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Architecture and Human Rights: The Latest Architecture and News

“When Is Enough, Enough?”: The Singapore Pavilion Explores Connection, Freedom, and Inclusion at the 2023 Venice Architecture Biennale

For this year’s 18th International Architecture Exhibition – La Biennale di Venezia, the Singapore Pavilion activates discussion on new methods of measuring and evaluating the intangible and asks explicitly: how much is enough? The exhibition explores a community’s interaction with its surroundings, suggesting that they are not currently measured within the same measurable, quantifiable and gradable standards that buildings and the built environment are designed and built to. Moreover, the pavilion suggests that connecting these two pillars of city architecture, it is essential to rethink innovation in design. The exhibition asks how architects can quantify the immeasurable values of architecture: agency, attachment, attraction, connection, freedom, and inclusion.

In Times of Need: Architects Stepping Up in Humanitarian Crisis

Hard times bring people together. In recent years we have seen how collective work can be a driving force to help those affected by natural or man-made disasters. After a disaster or displacement, a safe physical environment is often essential. Therefore, the need for coordination becomes a key factor in assisting people in times of need.

Architects, as "Shelter Specialists", play an important role in creating safe and adequate environments, whether it is individual housing, public buildings, schools, or emergency tent camps. But as architect Diébédo Francis Kéré says, "When you have nothing and you want to convince your community to believe in an idea, it may happen that everybody starts working with you, but you need to keep fighting to convince them."

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From the Maid’s Room to the Outskirts: How Does Architecture Respond to the Social Changes of Domestic Work?

The maid's quarters are "with their days numbered", although they still find a place in the new luxury apartments. The information is from a report published in Folha de S. Paulo in March of this year, which says that in 2018 less than 1% of domestic workers, mostly black women, lived on the premises of their employers - a low number when compared to the 12% of 1995. With the decrease in the number of professionals residing in the employers' homes, the "maid's room" would gradually be no longer part of the architectural plans of Brazilian housing buildings.

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'Body Absent', a Temporary Memorial to Raise Awareness About Human Rights

Human Rights Day is celebrated every year on the 10th of December. After visiting numerous sites that commemorate the scenes of regrettable crimes against humanity and violence, one common observation can be made: the place of memory is not only a building. In fact, it is more about the encounter, the appropriation, and the gesture.

The Indicator: Where the Migrant Workers Are

Zaha Hadid’s unfortunate comments in response to worker deaths on construction sites for the 2022 World Cup has made Qatar the eye of a storm that has been raging globally for decades. But it’s not just about Qatar. This has been an issue for as long as there have been construction sites and for as long as poor people have swarmed to them for a chance at a better life.

Construction booms and migrant construction workers have always been two sides of the same equation, both dependent on the other, and, by the twisted logic of the global economy, both are the reason for the other’s existence. No migrant labor pool = no global city = no fantastic architecture, or something to this effect. 

The migrant workers are the silent collaborators in global architecture, the invisible, faceless, “untouchables” who make the cost-effective construction of these buildings possible.

Hadid's Response to Worker Deaths: Tone-Deaf But True

This article, by Martin Pedersen, originally appeared on Metropolis Magazine as "Governments, Not Architects, Should Shoulder Responsibility for Worker Deaths, Says Hadid."

Zaha Hadid set off a mini-shitstorm [the other day] when she declared that architects have “nothing to do with the workers” who have died on construction sites in Qatar, site of the World Cup in 2022. The Guardian had reported that nearly 900 workers had died in the past two years building the infrastructure required for the massive event. One of the projects under construction is Hadid’s Al-Wakrah stadium (above), a swoopy, curvilinear 40,000 seat facility that some critics likened to a vagina when the scheme was unveiled to the public. “It’s not my duty as an architect to look at it,” Hadid said, on the worker deaths. “I cannot do anything about it because I have no power to do anything about it. I think it’s a problem anywhere in the world. But, as I said, I think there are discrepancies all over the world.”

Her tone-deaf comments elicited a firestorm of predictable outrage, but I’d contend they had a near-truth about them. As I see it, Hadid had four possible courses of action, all of them limited in scope. 

Zaha Hadid on Worker Deaths in Qatar: "It's Not My Duty As an Architect"

When The Guardian recently asked Zaha Hadid about the 500 Indians and 382 Nepalese migrant workers who have reportedly died in preparations for the 2022 World Cup in Qatar, the architect behind the al-Wakrah stadium responded:

"I have nothing to do with the workers. I think that's an issue the government – if there's a problem – should pick up. Hopefully, these things will be resolved."