The BETA competition and its related exhibition supports and promotes quality architecture in all its forms and manifestations, being conceived as a relational interface both within the profession and between the profession and the socio-cultural environment in which it operates.
In October 1959, when the Solomon R. Guggenheim Museum opened the doors to its new building on Manhattan’s Fifth Avenue, it promptly became “the obligatory topic of every New York conversation." The last built work by Frank Lloyd Wright, who had died earlier that year at 91, was not showered with praise, as one might now expect, but pelted with criticism. Almost everyone felt that the architecture of the museum dominated the paintings and the art inside. Such was the power of FLW’s architecture. Wright’s building made it socially and culturally acceptable for an architect to design a highly expressive, intensely personal museum. In this sense, almost every museum of our time is a child of the Guggenheim.
Building Trust International have just announced their 8th design competition which is in association with the United Nations Development Programme and the Phnom Penh Special Economic Zone. The competition entitled 'Affordable Housing Design Challenge' challenges architects, designers and engineers to submit an innovative design proposal for new affordable housing for low income workers in Phnom Penh, Cambodia. These new units should be well-designed, sustainable and most importantly improve the quality of life of the intended residents and the surrounding community. More than just housing, this new project should build a future for workers and their families in Cambodia.
Building Trust international will work alongside competition partners, local government and the winning team to build the winning design. The winning team will not only have their design constructed but will also receive a US$20,000 cash prize fund with 4 honourable mentions receiving US$5000 each.
Tamayouz Excellence Award is delighted to invite students, designers and architects worldwide to participate in the newly launched "Dewan Award for Architecture" and its competition subject for this year: School in the Marshes. Winners of this Award will be offered fully paid employment at Dewan Architects and Engineers in Dubai for 6 months expandable to 12 months.
The International Workshop RCR is born of a way of understanding Architecture and Landscape from a humanistic spirit. The coexistence in a space and time of different creative disciplines creates synergies for mutual enrichment between the parties.
The Union of architects of Russia invites you to participate in the 2nd Russian competition with international participation "Build School Project 2018" on nursery, kindergarten and school designs and constructions
The Union of architects of Russia invites you to participate in the 2nd Russian competition with international participation "Build School Project 2018" on nursery, kindergarten and school designs and constructions, which will be held in the framework of the 2nd international exhibition "Build School 2018" from 25 to 27 September 2018 in Moscow in "Expocentre".
Videos
Ninth Place winner - USA - Amanda Gunawan and Joel Wong
Tamayouz is delighted to invite students of Architecture, Urban Design, Urban Planning, Architecture Technology and Landscape Design worldwide to register and submit their Graduation Projects. An independent international jury will review all entries and will select the winners of Tamayouz International Award 2018. Prizes include: An MSc Scholarship for 2 Years at the Polytechnic University of Milan, supervisor the Year Medal, University of the Year Medallion. All the selected winners making the TOP 3 list, the supervisor of the year and the university of the Year will be invited to attend our annual Tamayouz Excellence Award ceremony (Travel Expenses covered by the organisers of the Award).
Docomomo Slovenia is deeply honoured to be approved to host the 15th international Docomomo conference in Cankarjev Dom, Ljubljana, Slovenia in August 2018. As this is also the year in which Docomomo International is celebrating 30 years of its existance, we would like to kindly invite you to join us at this unique place and moment in the history of Docomomo International in the conference with the title Metamorphosis – The Continuity of Change.
The conference proceedings will be published in full in the “ARChive” International Journal of Science and in SSRN by ELSEVIER. Publication in Springer will only be applicable to the selected papers that will be supervised by highly professional members of an International Editorial Board to ensure a high-quality publication material. Thus, such outstanding material will lead to the indexing of the series in well-known indexing databases such as Scopus and Thomson Reuters.
By God, don’t walk by me, I am an architect. I am trying to show you something. Look at it! - Morris Lapidus
Never before there were so many distinctive and original voices and visions in architecture. Multiplicity of voices is the defining feature of architecture’s current moment. Architecture of distinction and originality is being produced all around us. Our built environment is growing ever more diverse and complex. Is architecture oversaturated with ideas? How many architectures do we need? How can we remain critical by being exposed to such a proliferation of voices? Do architects need common ground? Should architects’ voices be amplified? Should architecture be ego-driven? Is iconic and signature-style architecture still relevant?
The exhibition Social Construction: Modern Architecture in British Mandate Palestine, tracing the influence of international Modernism on the architectural vernacular that developed in Palestine during 1917–48, is on display at the Yale Architecture Gallery from August 31to November 18, 2017. Originally organized by the Israel Museum, in Jerusalem, the show draws inspiration from the extensive research of architects Ada Karmi-Melamede and Dan Price, whose accompanying book, Architecture in Palestine during the British Mandate, 1917–1948, explores not only the functional aspects of this new architecture but also the social values that shaped the defining language of this new architectural style. The original exhibition was curated and designed by Oren Sagiv, chief of exhibition design at the Israel Museum, with Eyal Rozen.
CAMPOSAZ LISBOA 12:12 is a design workshop and wooden self-construction at 1:1.
This new edition of Camposaz will take place from 15.09.17 to 24.09.17 in Bairro da Liberdade de Lisboa, a small neighborhood that sees its first home only from the twentieth century. Located at the foot of the aqueduct of the Free Waters and Monsanto Forest.
Entrance to the Visitors Center at the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), formerly known as the Prince of Wales Museum, Mumbai. Photo: Rajesh Vohra
As a point of entry and exit, a threshold has a dual coding in society as both a physical and symbolic marker of separation and connection. Thresholds are often explicitly hard-edged or even brutal in their expression, demarcating rigid boundaries, as in the definitive lines of walls, barricades, and security checkpoints in buildings, around cities, or across larger territories. Too often, thresholds also divide human activity or communities according to social, ethnic, national, or economic characteristics. Architecture and planning can unwittingly contribute to these different forms of physical separation, especially in ways made visible through their practitioners’ interpretations of culture, religion, or legislation. As the academic disciplines that inform spatial practices, architecture and planning are themselves often similarly separated by disciplinary thresholds, inhibiting porosity between fields of research. By definition, an individual discipline necessarily is organized around a self-referential center of discursive production, but this often happens at the expense of the richness found at the intersection of multiple disciplinary perspectives. Is architecture, in its compulsive drive to create the autonomous object, inherently hardening the thresholds separating it from other disciplines and, by extension, reproducing those schisms within the built environment? Can architecture and planning intentionally construct soft thresholds―lines that are easily traversed, even temporarily erased―thereby allowing for multiple perspectives across different modes of research and practice and catalyzing disciplinary and social connections? What, then, is the physical expression of a soft threshold―a space that is visually and physically porous, plural in spirit, encompassing of its context, and yet rigorous in its expression?
21 years of recognizing excellence in urban best practice
The Dubai Municipality and UN-Habitat present the Dubai International Award for Best Practices to Improve the Living Environment. The 2017 Award comes at a critical time; with the New Urban Agenda being signed in October last year, this is a distinct opportunity to show case the most effective interventions for improving the lives of urban residents around the globe.
The word "home" is an abstract word that could mean a lot of things. It is both a physical space where we live, and a life style which we choose to have. What kind of spaces, surroundings and life styles are the ones that are most suitable for the Chinese people? To answer it, designers are asked to make the full use of their innovative and creative ideas, in order to create the kind of home spaces that are inspiring, harmonious, and elegant.
It’s LIQUID Group, in collaboration with Ca’ Zanardi, is selecting all interesting video-art, painting, photo, installation and performance art works to include in VISIONS, International Art Festival, that will be hosted in Venice, at Palazzo Ca’ Zanardi and other prestigious venues and historical buildings, from September 14, 2017 to November 26, 2017.
The story of master architect Louis Kahn (1901 – 1974) is intrinsically connected to Philadelphia, where he spent most of his life and career. Louis Kahn: The Power of Architecture is the first major retrospective of Kahn’s work in two decades, encompassing over 200 objects related to Kahn’s buildings and projects in the form of architectural models, plans, original drawings, photographs, and films. With complex spatial compositions and a choreographic mastery of light, Kahn created buildings of archaic beauty and powerful universal symbolism. The Fabric Workshop and Museum is proud to be the final venue of the international tour.