The architecture of governments has long been tied to shared ideals. Built to reflect regional aspirations and communal organizations, parliaments are a unique type of design for legislative bodies. Generally speaking, they include various kinds of deliberative, consultative, and judicial assemblies. Exploring new ideas on the design of government buildings, parliaments are being reimagined to reflect contemporary life.
How many times have you been faced with the challenge of designing a cultural center? While this may seem like quite a feat, many architects have had to design a program that blends a community center with culture.
Among the projects published on our site, we have found numerous examples that highlight different responses, from flexible configurations to sites that prioritize central gathering areas for citizens and activities. See our series of 50 community centers and their plans and sections below.
The facade can be considered the most important signifier of a building as the shell separating the outside from the inside. The expressive power of this protective shell should not be underestimated, because the appearance of the architecture has a decisive influence on the entire environment. The Lower Bavarian company Moeding Keramikfassaden specialises in meeting this important task in architecture with a special material.
Recognized as the UK’s highest honor for architecture, the RIBA Royal Gold Medal for Architecture is approved personally by Her Majesty The Queen and is given to a person or group of people who have had a significant influence "either directly or indirectly on the advancement of architecture.", according to the organization.
Architecture is art, but art vastly contaminated by many other things. Contaminated in the best sense of the word—fed, fertilized by many things.
– Renzo Piano
Italian architect Renzo Piano (born 14 September 1937) is known for his delicate and refined approach to building, deployed in museums and other buildings around the world. Awarded the Pritzker Prize in 1998, the Pritzker Jury compared him to Leonardo da Vinci, Michelangelo, and Brunelleschi, highlighting "his intellectual curiosity and problem-solving techniques as broad and far ranging as those earlier masters of his native land."