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The "Rust Belt," a region of north central United States, is well known as an area where once thriving industrial cities have declined in economic health and population. As a result, many of the region's cities have been subject to grand proposals that aim to fix these city's problems--but could such schemes also provide a way to intervene in other serious global issues? In a recent article, Metropolis Magazine’s Web Editor and former ArchDaily Managing Editor Vanessa Quirk argues that refugees could reinvigorate such cities, describing how refugees are “boosting American’s legacy cities,” but simultaneously “encountering resistance from residents.”

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In October 1997, the unforgettable swooping metal panels of Frank Gehry’s Guggenheim Bilbao made their debut, drawing the attention of art and architecture lovers around the world. Images of the building quickly circulated through the infant world wide web, turning the museum into an instant icon that permanently elevated and transformed the international perception of the city of Bilbao.

Cities all over the world saw the potential in creating their own “Bilbao Effect,” and soon, a slew of new eye-catching, sculptural buildings had be built. This phenomenon persisted through the 2000s, manifesting itself in works by Gehry, Zaha Hadid, and many others. But recently, notable figures both inside and outside architecture have began to distance themselves from the icon, notably in the design philosophies of OMA and alumni such as Jeanne Gang and Matthias Sauerbruch.

In a new opinion piece for the Guardian, photographer Stuart Franklin extends this sentiment not just to architecture, but to all images in general. Franklin explains the history of the “iconic image” and the reasons why it may no longer exist. 

Read Franklin’s full piece, here.

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The Library of Congress has announced the winners of the 2016 Holland Prize, which recognizes the best single-sheet, measured drawing of a historic building, site, or structure, completed to the standards of the Historic American Building Survey (HABS), Historic American Engineering Record (HAER), or the Historic American Landscapes Survey (HALS).

The prize is awarded annually to “increase awareness, knowledge, and appreciation of historic resources throughout the United States while adding to the permanent HABS, HAER, and HALS collection at the LOC, and to encourage the submission of drawings among professionals and students. By requiring only a single sheet, the competition challenges the delineator to capture the essence of the site through the presentation of key features that reflect its significance.”

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Young tech team (Bar Smith, Hannah Teagle, and Tom Beckett) has launched a Kickstarter campaign for Maslow, a four-by-eight-foot at home CNC cutting machine made to assist construction efforts by cutting user-specified shapes out of wood or any other flat material. Designed to be affordable—at under $500—easy to use, inclusive, and powerful, the project aims to share designs digitally so that you can build on the work of others or create your own from scratch.

Based on the design of the hanging plotter, Maslow “uses gear-reduced DC motors with encoders and a closed-loop feedback system to achieve high accuracy and high torque.”

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