible and conscious about the impacts of their buildings on the environment and the future; it is also sparking more creative approaches to design while engaging technological innovation. And perhaps most importantly, it is providing new jobs in the market for architects, engineers, researchers and manufacturers. So how can each of these professions benefit from this boosted interest in sustainability and renewable technology? Read on for tips on how and where to acquire a “green job”.
The EPA estimates that in 2009, the United States produced approximately 486 billion pounds of solid waste, most of which could have been recycled. And where did all that solid waste go? Right into our landfills, not too far from where we live and work. The same year, 34% of municipal solid waste was recycled (compared with only 10% in 1980) but the problem remains that, according to Chemical & Engineering News, most product-design methods used today are short-sighted. Most of these products were not designed with an end-of-life solution in mind, therefore most cannot be recycled or reused.
Read on to find out what this means for design after the break.
“Of all things that are man-made, bridges are, with dams, the most “structural,” single-minded, and imposing. As connectors at a breaking point, they have a heroic force that is aided by a challenging structuralism. As a strand of continuity in a non-continuum, the bridge is full of implied meanings. It is the opposite of devisiveness, separation, isolation, irretrievability, loss, segregation, abandonment. To bridge is as cogent in the psychic realm as it is in the physical world. The bridge is a symbol of confidence and trust. It is a communications medium as much as a connector.”
-Paolo Soleri, 1970, from “The Sketchbooks of Paolo Soleri”, published by MIT Press, 1971
A team of graduate students recently created a temporary installation on the Kent State University, Kent campus in Ohio. The project grew out of an internal challenge in the matR design competition. Designed by graduate students Brian Thoma, Carl, Veith, Victoria, Capranica, Matt Veith, and Griffin Morris, the tunnel-like structure called “The Passage” was a study to support the conceptualization and actualization of innovative and experimental material research. The students created the initial form in Rhinoceros with a couple Grasshopper definitions as a waffle structure of 26 vertical ribs and 24 horizontal struts. More images and information after the break.
The emergence of China on the global economic stage has been discussed at nauseum in myriad publications. But this emergence has had an impact on the world of architecture, providing a testing ground where architects can experiment with new ideas about sustainability and urban growth. These new ideas have been realized in recently completed structures, and more are just beginning construction or have been proposed for the future. More on these new buildings after the break.
In 2009, the Uptown Tenderloin Historic District was created in an attempt to preserve the rich history of the buildings, neighborhoods and communities that lay north of San Francisco’s Market Street. It has not only kept developers from modifying or even eradicating key buildings that have shaped the city of San Francisco, but has also helped to prevent the process of gentrification, enabling middle and lower-class inhabitants to continue living in the city at reasonable rates. Although building projects north of Market Street are now heavily restricted, not all of San Francisco is off limits.
According to George Baird of Architectural Record, skepticism of sustainability is on the rise. Architectural historians, theorists, practicing architects and even construction lawyers and risk managers are warning designers about the risks associated with the “going green” ambition. Sustainability takes many forms. From the recycling and reusing of materials to new technological innovations, “green design” can be humble: sourcing natural and passive solutions energy needs; and it can be extravagant: using customized and computer-enhanced systems that detect environmental conditions and respond accordingly to the building’s needs.
Sustainable housing comes in all shapes and sizes, and by 2020 California hopes that all of its new housing projects will benefit from net-zero energy consumption. But what exactly makes a home sustainable? Sustainability practices include materials, passive heating and cooling systems, energy harvesting, recycling, construction techniques and many other systems and technologies that are being developed everyday.
With so much continual innovation, California’s goal of making all new housing so energy efficient that it consumes no energy at all is foreseeable. While many agree that this, in fact, is the most responsible and intelligent approach to our increased energy consumption, developers and builders are divided over the potential financial hurdles that crop up from such a goal.
Follow us after the break for more information and images of sustainable housing projects.
Venice is commonly regarded as one of the wonders of the world, attracting over 17 million tourists each year. However, the city of Venice faces ongoing problems that threaten its ability to stay above water. The city’s flooding issues are notorious around the world. Every year water surges through its legendary labyrinth of streets wreaking havoc on architectural gems such as the Palazzo San Marco. With its architecture under threat, and dwindling population as many young people flock to the mainland, it is appropriate to think of Venice as a dying relic.
Tea ceremonies have evolved a great deal since they first got their start in the ninth century, and as the ceremonies have grown and shifted in purpose, so have the tea houses that hold them.
Initially tea was seen as a medicine used to cultivate the mind, body and spirit; tea was seen as good for monks because it helped them to stay awake for long periods of meditation. For this reason, the military class sponsored the construction of large zen temples for monks to drink tea in. As tea began to grow in popularity beyond the temple, tea ceremonies became a source of entertainment for members of the upper class who could afford to gamble, read poetry and attend tea parties in extravagant pavilions. More information after the break.
The city of Long Beach, California recently asked firmsWE-designs and XP& Architecture to design a landmark project to revitalize its downtown area using a low budget. The initial ideas are represented here as a series of re-configured old shipping containers, truncated and placed upright. The futuristic cluster of low rise buildings, called (RE) Configured-Ecologies, may eventually become multi-use space with an open playground feel. It will comprise of an education center, a café, retail space and 13 work/live loft spaces as well as an open roof terrace. Through proposing three types of innovatively reconstructed modular shipping containers, the overall construct leads to open courtyards, interlocking units, and playfully generated programs that introduce a new innovative topological creation that regenerates and reconnects the community.
The design of gas stations is mostly stripped down to that required for bare function. The inextricable relationship of the aesthetics of modernism to that of the automobile begs a different approach, one that fulfills the traditional function of a gas station but also reflects shifting movements within design. Just like the cars that have driven up to utilize them, these gas stations represent design principles contemporary to the time in which they were constructed.
Vernacular architecture, the simplest form of addressing human needs, is seemingly forgotten in modern architecture. However, due to recent rises in energy costs, the trend has sensibly swung the other way. Architects are embracing regionalism and cultural building traditions, given that these structures have proven to be energy efficient and altogether sustainable. In this time of rapid technological advancement and urbanization, there is still much to be learned from the traditional knowledge of vernacular construction. These low-tech methods of creating housing which is perfectly adapted to its locale are brilliant, for the reason that these are the principles which are more often ignored by prevailing architects.
The most influential decision in sports in the last twenty-five years was not made by a general manager, coach, or athlete. In fact, it wasn’t even made on a field, pitch, court, or rink. Instead, this decision originated in the office and on the drafting tables of the architecture firm HOK. The architects and engineers decided, going against three decades of stadium designs, some of which were their very own, to not create another generic multi-sport indoor arena for the next Baltimore Oriole park. Rather, they designed a stadium that was considerate of its context, integrated beautifully within the city, and invited the citizens of Baltimore to enjoy watching their Orioles play. More on stadium design and Oriole Park after the break.
